conversion

On April 25, 1975, I saw my very first concert. It was just a few months before my 14th birthday. At the time, I was trying to ween myself off of a steady musical diet of AM radio bubble gum pop. The airwaves were jam-packed with the likes of Leo Sayer and Olivia Newton-John and The Bay City Rollers. Sure, Elton John was riding high, but I sought something... louder....something... harder. I found satisfaction in Alice Cooper's Welcome to My Nightmare. This was the pseudo-subversive demon rocker's first solo effort after leaving the namesake band from which he pinches his stage moniker. So with my mom's permission, I scraped together the impossible sum of $6.50 and purchased a ticket to the show. I convinced a couple of classmates to join me, and after securing a ride from my mom to the Spectrum (the South Philadelphia multi-purpose venue that succumbed to the wrecking ball in 2010), we were all set.

My friends and I found seats in Section C at the massive Spectrum and waited — impatiently — for the festivities to begin. A forty minute set from bassist Suzi Quatro got everyone in the mood for an evening with Alice Cooper. So, when the lights went out and Alice materialized from the darkness, bathed in ethereal purple light, we knew we were in for a night of wicked fun. Sure it was innocent, but there was still something bad about it — and "bad" was "good."

Almost 50 years later — to the day — I attended my most recent concert. My son, a DJ on a local Philadelphia radio station, arranged for two tickets to see Nick Cave and the Bad Seeds at The Met, a newly-rehabbed former opera house on North Broad Street that has emerged as the go-to venue for bands not quite popular enough to fill the Wells Fargo Center (the shitty multi-purpose South Philadelphia venue that replaced the equally-as-shitty Spectrum). The Met is looming and cavernous, appointed with ornate wood carving and an abundance of gold leaf. It made for a great setting in which to see Nick Cave. (This was the fourth time I saw the Australian rocker and each performance was mesmerizing.)

Alice Cooper and Nick Cave are similar... sort of. They both exude a sense of malevolence, of danger. Both singers' songs feature dark imagery and grim messaging. Alice Cooper's stage show relies more on visual props, costume changes and little vignettes. Way back in '75, I saw Alice fight — and decapitate — a cyclops. I saw Alice get his head chopped off in a guillotine. I saw Alice perform a Busby Berkeley-style kick-line with a troupe of tuxedo-clad skeletons. I saw Alice wield a snake and swing his microphone stand at those in the front row. It was scary and exhilarating and — most of all — entertaining. However, it was all presented with an underlying feeling of goofiness. It was fun. It was cartoony. It was the Coyote dropping an anvil of the Roadrunner. It was Simon Bar Sinister threatening the citizens of Capitol City with a snow gun. It was Moe poking Larry in the eyes and hearing that familiar "DOINK!" sound. Alice sang about school and movies and scary ghoulies hiding under your bed. It was scary... but not too scary.

On the other hand, Nick Cave seems to be genuinely dangerous. Nick Cave brings menace — an unsettling, unpredictable menace — to any stage he sets foot upon. Looking dapper — like an undertaker — in a dark suit and tie, Nick Cave leans into the audience with a scowl and a growl from the very first song to the very last. He flips his cordless mic to the wayside with the same carefree indifference as a kidnapper kicking his bound-and-gagged victim out of a moving car. His laugh is reminiscent of Satan. His deep vocals resonate a threatening tone, offering a no-nonsense missive as each song-story unfolds. He spins dark epic tales of unsavory lowlifes, biblical outcasts and desperate life challenges. His between-song patter, while sometimes playful, still carries a palpable capriciousness, that keeps the audience on its collective toes. You get the feeling you should be checking for the closest exit... you know... just in case things get icky... and there's always the chance they could. Whereas Alice Cooper's portent is presented with all the seriousness of a water pistol, Nick Cave's malice appears real. Alice Cooper waves a rolling pin at you like a comic-strip housewife waiting for her drunken husband to return home from a late-night bender. Nick Cave is David Berkowitz stealthily sneaking up to your parked car and shooting you in the back of the head while you're making out with your boyfriend. 

The audience at a Nick Cave show is entertained, but still, made to feel vulnerable. It's thrilling and, at the same time, uncomfortable. It's like pulling back the curtain and instead of seeing Willy Wonka's chocolate waterfall, you witness a Black Mass just as they're getting to the human sacrifice part of the service.

I think if I had seen Nick Cave instead of Alice Cooper when I was 14, I would have sworn off concerts for the rest of my life. Now, as my 64th year on Earth approaches, I'm ready to see what the next concert offers.

www.joshpincusiscrying.com

happy loving couples

My parents had a group of friends with which they socialized on a fairly regular basis. By "regular basis," I mean whenever my mother made plans with the wife of the couple. Then, those plans were gently divulged to my father upon his return from a "hard day at work." (Every day at work was a hard day at work for my father.) My father would, of course, frown and grumble and express his displeasure at the thought of getting together with "those couples." Then he would relent when my mother would glare and threaten to withhold dinner beyond the unspoken but pre-determined 6:15 start time. You see, the majority of my parents' "couple friends" were my mother's friends from her days as a carefree, slightly uninhibited "party girl" and their husbands. I honestly don't remember any of the storied men from my father's youth making it to the "married adult friends list." 

My mom kept in close touch with her teenage (and beyond) girlfriends. She attended each of their weddings as a still-swinging single. When she became a bride at the unheard-of age of 33, her now-married friends joined her and rallied around to watch the once spontaneous and unpredictably wild Doris become Mrs. Pincus the First. Keeping in step with 1950s society expectations, my mom made regular plans with her friends and their husbands — regardless of how my father felt.

My mom had three very close friends in their early twenties — Annette, Roberta and Bernadette. These three women, led by my mom, would descend upon various Catskill, New York resorts (like the one you saw in Dirty Dancing) and — as they say — "paint the town red." They would swim and dance and drink and flirt and flirt and flirt. My mom was the ringleader of the "Four Musketeers" and her friends were only too happy to follow along. Marriage, however, calmed these ladies down — reducing their frenzied nights of debauchery to quiet games of Mah Jongg. But, my mom liked having friends and, even though my father didn't like having friends, she got together with her friends and forced my father to be as cordial as he possibly could.

Plans were made most often with my mom's friend Annette and her husband Rusty. Annette was a typical quiet, polite, reserved 60s housewife, behaving as though she stepped right out of a TV family sitcom. Rusty was loud and boisterous and wore bold plaid sport jackets and told corny jokes. And, according to my father and repeated regularly, Rusty was cheap. Maybe that's the reason my father never wanted to get together with Annette and Rusty. My father, one of the world's worst handlers of money, had a terrible habit of reaching for the check at the end of a restaurant meal with friends. Always wanting to appear "the big shot," my father would grab the check as soon as the waiter would drop it on the table. Other husbands would protest and argue with my dad that the check should be split — the reaction my father was always hoping for. But not Rusty. Rusty would shrug and loudly exclaim to his wife: "Look Annette! He's doing it again!" Rusty would never argue or reach for his wallet, but he always had the same reaction. And my father still continued to grab the check first. He never learned.

One time, my mom made plans to go to a baseball game at brand new Veterans Stadium, the giant concrete monstrosity in South Philadelphia that was the new home to the Philadelphia Phillies after the closing of the venerable Connie Mack Stadium in North Philly. My father often took my older brother to Phillies games at Connie Mack, leaving my mother and I to stay home and listen to the game on the radio. My mom's plans for a family outing at the ballpark would include Annette and Rusty and their daughter, Cindy Wanda, who was my age. I didn't especially like Cindy Wanda (and I think the feeling was mutual), but a friendship was forced upon us by our parents. And I always thought it was weird that she was always referred to by her first and middle names. As per usual, my father grumbled about plans with Annette and Rusty, but, as per usual, buckled under pressure from my mother. Tickets were bought and we were going.

The day of the game — a Sunday afternoon — we found our seats and settled in. Somewhere around the third inning, my father silently rose and left his seat, never informing anyone of his destination. A few minutes after my father left, Rusty also left and scurried up the aisle of our section. Rusty returned quickly, carrying three hot dogs in his hands. He made his way to our seats and handed a dog to his wife and his daughter and they ate in silence. My father soon appeared toting six hot dogs — one each for his family and for his "friends' family." He was visibly angered by the fact that Rusty and his family where already munching on their own ballpark staples. He grew more vexed when Rusty happily accepted three more hot dogs and opined a familiar sentiment: "Look Annette! He's doing it again!" 

Every so often, my mom would invite her friends and their husbands to our house for an evening of talk, camaraderie and some games — poker for the men in one room and Mah Jongg for the ladies in another room. With the notion of company, my mom would stock up on snacks and such, putting out a spread on our kitchen table of cold cuts, bagels, sandwich accoutrements and condiments, as well as big bowls of potato chips, pretzels and something called "bridge mix," little dark chocolate coated morsels that resembled rabbit droppings. Often these little get-togethers would rotate from house to house and a similar array of food and refreshments would be offered by the evening's host couple. My father dreaded when Annette and Rusty where the "hosts of the week." (Honestly, my father dreaded these evenings PERIOD.) The food at Annette and Rusty's was minimal, consisting of cheese slices and other foodstuffs corresponding to the exact number of people attending the night's gathering. Four couples? Eight slices of cheese. No more. No less. Eight bagels. Eight slices of tomato. Eight napkins. You get the picture. Oh, and eight cans of soda were set out. And no ice bucket.

After a while, my parents didn't get together with my mom's friends and their husbands. My mom began working full time and taking on lots of overtime hours. Her time at home was spent catching up on sleep. My dad was just as happy. he went to work. He came home. He smoked a ton of cigarettes, ate a lot of red meat and watched a lot of television. Friends he didn't need or want.

Especially cheap ones.

www.joshpincusiscrying.com

let me entertain you

It's no secret how much I love television. It has been claimed — though never truly documented — that I will walk into a darkened room and turn on the television before I will turn on a light. When my wife and I moved to our home in the suburbs, years before cable television was available within the Philadelphia city limits, I made sure that our access to the wonderful world of cable TV was secured before I called the electric and water companies for their services. Television took top priority.  I wasn't going to be nearly as entertained by watching water come out of our kitchen faucet or — as previously established — by flicking a light switch.

My affinity for watching television isn't anything new. I've been watching since I was a little kid and now, I go out of my way to watch a lot of those same shows that I enjoyed in the early 60s and 70s. Some are good and have stood the test of time, like the timeless, sophisticated humor of The Dick Van Dyke Show or even the topical fun of Barney Miller. Some, like Dennis the Menace and Car 54 Where Are You?, are just awful, but I watch them just the same because they give me a warm, nostalgic feeling. I understand that the generation after me doesn't share the same pleasure I get from a decades old episode of Family Affair or The Beverly Hillbillies. Or maybe I don't. I have tried to get my son to watch some of the shows that reside in a soft spot in my heart and memory. While he appreciates the enduring wit of Jack Benny and George Burns and even the broad antics of The Honeymooners, he cringes at Don Knotts' jittery ineptitude as the hapless "Barney Fife" on The Andy Griffith Show. ("Why doesn't Andy just fucking shoot that moron?" my son has asked. "That's the reason Andy doesn't carry a gun," I'd explain.)

My wife and I have found ourselves watching reruns of The Ed Sullivan Show, broadcast nightly on the Decades channel, one of the many retro programming networks available through our cable provider. Ed Sullivan, an uptight fellow with no discernable talent, snagged the top names in show business to appear on his show — a show that lasted an incredible 24 seasons. It was a staple on Sunday evenings, with nearly every household in the country tuning in to watch. Ed's formula for each episode was to present a wide variety of acts that would appeal to every member of the family. A singer, a dance troupe, a comedian and acts straight from the circus. Over the years, tastes changed and soon the top rock groups of the day were featured alongside opera singers and fully-staged scenes from Broadway musicals. In the 1990s, a syndication package of The Ed Sullivan Show was made available to re-introduce the show to a new audience. The package condenses the original hour-long shows into 30 minute compilations featuring the same variety of acts that made the show so popular. There is usually a singer of contemporary (for the time) fame, a current (again, for the time period) rock group, a comedian and some sort of novelty act, like a  magician, a tightrope walker or a couple of guys juggling flaming batons while switching top hats with each other. Some segments are in black and white, as it wasn't until 1965 that The Ed Sullivan Show was broadcast in living, garish color.

We have enjoyed watching Ed Sullivan nervously introducing acts, mispronouncing names and clumsily greeting guests post-performance. We like seeing countless performances by The Supremes, amused by the obvious perturbed expression on Florence Ballard's face behind Diana Ross's back. We like seeing early stand-up appearances by a crewcut-sporting George Carlin or a fresh-faced Richard Pryor, along with forgotten names like Jackie Vernon and Guy Marks. We marvel at the appeal of two young ladies, on their backs, juggling full-size dining room tables with their feet or a genteel-looking Asian man diving headfirst through a tiny ring of blazing scimitars. Among these many episodes, Mrs. P and I discovered an act — one of Ed's trademark novelty acts — that we must have missed as children. (The show left the airwaves when I was 10.) It was a man by the name of Arthur Worsley.

"A bottle of beer, a bottle of beer"

Ed Sullivan (or his representatives) scoured the globe for acts to present to the American television-watching public. They came across Arthur Worsley in his native Great Britain. Worsley, a ventriloquist, was quite popular on British television, as well as a regular performer at The London Palladium. By the time he made his first of a dozen appearances on the Sullivan show, he was a pretty big name in many parts of the world. But Arthur Worsley was not an ordinary ventriloquist. Well, sure, he had a dummy — in this case — a pug-nosed little wiseacre named "Charlie Brown." And, yes, he made ol' Charlie "speak" while his mouth remained perfectly still. But, the true novelty in Worsely's act was how he — Worsley — stood silent while his dummy screamed and berated and abused him. Worsley himself barely spoke a word. Sometimes he didn't even look at the dummy, which made the dummy even angrier, prompting an even more virulent barrage of insults. The act would culminate with a meta take on the act itself. Charlie would explain that certain letters are difficult for ventriloquists to pronounce without moving their lips, the most arduous being the letter "B." Arthur's gaze would wander as Charlie would demand his attention and acknowledgment of the fact that "B" was particularly challenging to say without moving this lips. Then Charlie would spew, in rapid-fire succession, a stream of "B" words, all articulated and very understandable — while Arthur stood by with a disinterested expression on his face. The act concluded with Charlie repeating "A bottle of beer, a bottle of beer, a bottle of beer" over and over, eloquently enunciating each demanding "B" sound with no effort at all while Arthur's lips displayed nary a quiver — all to the delight of the theater audience. It was highly entertaining — and very funny. Over the years, Worsley did variations of the same act on The Ed Sullivan Show, all to similarly approving reaction. Ed Sullivan called Arthur Worsley "The Greatest Ventriloquist in the World." In reruns of The Ed Sullivan Show, Mrs. Pincus and I have seen the same "Arthur Worsley and Charlie Brown" act many many times and every time, it is just as funny as the first time we saw it.

We have told many people about this act. No one seems to remember it. Most people stare at us expressionlessly as our description of the performance evolves into peals of laughter, followed by embarrassed awkwardness. Recently, my brother-in-law (not that one, the other one) came over for dinner with my nephew Tish who is 14 years-old. Before and during dinner, Tish was totally captivated by his cellphone, barely participating in dinnertime conversation. Trying to engage Tish, I began to tell him about The Ed Sullivan Show reruns that we watch. Tish had never heard of the show, so I had to offer a short, sometimes disjointed, backstory of the concept of TV variety shows and who exactly Mr. Sullivan was. Tish seemed nonplussed by my explanation, having grown up in and spoiled by the era of Netflix, YouTube, TikTok and other on-demand, instant gratification outlets of entertainment. Once I was relatively satisfied that he had understood the gist of the "television variety show," I extracted my cellphone from my pocket and pulled up a YouTube clip of a grainy, black & white appearance of Arthur Worsley and Charlie Brown on The Ed Sullivan Show from 1960. I started the clip and turned my phone in Tish's direction. Initially, he looked at me as though I just told him I was about to give him a root canal. Then, with heavy-lidded eyes, he stared at the tiny screen in my hand as if he was watching paint dry. And his reaction to the clip was just about as enthusiastic. His already waning attention was lessening by the second. We didn't even make it to the classic "A bottle of beer, a bottle of beer" shtick. I had lost him. Tish had begun scrutinizing the wrought iron chandelier that hangs above our dining room table. I turned the clip off and The Ed Sullivan Show was not mentioned again.

The last new episode of The Ed Sullivan Show was presented on March 28, 1971. Citing lower ratings, a diminishing demographic and changing entertainment preferences, the show was canceled. I think I witnessed all of that at my dining room table.

www.joshpincusiscrying.com

liquored up and lacquered down

I don't drink alcohol. I used to, when I was much younger. I never used a fake ID, like a lot of my contemporaries. To be honest, I didn't think it was necessary, as the legal drinking age in New Jersey was 18 when I turned 18... and New Jersey was just a short drive and a ten-cent bridge toll from my house. Prior to that, I drank in several New Jersey establishments that almost never asked to see anyone's ID. As long as you laid low and didn't draw any attention to yourself, an underage drinker, like myself, could happily be served all the cheap beer they could consume. And — save for a few harrowing, cringe-worthy incidents — my friends and I knew our limits.

In the summer of  1979, I turned 18. Just after graduation from high school, a couple of friends and I spent a few days in Atlantic City. After securing a room in our favorite shitty rooming house, I headed out to make my first legal purchase of alcohol at a liquor store. My friend Alan would not turn 18 for another month and my friend Scott had to wait until the following January, but Josh was here to make sure their alcohol consumption was free-flowing  and uninterrupted. We approached the front entrance of Chelsea Liquors and I pulled open the door. Alan and Scott stayed behind, peering through the glass of the front window like two puppies waiting for their owner to return with treats. Chelsea Liquors was a long narrow store with a main aisle flanked by cases of beer and bottles of hard liquor. I slowly strolled along the aisle grabbing two six packs of Genesee Cream Ale (a favorite beverage at the time) and made my way to the counter at the rear of the store. Two older men, around my father's age and looking just as stern, stood on the other side of the counter giving me the once-over as I dropped the beer on the faux Formica countertop. One of the men muttered, "ID?" and I confidently pulled my little wallet from my back pocket, extracted my driver's license and presented it to the man to silently answer his inquiry. In my mind, I puffed out "Read it and weep, motherfucker. As of yesterday, I have graced this planet for eighteen years." In reality, I said nothing, as I was too nervous to form any words. Besides, no words would never make it past the enormous lump in my throat. The man examined my license from over the top of his glasses. He looked at me, at my license, at me again... then handed my driver's license back to me. I paid for the beer, grabbed my purchase and began to make the thirty-five mile walk back to the front door. I half-expected to be chased or have sirens go off or have the front door suddenly get blocked by automatic bars descending from the ceiling like in a James Bond movie. But — no — none of that happened. I was legally permitted to purchase alcoholic beverages in any amount under the laws of New Jersey. And that is exactly what I did. And from that point forward, I did it a lot.

On occasion, on a weekend evening with nothing to do, a friend and I would borrow my mom's car and drive across the Tacony-Palmyra Bridge with our destination being the reliable old Roger Wilco liquor store, a long-time fixture on Route 73 just over the Pennsylvania-New jersey border. Here, we would purchase a single quart of Ortlieb's Beer for eighty cents and return to my Philadelphia home to consume it. The whole deal,  including the 10 cent bridge toll in both directions, cost a buck. Not bad for a little Friday night entertainment. Yeah, yeah, I know, crossing state boundaries with alcohol is strictly verboten. But it was the 70s. We were stupid and, most importantly, we never got caught.

On the night before Thanksgiving 1983, I stopped drinking. By this time, I had reached the legal drinking age in Pennsylvania and took full advantage of the situation. My friend Scott and my friend Sam decided that we would see how much alcohol our bodies could tolerate. We found ourselves at the bar of The Dickens Inn, a British-themed pub in the historic section of Philadelphia. Here, we downed a few beers while we engaged in conversation with a couple of British sailors who were stationed on a ship docked on the Delaware River. We tried our darndest to keep up with their drinking, but our lightweight Northeast Philadelphia Jewish sensibilities were no match for their hard-drinking, seafaring ways. Soon, the bartender began plying us with shots of peppermint schnapps and beer chasers. Those sailor literally drank us under the table. I say "literally," because that where I ended up — under the table. To be more accurate, I wound up on my ass at the bottom of a flight of stairs. I was carried out of the place by Scott and Sam and loaded into Scott's car, but not before I was warned: "If you puke in my car, you are walking the rest of the way home." To Scott's satisfaction, I waited until I got home to throw up my guts. And with a houseful of people arriving for Thanksgiving the next day, I managed to crawl out of bed just as the last guests were leaving. I missed dinner while I prayed for sweet death to alleviate the throbbing in my head.

And I officially retired from the ranks of drinkers.

A few nights ago, Mrs. Pincus and I hosted the 38th annual "Night Before Thanksgiving" dessert party at our house. Over the years, the guest list has changed considerably from family to friends to our son's friends, most of whom seem to enjoy the festivities and being included more that anyone else. My son and his friends like to drink alcoholic beverages and, in recent years, I have purchased whatever was requested. This year, my son asked for a selection of Downeast hard cider, something I had to write down for fear I'd forget what I was looking for when I went to the liquor store. Since I work in New Jersey and pass the aforementioned Roger Wilco on a daily basis, I would pick up this Downeast stuff on my way home. A day or so before the party, I pulled into Roger Wilco's parking lot. I grabbed a shopping cart and entered the store. The place was enormous. Of course, I had not been inside since I purchased that eighty cent bottle of beer over forty years ago. There was an entire other room filled with Home Depot-like shelving stocked with beer, ale and cider in colorful packaging. It was very overwhelming. I asked a salesperson for the location of Downeast cider and he led me down an aisle past a few shelving units, pointing out the small boxes on an eye-left shelf. I would have never found it on my own. I loaded three 9-packs (who ever heard of a 9-pack?) into my cart and went back to check out. I snaked my way through the queue line and up to a young lady at a cash register. She greeted me with a half-smile and I placed the three boxes on the counter. Then, to my surprise, she asked me for ID. "Excuse me?' I said, knowing damn well what she just asked, but I needed to hear it again. I am 61 years old. I have a head full of.... well, not full.... but what's left of my hair is white. And sparse. And thin. Unfazed, she asked again. "ID," she said. I tried to stifle a laugh as I pulled my wallet from my back pocket and fumbled to remove my driver's license. Suddenly, I was transported back to Chelsea Liquors and that guy peering over the tops of his hornrims at my Pennsylvania-issued identification. That lump in my throat had even returned. I passed my license to the young lady — who couldn't have been older than twenty-one. Without even looking at my license, she handed it back to me and said "Thanks," punctuated by a snap of her chewing gum. Just like all those years back in Chelsea Liquors, I thought to myself: "ID? ID? Young lady, I am nearly as old as this building!" But, of course, I said nothing. I paid — a lot more than two six-packs of Genesee Cream Ale cost. I put my purchases behind the back seat of my car. Crossing the state line with alcohol is still illegal, though. 

But are they really gonna stop an old guy who doesn't drink?

www.joshpincusiscrying.com

that's me in the spotlight

I know some famous people. Some are local celebrities whose fame — whether or not they acknowledge it — only reaches to the very real boundaries of the Delaware Valley*. Others have achieved widespread nationwide success — even worldwide in a few well-deserved cases. These people fall into many categories. Some are singers. Some are actors. Some are media personalities. However, I will not divulge the names of any of them. I don't want to brag. I don't wish to use my acquaintance with a famous person in an attempt to impress you. (Some of them, I will admit, are far from impressive.) I won't do this, because it was done to me many years ago. And I was not impressed.

When I was in elementary school, I was pretty close friends with a boy named Mitchell Rosencrantz‡. Mitchell was a nice kid. He was somewhat awkward and quirky and not one of the "cool" kids. Well, neither was I, but I was able to ingratiate myself among that clique-y, elitist group without much backlash. Mitchell, however, was not so savvy. He experienced his share of bullying. He was the unfortunate target of schoolyard epithets on a fairly regular basis. It was sad, but I was his friend because I thought he was a nice guy, not because I felt sorry for him.

Mitchell and I hung out at recess with a few other kids who didn't fit in with the top tier of the popular hierarchy either. But that was okay. We had just as much fun. We discussed our favorite television shows, often debating the logistics of actually kissing Marcia Brady. We traded baseball cards that we collected, although none of us was really that interested in the actual sport of baseball. Mostly, we ran around and did "kid on the playground" stuff until the bell rang and we filed back into our classrooms. Every once in a while, on a weekend, I would go to Mitchell's house or he would come to mine. (To be honest, he would rarely come to my house, because that would've required my mother to straighten things up and possibly vacuum... and she wanted no parts of that.) At Mitchell's house, we'd do almost the same things that we did in the schoolyard except it was just the two of us.  (I remember that Mitchell had a little brother who was the spitting image of Mitchell. He also had a little sister who looked like Mitchell with pigtails.) After a few hours, my mom would pull up to Mitchell's house in her giant station wagon. I'd say "goodbye" and "thank you" to Mitchell and my mom would nudge me until I remembered to thank Mrs. Rosencrantz as well.

There was one thing that Mitchell did in an concerted effort to be accepted. He bragged about knowing a celebrity. He would find an opening in the conversation to remind everyone that his father was the manager of a celebrity. Now, we all knew that short, balding Mr. Rosencrantz was a lawyer. With his pen-filled plastic pocket protector, he looked nothing like any of the managers we saw on TV, like the guys in sequined-covered suits who escorted hulking professional wrestlers into the ring or the often-harried but coolly-coiffed Reuben Kincaid who called the financial shots for The Partridge Family. Granted, the celebrity that Mitchell talked about wasn't Adam West or Bobby Sherman or Karen Valentine. Hell, it wasn't anyone we even heard of. But he swore up and down of his celebrity status, so who were we to argue. We weren't worldly and we knew it. Mitchell insisted that his father represented the one and only Eddie Holman in all things show business.

That's right. Eddie Holman.

Gold.

New York-born Eddie Holman moved to Philadelphia with his family as a teen ager. At 16, he recorded his first song. It was heavily influenced by the so-called "Philly Soul" sound. He continued to record eventually hitting big in 1970 with "Hey There Lonely Girl," which was a reworked cover of a song originally released by Ruby and the Romantics in 1963. The tune hit Number Two on the prestigious Billboard Hot 100 chart. It sold over a million copies, however, Eddie Holman never had another hit.

Mitchell talked about Eddie Holman as though his popularity and recognition rivaled The Beatles. Mitchell's friends would nod politely as he expounded on the vast reaches of Eddie Holman's fame. He got misty-eyed as he spoke of Eddie Holman's talent and renown. Honestly, in 1970, I was 9 years old. I don't remember hearing "Hey There Lonely Girl" on the radio. Granted, the AM pop stations that I listened to were unjustly segregated and featured predominantly white artists. I don't recall seeing Eddie Holman perform on the ubiquitous Ed Sullivan Show, the barometer by which true fame was measured — at least in my young mind. If Ed Sullivan welcomed you to the stage, you were somebody... even if you were somebody I never heard of. I don't believe Eddie Holman ever graced the stage at 1697 Broadway in the Big Apple. But, as far as Mitchell Rosencrantz was concerned, Eddie Holman was celebrity enough to impress his friends.

As the years passed, I still remained friends with Mitchell Rosencrantz. We moved on to a new school after elementary school and the name "Eddie Holman" rarely breached conversations anymore. 

Soon, many of my classmates were anxious and excited about upcoming Bar and Bat Mitzvahs. Invitations were sent and the buzz was constant about how elaborate plans would be†. Sometime in the autumn of 1974, I attended Mitchell Rosencrantz's Bar Mitzvah.

The day began early in the morning, as I fidgeted in my seat at a synagogue in Northeast Philadelphia. I tugged at the necktie that my dad so expertly knotted around my skinny neck and thumbed through the Hebrew-printed pages of the prayer book some bent-over old man with three teeth in his head shoved into my hand as I entered the sanctuary. I adjusted the complementary satin yarmulke on my head (I think the old man plopped that on the back of my skull as well) and whispered to my seatmates that I recognized from school. I'm sure I also ogled the young female guests, marveling how they all looked well beyond their thirteen years, some wearing make-up for the first time and appearing waaaaay prettier than they did in any math class. Mitchell was barely visible at the lectern, peering over the top of those big wooden disks that kept the sacred Torah scrolls properly corralled. We could hear Mitchell's voice stammering out some tuneless chant. We giggled covertly each time his maturing vocal chords hit an unintentional sour note. When the grueling marathon service was over, we adjourned to a banquet room in the synagogue building that was decorated for an adults' version of a children's party. There were people who, though strangers, resembled members of my own extended family. There were two multi-tiered fountains, situated on a table — side-by-side — surrounded by large platters of unidentifiable hors d'oeuvres. One fountain dispensed wine, the other a tamer grape juice. Of course, my friends and I tried to sneak the wine, only to be scolded by a stern-looking older woman in a beaded dress, her mass of hair all done up for the occasion. Some of us danced with unwieldy moves to the typical hired band — a four-piece combo comprised of two accountants, a department store salesman and a guy who sometime, somewhere was passed over for his shot at stardom. Some of Mitchell's friends even mustered up enough nerve to ask one of the girls to dance.

Famous.

Once Mitchell's friends were finally seated at the long table reserved for the younger set (and far removed from the rest of the tables at which more important guests were seated), Mr. Rosencrantz hijacked the microphone from the tuxedoed band leader. He delivered a solemn double-shot of HaMotzi and Kiddush over a hefty loaf of challah and a full goblet of wine. Then, he cleared his throat, waved his hand and, through a wide smile, announced a "very special guest" of the afternoon. The double doors at the rear of the room opened and a tall, handsome African-American man appeared — impeccably dressed in a maroon velvet tuxedo, his barrel chest festooned with contrasting powder-blue ruffles. He smiled and waved to the guests as he made his way to the microphone offered by Mr. Rosencrantz. The man accepted the mic and, after warmly embracing Mitchell's dad, began to sing in a smooth tenor. His selection? Why, that 1970 near-chart topper "Hey There Lonely Girl." As he serenaded, whispers carried through the room. "That's Eddie Holman!," was the general consensus. 

Mitchell sat at the center of the long table with his arms crossed and a satisfied smirk on his lips. He was surrounded on both sides by his school friends and he beamed! I mean visibly beamed! Finally, he must have thought, everyone will see that I really know Eddie Holman. It really didn't matter that his friends still didn't know who he was. By the thunderous applause at the song's conclusion, Mitchell was fully convinced that he knew a celebrity. 

And that was all that mattered.

www.joshpincusiscrying.com

*A colloquial term for the area surrounding Philadelphia, Southern New Jersey and the tip of Northern Delaware.

‡ This is a fictitious name. Don't bother trying to figure out who it is.

† I did not have a formal, traditional Bar Mitzvah. The explanation for that can be found here. 

book I read

Recently, as part of a promotion at the radio station that employs my son, E. was asked to select a few special books from his youth to share with the listening audience. He was at our house, wherein his childhood bedroom remains a veritable shrine, practically undisturbed since that traumatic day he moved into his own house several years ago*. His bookshelf is still stacked with a large library that reflects the progression of reading material collected throughout his formative years. Okay, we sold his bureau, desk and lamp at a yard sale, but still....

When E. was little, bedtime always included a story. I loved to read to him and he loved being read to. The nightly ritual was always the same. After a bath, E. would get into his pajamas and choose a book. Then he'd climb up on his bed, where we were joined by our cat Scarlett — without any sort of prompt or enticement. The two of them would settle in as I read the evening's selection, be it an installment from the "Curious George" series or a dose of Dr. Seuss silliness or any number of off-kilter volumes that Mrs. Pincus and I thought would tickle E.'s developing sense of humor or trigger his budding imagination.

E. browsed the spines of each well-worn (and well-loved) and picked out three books. Three books, I assume, that had special meaning to him and stirred pleasant memories from his youth. The first book was Where The Wild Things Are by Maurice Sendak, a familiar book, popular since its publication in 1963. The version that E. chose, however, is translated into Hebrew and reads from right to left. (Curiously, the illustrations are mirror images of the original.) The second book was It Happened in Pinsk by Arthur Yorinks. This quirky tale concerns shoe salesman Irv Irving, who wakes up one day without his head. The story unfolds with nary a sense of panic, as Irv's wife fashions a new head for her husband out of a pillowcase stuffed with socks. E. loved this story and the "matter-of-fact" way it was told. I provided different voices for the different characters that Irv met in his pursuit of his missing head — much to E.'s delight. The third book was The Giant Jam Sandwich by John Vernon Lord and Janet Burroway. This implausible yarn — presented in rhyme — addressed a terrible wasp problem in the fictional town of Itching Down. The inhabitants of the town constructed the title assemblage as a way to trap the pesky insects.

Of course, we read a lot of books over the years. We read classics like The Wind in the Willows and A Wrinkle in Time (which I remember being a lot better in my youth). We read a number of Roald Dahl's twisted tales, as well as the first Harry Potter novel, just after its publication. (I found it to be a Roald Dahl rip-off.) And we read a lot of silly stories about pigs and bears and other amusing characters. We enjoyed reading together. I like to think that it had a positive and memorable impact on E.'s development into the adult he has become. 

On occasion, I have called E. — out of the blue — to ask if he looks back and has good memories of his childhood. Once he confirms that I am not dying, he answers "yes," and then realistically adds "for the most part." 

I'm okay with that.

www.joshpincusiscrying.com

*Don't bring this up to Mrs. Pincus

yahoo! hoop-dee-doo!

There's a blog called Tips from the Disney Divas & Devos that I follow. The blog publishes information and personal experiences for the Disney fan — both die-hard and casual. It is chock full of tips and reviews of rides, food, hotels, activities and experiences available at domestic and overseas Disney theme parks, cruise lines and other destinations. It's pretty comprehensive and offers guidance to those who need a place to start planning a Disney vacation, as well as helpful and interesting information for the seasoned enthusiast. And my friend (who goes by the name "Canadian Diva") is a contributor to the blog... and no, that's not a plug.

Different Devos

Recently, the Tips from the Disney Divas & Devos blog published a story about the Hoop-Dee-Doo Revue, a long-running dinner show that is performed nightly at the Fort Wilderness Campground in Florida's Walt Disney World. The story gave a brief overview of the show, mostly as a helpful "should we do this on our trip?" summary for folks who are planning a visit and may not be aware of this sensational offering. Considering that the Hoop-Dee-Doo Revue (or "Pioneer Hall Revue," as it is officially known) has been staging three shows nightly since its debut in 1974, it is surprising that even the most knowledgeable Disney traveler hasn't heard of it. I admit, when it was first proposed to me, I had never heard of it. But "Disney Magic Diva's" blog post got me thinking and I realized that I had a decidedly different Hoop-Dee-Doo Revue experience almost four decades ago.

The theme song for my senior prom was "Do You Know Where You're Going To? (The Theme from Mahogany)" by Diana Ross and a more fitting song could not have been chosen. When I graduated from high school, I had no idea what I wanted to do. I really didn't want to waste my money on a college program that held no interest for me. (My parents had already informed me that they would not be contributing a dime towards college tuition, if I chose to go.) So, while all of my friends went off to college, I worked as a cashier in a women's clothing store while I figured out my life. I saved my money and when the first summer after my friends' freshman year loomed ahead, we made plans for our first trip without our parents. My pals, Alan and Scott, campaigned for Walt Disney World, the then ten-year old East Coast counterpart to Walt's successful California theme park. I was set against it, opting to convince my friends that Fort Lauderdale was the place for us. I heard sorted tales of the streets overflowing with beer, girls and more beer... and that's where I wanted to be. I didn't want to be in an amusement park going on rides and rubbing elbows with a giant mouse. We debated and argued until finally, it was two against one and I lost. Resigned to the fact I was going to Walt Disney World, we began to plot out our trip. Since this was 1980 and Al Gore had not yet perfected the internet, we consulted a local travel agent who detailed and arranged our week-long adventure. We were booked into a room at the International Inn, a multi-story hotel dead center in the bustling, 24-hour party that was Orlando's International Drive. We also finagled a car rental, carefully skirting the "over 21" rule. We were told by Fay, our maternal yet shrewd travel agent, to "play dumb" if and when the rental agency asked our age. Our park passes were secured and, as expenses mounted, the three of us realized we needed a fourth to bring the costs down. After mulling over our options, we settled on Wayne, a friend of Alan's that Scott and I knew, but were not particularly fond of. However, his inclusion brought our individual price tag way down, so Wayne was welcomed. We continued our planning, talking to people who had actually been to Disney World and finding out what there was to do, besides rides. One of Alan's parents' friends told us about the Hoop-Dee-Doo Revue, an Old West dinner show that featured singing, dancing, comedy and all-you-can-eat food and all-you-can-drink alcoholic beverages. BINGO! Now, I was interested in this trip. For the somewhat exorbitant fee of $21.00, this all-you-can-eat-and-drink deal could be all-I-can-eat-and-drink! We were told that the event fills up pretty quickly and that reservations could be made thirty days in advance, by phone... and not a day sooner. With all of our arrangements wrapped up, we ticked off the calendar and  soon gathered around Alan and his telephone exactly thirty days out from the commencement of our trip. Alan dialed and spoke to someone who was actually in Walt Disney World. We got reservations for the latest (8:30 PM) seating. As Alan replaced the big receiver into the cradle mounted on his kitchen wall, the excitement grew.

Home away from home.

We landed in Orlando (my first ever plane ride) and found our way to the airport car rental desk. Not only wasn't our age questioned, but they inexplicably allowed us to rent a brand new Chrysler Cordoba, the same car that Ricardo Montalban seductively promoted on television, enticing the viewer with its "rich Corinthian leather." We would make sure that the rental agency regretted this decision for years to come. We loaded our luggage into the spacious trunk and followed the complementary map to International Drive. As Scott guided the luxury vehicle past the first of several IHOPs that dotted International Drive, we spotted our hotel just ahead... directly across the street from a 7-11 that sold beer. As a matter of fact, it seemed every store sold beer, a concept foreign to those of us from Pennsylvania, the land of steadfast and antiquated liquor laws. We stopped at the 7-11 before checking into to our hotel and stocked up for the week. Eventually, we settled in at our hotel only to rush out again to get a taste of vacation.

Our destination was Disney property to check out the Lake Buena Vista shopping area, a quaint, quiet little oasis with cute stores and a few restaurants that has since evolved into the themed-heavy, tourist sponge Disney Springs. We discovered a lounge just inside the majestic Empress Lily, the faux steamboat/restaurant that was permanently docked shore side in man-made Bay Lake. Taking velvet covered seats, we ordered beers and watched a lively banjo player deliver American songs and corny banter to the delight of the small crowd. We stayed for a long while, basking in the early wave of what has come to be known as "chillaxing," a term that would not exist for another thirty years.

All you (or I) can eat

The week continued with our first immersion (of the allotted two) in the Magic Kingdom. We would make the most of our two-day passes (this was two full years before the opening of EPCOT). The night after Magic Kingdom Day One spent at the Luau on the beachfront theater at the Polynesian Resort. My friends and I ate and drank as a warm-up for the Hoop-Dee-Doo Revue the next evening. I was pulled up onstage by a bevy of grass-skirted hula dancers who selected me, I supposed, based on my slowly failing physical coordination.

JPiC and
the "Oh, Shenandoah" Girl
(I think she's holding me up.)

Finally, our adventure reached its pinnacle. We drove out to the Contemporary Resort, fibbed to the guard at the gate that we were meeting some family members at the resort (at the time, Disney was very, very strict about allowing non-guests the use of their transportation system). We parked the Cordoba in the Contemporary's lot and made our way to the hotel's small marina. We boarded a water taxi (the first time I had ever heard that term) to take us to the Fort Wilderness Campground. We followed a dirt path to the rustic Pioneer Hall, a strikingly majestic structure built from logs (probably fake Disney logs). We checked in with the hostess at the podium outside the entrance. She was decked out in typical Western garb — overalls, flannel shirt, red bandanna, straw cowboy hat. We were granted admission and led to a table midway on the first floor, very close to the stage. Our table was outfitted with pewter place settings upon a cheery red tablecloth. A large hammered pewter vessel held great chunks of cornbread and another similar container was filled with a simple salad, glistening and visibly inviting (even for us non-salad eaters, a status that has since changed). Our waitress arrived, introduced herself and asked our beverage order. We requested sangria — one full pitcher each — with the added request to "keep 'em comin'." Our first round (of four thousand) of sangria arrived and we got to work drowning our cornbread and salad in sweet fruity wine. The show's cast arrived, barreling trough the hall's rear doors and explaining that they just got off the stagecoach, apologizing for their lateness. The cast of six was comprised of three pretty women, similarly costumed, but with enough differences to establish individual personalities — a sassy blond, a demure brunette and a spunky redhead all in color-coordinated gingham. The men were two ruggedly handsome, square-jawed fellows and a dorky guy tagged for comic relief. They all joined in on some rousing, crowd-pleasing renditions of Americana staples, including a riff on "She'll Be Coming 'Round the Mountain," while asking random guest from where they hailed. Then, the cast announced that "Mom" was out in the kitchen preparing a "mess o' vittles" that would be out shortly. A song or two later, our waitress was dropping (literally dropping) overflowing pails of fried chicken and barbecued spare ribs onto our table, along with corn, baked beans and some green vegetables that no one touched for fear it would cut into our fried chicken and spare rib capacity. As we stuffed ourselves, the brunette in yellow serenaded the diners with a soaring take on the traditional 19th century folk song "Oh, Shenandoah," her powerful voice shaking the (possibly) wooden rafters. The food continued to come out and we accepted the challenge, rising to the age-old test of every all-you-can-eat format restaurant — to make them rue the day they ever made this offer and to put this place out of business once and for all. We packed the food in as only 19 year-olds are capable. The chicken and ribs were doused with an overabundance of sangria and refills remained plentiful.

My very un-PC stage debut.

Some members of the cast mingled through the dining room/show floor tables, greeting and chatting with families. They were also recruiting supplemental players (read: willing or unwilling audience members) for the next act of the show, a slapstick version of the Davy Crockett story. The brunette "Oh, Shenandoah" Girl daringly approached our table and, after a bit of friendly exchange, grabbed me, in my inebriated state, to portray a 1980, insensitive, politically-incorrect Indian (a part I cannot imagine is still included in current incarnations of the dinner show). I was hustled backstage, told to roll up my pant legs and fitted with a buckskin loincloth and a headband with a single feather. I was part of a group that included a young lady that was given a saloon dancer costume, a bald man who was forced into a tutu and translucent fairy wings, a little boy who had a comically giant cowboy had put on his head and an equally giant lawman's badge affixed to his shirt. We were all assigned a few lines of some simple stage instruction. Luckily, I was told to merely growl and grunt. This was good for me, since I was so filled with sangria that my attempt at memorizing complicated dialogue would have been disastrous. The skit started and I was pushed out onto the stage. I grunted and growled and tried to keep myself from taking a header into the front row of tables. The little boy in the giant cowboy hat approached me from the opposite side of the stage and fired off a couple of shots at me from his cap gun. As previously instructed, I hit the stage... but that would has probably happened in a few minutes anyway. The little play continued with the young lady doing an embarrassing dance to the whoops and hollers of her nearby family and the bald man uncomfortably flitting around the stage in his tutu. I, however, spent the entire length of the play (save for my brief "growling" bit) face down on the floor (and my friends had the pictures to prove it). At the conclusion, I was helped to my feet and escorted back to my table... where I unwisely consumed more sangria.

Acknowledgement of my performance

A very cute interactive song was performed by the troupe announcing the strawberry shortcake that would be served for dessert. Not being a fan of strawberries, I downed more wine until I was ultimately carried out of Pioneer Hall by my travelling companions. My friends dragged me down to the Fort Wilderness pier where they tossed me into a waiting water taxi before climbing in themselves. Then I was helped back through the lobby of the Contemporary and to our rental car then back to our hotel. (We did have a slight delay as we nearly turned into the entrance of the Florida Turnpike.) When we arrived at our hotel, Alan realized that we forgot to tip our waitress. We collectively (well, not me... I was passed out by this point) decided to return the next day and deliver the proper tip. We didn't want to be "those guys." With a pounding hangover, I forced a few pieces of toast into my mouth while my friends chowed down on a full buffet breakfast. We, once again, piled into our car and drove over to the Contemporary, then the water taxi, then the dirt path and right up to a calm (and closed-looking) Pioneer Hall. Alan tapped lightly on the huge wooden door a few times until it ominously creaked open. A woman stuck her head out and asked if she could help us. We explained that we felt bad about not leaving a tip for our waitress the previous evening, but we were otherwise occupied. With that, my friends all turned and shot me a collective dirty look. I shrunk sheepishly. The woman at the door popped her head back to summon our waitress. She was pleased and humbled by our return and happily accepted our generous wad of folded bills (actually more than we would have left the prior evening, had I not been a giant monkey wrench). We were thanked again and we left, looking for more vacation adventure... or trouble... whichever the case may be.

I returned to the Hoop-Dee-Doo Revue on subsequent trips — on my honeymoon and several more times with our son (including a short-lived breakfast hour version of the show). By this time, my family and I no longer ate meat outside of our home, as we observed the laws of kashrut (keeping kosher). The folks at Disney were very accommodating, offering us extra helpings of vegetables and salad that were just as satisfying. And I no longer drink alcohol.

It makes me do funny things.

www.joshpincusiscrying.com

songs from the big chair

This story was originally published on my illustration blog in 2009. - JPiC

My brother was born in 1957. The Pincus family was a nice, sweet, calm family for four and a half years. Then little Josh was born and all hell broke loose. 

It began when I was brought home from the hospital. My parents thought it would be nice if the baby brought a present for his big brother. They stopped at a toy store on the way home from the hospital. My father ran in and, being 1961, had no problem purchasing a wood and metal rifle for his older son as a gift from his infant. My mother and father arrived home with brand new baby Josh. At first, my brother expressed disappointment at the sight of a baby. When my mom had explained that a “new playmate” would be coming, he expected one of his own age immediately ready to play. He never imagined it would come in the form of a whining and crying poop machine. The gift of the rifle softened his initial reaction — until years later, after mastering walking and hand-eye coordination, I broke that rifle. 

The family home, in a budding Northeast Philadelphia neighborhood, was a great place. My brother had a huge backyard in which to romp and play and develop his eventual athletic ability. Access to the large front lawn was unobstructed and it offered a comparable open space. When I gained confidence in my walking skills, my parents were forced to construct a chain-link fence around the perimeter of their property, complete with a hinged gate with a large steel padlock. My mother often told of the endless hours I would spend trying to pick that lock and plotting my escape. 

I started kindergarten at Stephen Decatur Elementary School in 1966. My mom began a small business of transporting my classmates from the neighborhood to kindergarten. She drove a station wagon that featured a large flat area behind the front seats when the rear seats were folded down. Approximately fifteen tykes were sloshed around the back of that car, unencumbered by seat belts or any sort of safety restraints. After all, this was the freewheeling 60s and child safety was not a concern. My classmates’ parents were happy not to be burdened with driving their kids to school themselves, so, for this service, my mom received a small weekly fee. My mom kept that service up for thirteen years, with the fee escalating only slightly. 

My parents were a bit apprehensive about the start of my school career. They were very familiar with my out-of-control behavior, but few people outside of the family were. Once I entered the classroom and was introduced to my classmates, things were pretty uneventful. I listened to my teacher and did as I was instructed. I happily and complacently participated in playtime, story time and whatever-else “time” that was part of the curriculum. One day, I witnessed a fellow kindergartner push another student. In full view of the entire class of wide-eyed, innocent pupils, the offending five-year old was led to a large wooden chair situated in a corner of the room. He was reprimanded by the teacher and made to sit in “The Big Chair” to think about what he had done. He sat as if in the pillory in a colonial town square, on public display, open to the class to levy their silent mockery upon him. After a period of time, his sentence was served and he was free to rejoin the class activities. I, however, was intrigued by the Chair. It was so big and ominous, sitting at the far end of the classroom in a veritable “no man’s land”. During regular class time, no one played near it. The teacher read stories far away from it. When we rested on our mats for nap time, the Chair stood silent and menacing in that dimly-lit room. As the days and weeks went on, several more of my classmates committed offenses worthy of a stretch in The Big Chair. As I observed them in their dire, sometimes tearful state, suddenly, it occurred to me — I needed to sit in that chair. I thought about what horrible act, what heinous deed I could perform to get to sit in that Chair. I was determined. 

Honestly, I don’t remember what I did. After all, it was well over 40 years ago. But, it was something. Something so awful that my teacher had no choice but to make me sit in that Chair. I was elated. I was led to the Chair as a death row inmate is led to his final destination. I climbed up the wooden rungs of its thick legs and planted my butt on its huge flat seat. The view from up there was not as rewarding as I had imagined. The emotion that those staring tiny and forlorn faces offered me was not what I had hoped for. 

It sucked being in The Big Chair.

www.joshpincusiscrying.com

in this house that I call home

After two years of marriage and two years of paying rent in an apartment, Mrs. Pincus and I bought a house in the small Philadelphia suburb of Elkins Park. The house, a three-story, six-bedroom twin, was just a few blocks from Mrs. P's parents' house, the sprawling residence where Mr.s P grew up. 

Ripped from the headlines

My mother-in-law had been scanning local newspapers ever since my wife casually expressed an interest in purchasing a house. She spotted a small ad in the Classified Real Estate section of the Montgomery County Times-Chronicle offering a "Spacious stone Twin. Elegantly refurbished. 1 block to train, shopping, school." There was a phone number, but no address. My mother-in-law (with, obviously, a lot of free time), scanned each and every page of the modest Elkins Park phone book until she located an address to match the published phone number. My wife covertly drove past the house-in-question like a former girlfriend stalking the cause of a bad break-up. She eyed the place up and concluded that it was a good fit for us... at  least from the outside.

Then, my wife called the number. There was no answer. She called again and again at regular intervals, but there was still no answer, no matter what the time of day. Finally, the next day, her eleven billionth phone call was answered. Her inquiry about the house was met with a bit of hesitancy. The man on the phone – the house's owner – informed us that the home would not be officially shown until Saturday. We made sure that we would be the first ones there on Saturday morning. And indeed we were. The house was perfect – filled with charm and character and fortified with apparent solid construction. We offered the asking price and it was accepted. A few nights later, we found ourselves sitting in our future dining room, signing an Agreement of Sale with the current owners. We packed up our little Northeast Philadelphia apartment and moved into our new home on Labor Day weekend 1986.

Over the course of 33 years, my family seemed to have accumulated a load of stuff. And while we do have a spacious home (as the original newspaper offering promised and delivered), we managed to fill it up to near-capacity. As my wife and I approach our 60s, we decided that it is time to purge. We enjoyed our various collections displayed throughout our house. But, as they say: "You can't take it with you." Last year, when I unceremoniously lost my job, the incentive to "clean house," as it were, became more imminent. Plus, I was determined not to leave a houseful of shit for my son to sort through, as my parents so thoughtfully left for me. We have always sold the occasional household item that we no longer needed or that certain collectible that had been replaced by one in better condition. But, in the immediately desperation of not knowing what the uncertain employment future held for a 57-year old artist, we began to seriously concentrate on thinning out our accrual. We started with our massive Disney collection and never looked back. For months and months, my wife and I sat side-by-side and listed the thousands of items that comprised our 30+ year collection in her eBay store. Soon, we were reassessing everything in our house, trying to determine whether or not we really needed it. Things that were deemed "eBay-worthy" went that route. Items that didn't make the cut were stored on our back porch for inclusion in our yearly yard sale... one of which we staged just this past Saturday.

Early on Saturday (and I do mean "early'), we filled our humble front lawn with, what we hoped to be, someone's new treasures. Happily, many folks came and perused the items strewn across our grass, obviously enticed by the 100 or so signs we tacked to utility poles throughout our neighborhood.

Around noon, an older woman ascended the two cement steps that lead from the sidewalk to our front walkway. She was accompanied by a woman about my own age. The older woman approached me, ignoring the plethora of items lining her path. She was focused on me and not interested in any of our household cast-offs. She stood before me, gestured towards my front porch and asked, "Do you live here?"

"Yes, I do." I answered.

She smiled and maybe even choked back a tear as she continued. "I used to live here. I grew up here and I was married right in the living room." She pointed to the younger woman and said, "My niece grew up here, too." She went on to explain that she got excited when she saw our yard sale ad on Craig's List and recognized the address immediately. She continued on, saying that she grew up in my house in the 1940s, eventually getting married in a small ceremony held in my living room. She implied that her husband was no longer in the picture (either a break-up or death – this was not made clear) and when her sister passed away, her sister's young daughter came to live in the house with her aunt and grandmother. They sold the house in 1980 when the niece (the younger woman by her side) graduated from high school. The house was sold to the couple that Mrs. Pincus and I bought it from. The woman cheerfully related many anecdotes about her childhood in my house, punctuating her stories with questions about accouterments and amenities of the house and if we still kept them in tact. I was treated to a lengthy session of reminisces, including a very cool tale of the woman who lived next door in the 1950s – a mother of three – who jumped to her death from a second story window. I noted that a story like that is usually a deterrent to a potential buyer, but for me, that would be a selling point. After a while, I uncharacteristically offered the inevitable. I welcomed the pair into my house as a trip down the Pincus version of "Memory Lane." 

Leaving my wife to tend to customers on her own (which, with my meager level of help, was a fairly simple task), I took the two women on a tour of their childhood in the current guise of Chez Pincus. Curiously, as we entered my house, the older woman mentioned that she was glad to see that we had not changed anything in the dining room. Puzzled, I ask how she knew that. She sheepishly admitted to reviewing my wife's Facebook photos, using the yard sale post as her entrance. She saw pictures from the phenomenal spread my wife puts out at our annual Thanksgiving Dessert Party. 

The two women grew huge smiles as they looked around my living room, examining the fireplace mantel, the locks on the windows, the original cast-iron radiators. If I didn't know otherwise, I would have thought they were casing the place for a planned burglary. As we moved into the dining room, they caressed the tiny crystal pulls on the louver-doors to our built-in china closet and gazed misty-eyed out the windows that reveal our backyard. In the kitchen, they marveled at the rearranged appliances. The couple from whom we purchased had done extensive remodeling in the six short years they occupied the house. The older woman pointed out that the small attached extension behind the kitchen was referred to, by her family, as "the outside kitchen." We just call it "the back porch." The basement was the biggest shocker to the two women. In the early 1990s, we remodeled our basement as an alternative to moving, transforming a cement-floored, purely utilitarian storage space into a close approximation to a 50s-era diner, complete with a vintage Formica table, black & white checkered floor, vinyl booth seating and a working pinball machine and Q-Bert video cabinet. They remembered a confusing (and somewhat spooky) series of doors and closets making up the dark basement, the younger woman confessing her fright at the thought of going down there alone. It was in stark contrast to the now brightly-lit space, the faux-tiled walls decorated with numerous autographed and framed photos of various levels of celebrities. In the laundry room, I was told that the closet where we currently keep detergent and the small collection of basic household tools we own, was used by the older woman's family as a food pantry.

Floored!

We headed back upstairs so my charges could see the second and third floors. The older woman stopped to examine a small crevice alongside the banister where she hid small objects as a child. I assured her that nothing would be there anymore, as the mother-daughter team who clean our house probably made off with any trinkets they discovered – that weren't long-forgotten cat toys. Once on the second floor, my guests jogged their collective memories as they scrutinized the moldings at the base of the walls, the fixtures in the bathroom and the unique push-button and turn-knob light switches. They waved off my apologies of not having the made the bed or the state of disarray in the room that previously housed our Disney collection. They were excited to see that we had preserved the beautiful linoleum floor. I told them that we loved that floor, inlaid with muted color nursery rhyme scenes and game boards, from the moment we saw it on our initial tour of the house. Also, it would be impossible to move and would probably crumble if the attempt was made. Moving into the top-floor bathroom, our claw-foot bathtub brought smiles to their faces as did the red-velvet upholstered chair perched under the window (my own addition to the retro "theming" in our house), a prize rescued piece from my grandparents' Philadelphia antique store by way of my parents' living room. And against my better judgement (with Mrs. P's mortified voice in my head), I even opened the door to a walk-in closet that's filled with a jumbled assortment of eBay items, our luggage, a surplus of all-occasion wrapping paper and stuff for the next yard sale.

Roll up!

Our tour completed, we made our way back downstairs and outside to join the yard sale festivities once again. The two women were grateful and appreciative of my hospitality. I was actually surprised that I was so accommodating. It was so unlike me. The older woman told me that she enticed her niece, who was visiting from her current New York City home, with the promise of a mystery trip to a mystery location. I never imagined or even considered that my home would feature in someone's fond memories – other than those with the last name of Pincus, of course.

www.joshpincusiscrying.com