Showing posts with label past. Show all posts
Showing posts with label past. Show all posts

Sunday, April 26, 2026

banana split for my baby

I wrote this story sixteen years ago and it first appeared on my illustration blog. Soon after its publication, I was contacted via email by a local community newspaper in Bucks County, Pennsylvania. The correspondence, for the editor of the newspaper, asked if my story could be reprinted in his publication, accompanied by my illustration. Of course, he explained, some of the more "colorful" language would have to be altered, so it would not offend some of the older readers. (He didn't care for my use of "bad-ass" and "damn.") I happily agreed to his terms, which was zero payment, but a byline for my pseudonym. This story is a misty memory of childhood. Even if you didn't grow up in the Philadelphia area, I'm sure there was a "Greenwood Dairies" in your hometown. And I'll bet you had fond memories of your Uncle Sam and Aunt Dorothy.

When you’re a kid, dessert is always the best part of a meal. Who doesn’t love to find a package of Yodels in their lunch at school or have dinner followed by a chilled bowl of Jell-o or a slice of the cake you hungrily watched Mom bake and frost that afternoon? When I was younger, there was no better dessert than ice cream at Greenwood Dairies. Maybe what made it so great was the ritual involved in a visit to the Bucks County, Pennsylvania landmark. 

My mother had three brothers. They were three bad-ass youths who lived briefly in rural Oklahoma before settling in Philadelphia with their immigrant parents. (Actually, the family was asked to leave after the three brothers burned down a barn.) There was gravelly-voiced Abe, who resembled Manny from The Pep Boys, but with a pipe instead of a cigar. There was boisterous and barrel-chested Nat – burly, animated and childlike. He was a magnet at family gatherings, with nieces and nephews lining up to be the next one tossed in the air and caught in Uncle Nat’s huge protective hands. My mother’s oldest brother was Sam. Sam was a wonderfully balanced combination of gruff and sweetness, not unlike Ed Asner’s portrayal of "Lou Grant" on The Mary Tyler Moore Show. Even though Sam was eighteen years older than my mom, he was warm and friendly and since he and my Aunt Dorothy had no children of their own, he felt a special bond with those of this little sister. My mother loved and felt closest to her brother Sam and he was the only one of my mom’s siblings that my father could stomach.

Several times during the summer, Uncle Sam and his wife, Aunt Dorothy – a lovely and genial amalgam of Katherine Hepburn and Carol Channing – would drive from their tiny and cluttered apartment on the second floor of Sam’s West Philly rare book store to our cookie-cutter neighborhood in Northeast Philadelphia. My brother and I loved visits from Sam and Dorothy. They’d pull up into our driveway in a shiny new car, usually twice the size of my father’s current vehicle. My brother and I would run out to the front lawn and watch as Sam ambled around to the open the car door for his wife in the most gentlemanly fashion. Sam and Dorothy would sit on the sofa in our living room and have the “catching-up-with-family” conversation with my mom while my dad stood at the front door and smoked one cigarette after another. My brother and I would play at their feet on the turquoise carpet, occasionally interjecting into the conversation. But we were actually just biding our time until we heard the announcement we anticipated. The announcement that capped every visit from Sam and Dorothy. “Do the boys want to go to Greenwood Dairies for ice cream?,” Aunt Dorothy would covertly whisper to my mother. Oh, damn straight we do! What took you so long to ask? was the look that swept across my face. By the expression on my brother’s face, the sentiment was the same.

Greenwood Dairies was a twenty minute drive up Route One in Langhorne, Pennsylvania. Aside from stuffing ourselves with creamy summertime treats, my family’s only other reason to make the trek to Langhorne was to trade in one of our two current automobiles for a new used one at Reedman’s, a sprawling car dealership where everyone in Northeast Philadelphia bought their new used cars. My brother and I (mostly me) fidgeted in the back seat of Sam and Dorothy’s car until we recognized the crunch of gravel under the tires alerting us that we had pulled into Greenwood Dairies’ parking lot. Greenwood Dairies was a large, odd-shaped structure made odder by years of additions to the original building. The spacious eating area was crammed with green and cream-colored vinyl booths around the perimeter and chrome-trimmed tables with matching chairs upholstered with the same green and cream vinyl. A massive gold-flecked Formica counter snaked through the dining room equipped with stools whose metallic green cushions spun when given a good flick of the wrist. We bounded through the doors and waited with Aunt Dorothy for a table in the bustling seating area. As my brother and I occupied ourselves by spinning the aforementioned stools, Uncle Sam made a beeline for the retail store on the far side of the restaurant to buy a bag of Rold Gold pretzels. Sam couldn’t eat ice cream if it wasn’t accompanied by pretzels. They were like another utensil to compliment his spoon.

Once seated, Aunt Dorothy would shiver and express her dislike for how low they kept the thermostat. Despite wearing a sweater draped over her spindly shoulders, a single opalescent button clasped at her throat, she still hunched over trying to generate warmth. Her gray hair was pulled impossibly tight to the back of her head where it all met in a thick bun tamed by two wooden sticks and a network of bobby pins. As she bent forward to read the plastic-covered menu, her bun bobbed atop her head silently surveying the room. Reading the menu was only a formality, as we always ordered the same thing. Sam would order several scoops of various flavors of ice cream topped with whipped cream and jimmies*. Dorothy would order a fruit-flavored ice cream, usually peach or cherry vanilla. My brother would get two scoops of vanilla or, if he was feeling adventurous, vanilla fudge. I’d get the “Clowny Sundae,” an inverted ice cream cone on a plate with a cake-frosting face decorating the scoop, the pointed cone mimicking a clown hat. Dorothy would also request that the waiter bring two small gravy boats – one filled with marshmallow sauce and the other with hot fudge – each to be added to our desserts at our liking. Once our orders were placed and the waiter scurried off to the preparation area, Sam would pretend call the waiter back to change his order. “Instead,” he’d announce, “I think I’ll get a Pig’s Dinner!” The Greenwood Dairies “Pig’s Dinner,” if the memories of a seven-year-old serve me correctly, was a mountain of four thousand scoops of every ice cream flavor the dairy offered, blanketed in fudge and strawberries, slathered in marshmallow and butterscotch sauces, dusted in nuts, fortified with fifty-seven sliced bananas and crowned with enormous, fluffy clouds of whipped cream and a single cherry. (Perhaps I have gotten some of the quantities wrong, but you get my point.) Every time we went to Greenwood Dairies, invariably one brave diner would order the Pig’s Dinner. The staff would ring bells and blow whistles and make a general fuss. When the frozen concoction made its arrival to the patron’s table, it did so perched majestically upon a wood stretcher transported by two paper-hatted and aproned teens. They presented the customer with a single spoon and, amid thunderous applause, he would dig in! My brother and I marveled at Uncle Sam. Would this be the actual time he would actually order it? Of course, my Uncle Sam never ordered the Pig’s Dinner, but he feigned the threat on every subsequent visit. 

When my brother and I got older and preferred the company of our friends to that of our extended family and the taste of cheese fries and beer overtook the appeal of a Clowny Sundae, the visits to Greenwood Dairies stopped. Soon, we settled for the offering of close-by ice cream chains like Friendly’s, rather travelling the extra distance to Langhorne. Sam and Dorothy continued their regular visits into my teens until my early twenties when I got married and moved out of my parent’s house. By that time Greenwood Dairies had permanently closed its doors. The quirky maze of buildings was razed and Reedman’s expanded their dealership into the newly available grounds. Although many claims have been made by friend’s brothers and neighbor’s cousins, I still don’t know anyone who ever conquered the Pig’s Dinner. 

(* In the Philadelphia area, we call “jimmies” what most everyone else calls “sprinkles,” except in England where they are called “hundreds and thousands” and in the Netherlands where they are called “hagelslag” although they are primarily used as a sandwich topping.)

Sunday, September 29, 2024

trash (pick it up)

Remember Randi? She was my wife's friend of many, many years. They were nearly inseparable. As a matter of fact, I met Randi the same night I met Mrs. Pincus. Randi was the Maid of Honor at our wedding. She was my son's godmother. Now that he's 37, I suppose he has no use for a godmother anymore, but ...no matter... Randi is no longer in our lives.

Randi was single for most of the time I knew her. But she was desperate — desperate, I tell you — to find a husband. She finally found a guy and married him, but the situation was closer to the "Adios Johnny Bravo!" episode of The Brady Bunch in that this guy "fit the suit." He was a dumb guy and Randi sort of coerced him into marriage.

When I say he was "dumb," I really mean he may have been the dumbest human being I ever met in my entire life. I mean "dumb as dirt" dumb. "Dumb as a bag of doorknobs" dumb. "Dumb as a box of rocks" dumb. I mean D-U-M-B dumb. Years ago, we all decided to take a trip to Yankee Stadium in New York. It was Mrs. P, our son, Randi, Fred (Randi's eventual husband), his seven-year old daughter and me. We all piled into my wife's minivan and headed north from Philadelphia. This was a time before GPS and cellphones were still a novelty. Fred decided to take charge. He declared that, being from North Jersey and allegedly familiar with the area, he would navigate our journey and get us directly to Yankee Stadium's doorstep. We pulled out or our driveway as Fred pulled his cellphone from his pocket and dialed.

"Yeah," he began his conversation to the unheard party on the other end, "we're on our way to...uh... you know." He paused while the person on the other end said something. Fred gazed lazily out the window and listened. "Yeah," he repeated, "to... you know. Up to the....uh.... you know." This "back-and-forth went on for several minutes and never — never — were the words "Yankee Stadium" spoken. Finally, Fred hit the "Call End" button and announced, "Yeah, so my friend says 'Get on the New Jersey Turnpike and ask at the toll booth.'" That was his "exclusive insider" plan to get us to New York. My wife glanced back at me in the rearview mirror and I shrugged my shoulders. I reiterate. Fred was dumb.

After Mrs. P and Randi's friendship dissolved, we completely lost touch with Randi and her life. Through mutual acquaintances, we heard that she and Fred had divorced. Randi moved around, remarried and totally changed personalities. (You can read all about it HERE.) We never did hear anything further about Fred.

Until one day many years later....

Our home phone rang and Mrs. P answered. It was a fellow who identified himself as the owner of a local business called Billows Electric Supply, an industrial supply operation with several locations throughout southern New Jersey. The man asked for "Susan Pincus" by name, as though he was reading from something. My wife, still a bit suspicious, confirmed her own identity to the man and asked what this call was in reference to. After all, we had no business whatsoever with an industrial electric supply company. Next, he asked if she knew someone named "Fred Slottman." That was the last name Mrs. P ever expected to hear again — especially from a strange voice on the other end of a mysterious early morning telephone call.

"Yes," she replied," I know Fred Slottman."

"Well," the man said, the tone of his voice dropping slightly, "I believe that Mr. Slottman is dead." That was a weird thing to hear from the owner of an electrical supply company.

He went on to explain that, on this particular morning, when he arrived at his place of business, his dumpster was overflowing with items that had no business being in his dumpster. It appeared that, during the night, someone had unlawfully deposited an abundance (he may have even used the word "shitload") of personal items into his dumpster. There was the remnants of a bed frame, a smattering of clothing, boxes of assorted household items and a ton of miscellaneous paperwork — receipts, warranties, canceled checks and a personal telephone book. He said that it was from this book that he got our phone number.

My wife listened — dumbfounded by what she was hearing. The story began to piece itself together. Fred had died and someone who was in possession of his personal items was looking for a place to dump them without having to pay to have them hauled away. Mr. Billows Electric Supply shows up for work, sees a bunch of crap in his dumpster, starts fishing around for clues and finds a phone book. He starts calling the numbers listed within.

Suddenly, something struck my wife's "inner detective." She interrupted Mr. Billows Electric. "Hang on a second," she said, "You made it all the way to the Ps in the phone book?"

"Yes," he confessed, "We tried all the other numbers starting with A. You're the first person that answered."

There are fifteen letters that precede P in the alphabet. Either Fred didn't know a whole lot of people or everyone in Fred's phone book whose name begins with A through O were avoiding the phone or.... well, I could come up with a dozen more "if" scenarios that still wouldn't make any of this make sense.

Mrs. P told Mr. Billows Electric that she hadn't been in touch with anyone remotely connected to Fred Slottman for many years. She expressed her inability to offer any further assistance and ended the conversation.

She sat with the phone in her hand for a short time and silent shook her head to herself.

And laughed.

Sunday, January 29, 2023

let me entertain you

It's no secret how much I love television. It has been claimed — though never truly documented — that I will walk into a darkened room and turn on the television before I will turn on a light. When my wife and I moved to our home in the suburbs, years before cable television was available within the Philadelphia city limits, I made sure that our access to the wonderful world of cable TV was secured before I called the electric and water companies for their services. Television took top priority.  I wasn't going to be nearly as entertained by watching water come out of our kitchen faucet or — as previously established — by flicking a light switch.

My affinity for watching television isn't anything new. I've been watching since I was a little kid and now, I go out of my way to watch a lot of those same shows that I enjoyed in the early 60s and 70s. Some are good and have stood the test of time, like the timeless, sophisticated humor of The Dick Van Dyke Show or even the topical fun of Barney Miller. Some, like Dennis the Menace and Car 54 Where Are You?, are just awful, but I watch them just the same because they give me a warm, nostalgic feeling. I understand that the generation after me doesn't share the same pleasure I get from a decades old episode of Family Affair or The Beverly Hillbillies. Or maybe I don't. I have tried to get my son to watch some of the shows that reside in a soft spot in my heart and memory. While he appreciates the enduring wit of Jack Benny and George Burns and even the broad antics of The Honeymooners, he cringes at Don Knotts' jittery ineptitude as the hapless "Barney Fife" on The Andy Griffith Show. ("Why doesn't Andy just fucking shoot that moron?" my son has asked. "That's the reason Andy doesn't carry a gun," I'd explain.)

My wife and I have found ourselves watching reruns of The Ed Sullivan Show, broadcast nightly on the Decades channel, one of the many retro programming networks available through our cable provider. Ed Sullivan, an uptight fellow with no discernable talent, snagged the top names in show business to appear on his show — a show that lasted an incredible 24 seasons. It was a staple on Sunday evenings, with nearly every household in the country tuning in to watch. Ed's formula for each episode was to present a wide variety of acts that would appeal to every member of the family. A singer, a dance troupe, a comedian and acts straight from the circus. Over the years, tastes changed and soon the top rock groups of the day were featured alongside opera singers and fully-staged scenes from Broadway musicals. In the 1990s, a syndication package of The Ed Sullivan Show was made available to re-introduce the show to a new audience. The package condenses the original hour-long shows into 30 minute compilations featuring the same variety of acts that made the show so popular. There is usually a singer of contemporary (for the time) fame, a current (again, for the time period) rock group, a comedian and some sort of novelty act, like a  magician, a tightrope walker or a couple of guys juggling flaming batons while switching top hats with each other. Some segments are in black and white, as it wasn't until 1965 that The Ed Sullivan Show was broadcast in living, garish color.

We have enjoyed watching Ed Sullivan nervously introducing acts, mispronouncing names and clumsily greeting guests post-performance. We like seeing countless performances by The Supremes, amused by the obvious perturbed expression on Florence Ballard's face behind Diana Ross's back. We like seeing early stand-up appearances by a crewcut-sporting George Carlin or a fresh-faced Richard Pryor, along with forgotten names like Jackie Vernon and Guy Marks. We marvel at the appeal of two young ladies, on their backs, juggling full-size dining room tables with their feet or a genteel-looking Asian man diving headfirst through a tiny ring of blazing scimitars. Among these many episodes, Mrs. P and I discovered an act — one of Ed's trademark novelty acts — that we must have missed as children. (The show left the airwaves when I was 10.) It was a man by the name of Arthur Worsley.

"A bottle of beer, a bottle of beer"
Ed Sullivan (or his representatives) scoured the globe for acts to present to the American television-watching public. They came across Arthur Worsley in his native Great Britain. Worsley, a ventriloquist, was quite popular on British television, as well as a regular performer at The London Palladium. By the time he made his first of a dozen appearances on the Sullivan show, he was a pretty big name in many parts of the world. But Arthur Worsley was not an ordinary ventriloquist. Well, sure, he had a dummy — in this case — a pug-nosed little wiseacre named "Charlie Brown." And, yes, he made ol' Charlie "speak" while his mouth remained perfectly still. But, the true novelty in Worsely's act was how he — Worsley — stood silent while his dummy screamed and berated and abused him. Worsley himself barely spoke a word. Sometimes he didn't even look at the dummy, which made the dummy even angrier, prompting an even more virulent barrage of insults. The act would culminate with a meta take on the act itself. Charlie would explain that certain letters are difficult for ventriloquists to pronounce without moving their lips, the most arduous being the letter "B." Arthur's gaze would wander as Charlie would demand his attention and acknowledgment of the fact that "B" was particularly challenging to say without moving this lips. Then Charlie would spew, in rapid-fire succession, a stream of "B" words, all articulated and very understandable — while Arthur stood by with a disinterested expression on his face. The act concluded with Charlie repeating "A bottle of beer, a bottle of beer, a bottle of beer" over and over, eloquently enunciating each demanding "B" sound with no effort at all while Arthur's lips displayed nary a quiver — all to the delight of the theater audience. It was highly entertaining — and very funny. Over the years, Worsley did variations of the same act on The Ed Sullivan Show, all to similarly approving reaction. Ed Sullivan called Arthur Worsley "The Greatest Ventriloquist in the World." In reruns of The Ed Sullivan Show, Mrs. Pincus and I have seen the same "Arthur Worsley and Charlie Brown" act many many times and every time, it is just as funny as the first time we saw it.

We have told many people about this act. No one seems to remember it. Most people stare at us expressionlessly as our description of the performance evolves into peals of laughter, followed by embarrassed awkwardness. Recently, my brother-in-law (not that one, the other one) came over for dinner with my nephew Tish who is 14 years-old. Before and during dinner, Tish was totally captivated by his cellphone, barely participating in dinnertime conversation. Trying to engage Tish, I began to tell him about The Ed Sullivan Show reruns that we watch. Tish had never heard of the show, so I had to offer a short, sometimes disjointed, backstory of the concept of TV variety shows and who exactly Mr. Sullivan was. Tish seemed nonplussed by my explanation, having grown up in and spoiled by the era of Netflix, YouTube, TikTok and other on-demand, instant gratification outlets of entertainment. Once I was relatively satisfied that he had understood the gist of the "television variety show," I extracted my cellphone from my pocket and pulled up a YouTube clip of a grainy, black & white appearance of Arthur Worsley and Charlie Brown on The Ed Sullivan Show from 1960. I started the clip and turned my phone in Tish's direction. Initially, he looked at me as though I just told him I was about to give him a root canal. Then, with heavy-lidded eyes, he stared at the tiny screen in my hand as if he was watching paint dry. And his reaction to the clip was just about as enthusiastic. His already waning attention was lessening by the second. We didn't even make it to the classic "A bottle of beer, a bottle of beer" shtick. I had lost him. Tish had begun scrutinizing the wrought iron chandelier that hangs above our dining room table. I turned the clip off and The Ed Sullivan Show was not mentioned again.

The last new episode of The Ed Sullivan Show was presented on March 28, 1971. Citing lower ratings, a diminishing demographic and changing entertainment preferences, the show was canceled. I think I witnessed all of that at my dining room table.

Sunday, May 30, 2021

break of dawn: reprise

Two years ago, I posted a story about my friend Dawn, a girl I knew in my youth. Dawn and I were very close friends, but we drifted apart and eventually lost touch with each other around 1979. I encourage you to read that story (HERE'S the link) before continuing with this one. It'll only take a few minutes and it will give this story better understanding. Go ahead. I'll wait....

Wow. That was quick. Are you sure you read it? 'Cause you'll appreciate this post more if you did.

Well, the story of Dawn garnered 48 comments — from people I don't know — when I reposted it on a private Facebook group concerned with growing up in Northeast Philadelphia. I received many comments from people who had a similar experience and lost touch with a close friend — or, in some cases, a first love. Several folks asked for a follow-up report, in case I chose to further continue my on-again-off-again pursuit for Dawn. Interestingly, mixed in with the comments were a few leads on how I could track Dawn down after all these years. People my age on Facebook certainly have presented themselves as "yentas."  

Well, seeing as I had a lot of time on my hands — what with zero employment prospects and a worldwide pandemic. I decided to conduct a little bit more of my investigation. A couple of Google searches led me to LinkedIn, the business networking website. I had been semi-active on LinkedIn for years and I, very quickly, was able to locate Dawn under her married name. I sent a request to "Join Her Network" and sat back to wait. Actually, I had forgotten all about it, despite a few persistent members of the Facebook group contacting me to see if I heard anything.

Nearly a month after I sent my request, I got a LinkedIn notification of acceptance from a name that I didn't recognize. I jogged my memory and realized it was Dawn. I sent a simple reply through LinkedIn's messaging service, not too pushy and not overanxious. I merely said "Hi Dawn! How have you been?" Almost 15 minutes later, Dawn replied. Look... I understand that few people spend as much time online as I do, but I thought that 15 minutes was a lengthy period to get a response from someone I hadn't seen in 40 years. Especially someone with whom I was so close. I don't want to read anything into this... so I won't. Dawn said: "Hi Josh! Doing good... can't complain... how's about u?" 

You didn't think I'd really
post her photo, did you?
I thought this was sort of odd. I didn't detect a shred of excitement. It was as though we converse regularly and had been doing so for years. (Damn! There I go again! Looking for some hidden meaning.) We messaged for a bit - our respective replies at intervals of 30 to 40 minutes apart. I sent her the link to the story I wrote about her and our relationship. After a time where, I assume, she read the story, she made a comparison to a show she watches on Netflix. I dispensed with chit-chat and fired the first salvo. I asked if she was married and if she had children. She told me that she has been married for 22 years with no children. Now, we were getting somewhere! Without waiting to be asked, I told her that Mrs. Pincus and I just celebrated 36 years of marriage and our son just turned 33. Dawn's reaction was: "Holy cow!! That is awesome Josh! Wow...." I thought that was sweet and very reminiscent of the Dawn I remembered. I sent her a link to my illustration blog with a bit of background explanation. I didn't hear a reply until the next morning. That reply was simply: "Pretty cool." In a subsequent message, I explained to Dawn that I had some pressing personal matters that I had to address, but I want to catch up. I was so happy that we re-connected and I want to hear about what she's been doing and where her life has led her. 

Her reply was one I never expected. 

She said: "As you know each marriage has its own intricacies and complexities that perhaps outsiders wouldn't understand. While it would be fun to chat and catch up on the last 40 yrs, my husband and I have a marriage that neither one of us really has separate friends of the opposite sex. I just wouldn't feel comfortable catching up.. our marriage is based on respect and I wouldn't do what I wouldn't want done to me. It is nothing at all against you.. as I said, these 22 yrs are working well for each of us and I wouldn't do anything to jeopardize it. And again, it's nothing at all against you Josh. You are a good person and I have nothing but fond memories of our friendship." I read and reread this several times, just to make sure I understood it. And I understood it alright. I thought back and it hit me that maybe this was the reason that none of my friends went on a second date with Dawn. 

I shared my correspondence with Dawn with my wife every step of the way. That's because my wife and I have a marriage that is actually based on mutual respect and trust. What Dawn describes sounded like something very different from the definition of "trust" that is familiar to me. When I read the final sentiment from Dawn, the always reliable, always sharp Mrs. P smiled and said "Bye, Felicia!" 

I have a friend who is a singer-songwriter. He wrote a song called "The Notion." The song is about how the idea of someone is sometimes better that the actual someone. It's a pretty astute observation. I think my memories — as fond as they are — of Dawn have been skewed and clouded by time. Perhaps I wasn't really aware of the real reason we parted ways so many years ago. So, this tale has come to an ending, just maybe not the ending you expected. 

Well.... that makes two of us.

Sunday, January 12, 2020

but these stories don't mean anything

 My dad was a character. He was a hard worker. He smoked a lot of cigarettes. He ate a lot of meat and potatoes. And he made up a lot of stories.

My dad passed away in 1993, long before a quick Google search could expose his stories for the lies that they were. I debunked his long-standing tale of witnessing a Phillies no-hitter in his youth, but the truth was revealed a few years after his death. My mother, however, confronted him regarding the incorrect and misleading information (okay.... lies) he'd given colleagues at his job about my mother's true line of work.

Lies or not, some of my father's stories were pretty entertaining... and funny. I was very young when I first heard them and they were often repeated, usually with more embellishment in each retelling. Here's one that he told often. It's a funny story, but I cannot vouch for its authenticity.

In 1944, my father signed up to join the US Navy. It was the midst of World War II and every red-blooded American boy was convinced that it was his patriotic duty to defend his country against the so-called "Axis" powers. So rather than waiting for his number to come up, my dad happily joined the Navy. (He later told my brother and me that in the Navy, you were guaranteed a bed to sleep in, as opposed to the Army where one's nightly accommodations may be in muddy foxhole with bullets whizzing over your head.)

The butter wouldn't melt,
so I put it in the pie.
My father often treated his family to anecdotes about his two-year stint in military service. He was assigned as a radar signal relayer aboard the USS South Dakota, a battleship that was deployed (for a time) in the South Pacific. A radar signal relayer, according to Seaman First Class Pincus, repeated directional coordinates — that were heard in his headset — to the guy who was aiming the giant turrets towards their determined targets. (This may or may not be true. I don't even know if there was such a position as "radar signal relayer.")

My father claimed that Admiral Halsey, Commander of the Navy's Third Fleet, was aboard his ship for several months, during which the high-ranking officer was spotted by my father only once from a great distance. I marveled at this information, being that my only knowledge of Admiral Halsey was, as per Paul McCartney, he "had to have a berth or he couldn't get to sea." Based on the accuracy of most of my father's stories, it is unlikely that Admiral Halsey was ever on the USS South Dakota. Paul McCartney's claim is also undetermined.

I never meant to cause
you any trouble...
Allegedly, the USS South Dakota was struck twice by enemy fire and my father was hit by shrapnel. The supposed source of the shrapnel was two kamikaze strikes twenty minutes apart. Often, my father would roll up his pant leg and display his bony shin to the delight of my brother and me, pointing out a small, raised length of reddish tissue that he insisted was a scar. There was definitely something on my father's leg. If it was the result of a kamikaze is unconfirmed... as is my dad's claim that the Purple Heart medal that he allegedly received was lost my by grandmother.

My father eventually received an honorable discharge from the US Navy at the end of his twenty-four month stretch. He alerted his parents that he would be returning to their West Philadelphia home soon. And soon he did.

Put another nickel in...
There was a chain of restaurants in the Philadelphia area called Horn & Hardart. Horn & Hardart was unique in its format, introducing the "automat" concept to the United States in the early years of the 20th century. An automat offered simple, "home cooked" fare to hungry customers for a nickel or multiples thereof. Once the correct amount of nickels was deposited in the slot, a glass door could be opened through which food was delivered from the kitchen on other side. (The Horn & Hardart automat is featured prominently in the Doris Day/Cary Grant comedy That Touch of Mink.) It was a novel way to eat and it proved to be very popular. At the height of its popularity, Horn & Hardart was serving an estimated 500,000 customers per day across 157 outlets in Philadelphia and New York. My father numbered himself among those customers. He made sure it was his first stop after arriving home from the Navy.

As my father told it, he went to the Horn & Hardart automat windows with a pocketful of nickels. He made his selections, opening each little window, removing each item and placing them on his tray — meatloaf, mashed potatoes, green beans and a slice of pie. (Sometimes, with each telling and retelling, the meal components changed.) My dad looked around the crowded dining room for an available seat. He found one and placed his laden tray on the table. He realized he had forgotten to get a cup of Horn & Hardart's famous coffee, so headed over to the wall of coffee urns, sifting through his pocket change for another nickel. He drew himself a cup of coffee and returned to his waiting civilian meal. However, when he returned to his table, there was a disheveled woman in ragged clothing busily munching away at my father's dinner. My father was dumbfounded. He stood — frozen — watching this woman shovel forkfuls of meatloaf and potatoes — his meatloaf and potatoes — into her maw. His mind scrambled. What could he do? If he chased her away, he certainly wasn't going to eat the picked-over scraps that was now his dinner. So, he did the only thing he could do. He went back to the automat windows and repurchased a duplicate meal. This time, he stopped to get coffee before finding a table.

My father loved this story and he told it a lot. It is a funny story. I just don't know if it really happened.

But, honestly.....who cares? That was my dad.

www.joshpincusiscrying.com

Sunday, March 10, 2019

break of dawn

When I was in high school, I belonged to a local chapter of Aleph Zadik Aleph. a Jewish fraternal group that..... well, actually, I have no idea what their mission was. I only joined to meet girls. Our AZA chapter arranged weekly "socials," an informal gathering held on a weekend night at someone's house, with a local BBG  (B'nai Brith Girls) chapter. The social chairman of our chapter would contact the social chair of a BBG chapter to make plans. Our socials were rarely with chapters of girls we knew from school... which was good. With strangers, we wouldn't have to worry about bumping into a girl who was witness to our over-anxious, awkward teenage boy behavior. It was at one of these socials that I met Dawn, a girl who became one of my best and dearest friends.

There was absolutely, positively never any romantic feelings between Dawn and me. Never. However, from the instant I met her, in someone's darkened basement in Northeast Philadelphia, I felt like I was meeting a long-lost sister. We clicked immediately and remained close friends for years.

With the thought of a romance between us being the furthest thing from our minds, Dawn and I regularly confided in each other about each other's relationships... or, more precisely, the lack of. Over the course of several years, Dawn dated every single one of my friends and acquaintances. She never went out with any of them more than once or twice. I never understood why. I got along great with her. She was sweet and funny and we shared many common interests. But, for some unknown reason, most guys didn't like her. While we bided our time between boyfriends (her) and girlfriends (me), Dawn and I went to concerts and movies or just hung out together. Then, I'd have a date or she'd have a date, it wouldn't work out and we'd find ourselves back in each other's company to compare notes and commiserate. Dawn and I frequently bemoaned our respective love lives — cursing those single dates and offering words of encouragement to one another.

After I graduated from high school, I lost touch with Dawn. Nothing specific happened to drive us apart. We just drifted out of each other's lives and into different ones.

I worked for a year after high school then began art school. In 1982, I met the future Mrs. Pincus. We got married in 1984 and our son was born three years later. We bought a house. I had a dozen different jobs. We went on numerous vacations and experienced a life of fun and excitement, ups and downs, happiness and sorrow. It's a life that could not have been better if I had actually plotted it out.

About thirty years ago, a guy I knew from high school called me up to ask if I was interested in hearing his pitch to purchase life insurance. I reluctantly agreed and he came to my home one evening. At the time, I had no plans to buy life insurance. He recited his little spiel and I politely declined. Instead of making a second attempt at a sale, he caught me off-guard with his next question.

He asked if I still kept in touch with Dawn. I suddenly remembered that he briefly dated Dawn in high school (but, then again, who didn't?) At the time, I had not heard her name nor thought of her in years. I told him I did not. Before I could finish my sentence, he was heading towards my front door.

I don't often think of Dawn. It's been years since I casually searched for her on Google. (And those searches yielded nothing.) It's as though she just vanished from the earth. It's a shame, because I'd like for Dawn to meet my wife and my son and show her — after all those times of wallowing in self-pity about never finding anyone for me — that I did.

I hope Dawn is happy, too. Where ever she is.

www.joshpincusiscrying.com

Saturday, September 6, 2014

he took one look at me and he began to squeal


Last night, my worlds collided.

Cooking hot dogs with napalm
In 1982, I was a student at Philadelphia's Hussian School of Art, a small, but respected vocational institute. In order to earn tuition funds, I was employed scooping ice cream at a place on the hip and trendy South Street (where, apparently, "all the hippies meet," as the popular Orlons' song so eloquently states). One day, as I made my way to my after-school employ, I spotted a hand-drawn flyer tacked to a wall that was resplendent with colorful concert announcements. This one, however, was small and plain and attention-grabbing in its simplicity. It charmingly touted a band intriguingly named The Dead Milkmen. A close approximation of a smiling cow adorned the handbill, rendered in the shaky, unsure strokes of a novice illustrator. I ripped the leaflet down and jammed it in the large, faux leather portfolio I carried to transport my own artwork and supplies. Later, during a break from piling whipped cream high on sundaes and creating double-decker cones, I examined the Dead Milkmen's ad more closely. There was an offer at the bottom, to obtain a homemade cassette of songs by the band. The next day, I got my Mom to write a check and sent it off to the Philadelphia address at the bottom of the flyer. Soon, the tape — Death Rides A Pale Cow — arrived. Upon first listen, I was floored. I played that tape over and over and over, until its magnetic particles were stretched thin. The songs were infectious, funny and instantly endearing. The lyrics reflected a sardonic, skewed assessment of the world, with its tongue firmly planted in its cheek.The music was hooky and poppy and irresistible. Within a day or two, I knew every word, every chord change and every drum beat. I was soon turning my art school colleagues onto my secret discovery. I even took to corresponding (via actual written letters in the days predating the Internet) with the fledgling band. It was an uncomplicated period in my life. It was a veritable lifetime before my first corporate job, before my mortgage, before I passed a kidney stone and before I began my daily dose of high-blood pressure pills and Lipitor®. However, despite being a veteran of hundreds of concerts and musical performances, I have never had the opportunity to see The Dead Milkmen live.

I got married within two months of my graduation from art school. Soon my wife and I bought a house and not long after that, our son was born. Then there was work and vacations and taking out the trash and parent-teacher conferences and funerals and family get-togethers and... you know... life. I continued to listen to music, both old favorites and keeping up with new releases. I also continued to go to concerts, first with my wife and then with my son, as our tastes in music began to parallel. But still, Dead Milkmen shows were never on the bill. Then, the band broke up in 1995.

Readers of my blogs (this one and my illustration blog) know about my unusual hobby. Not one to collect stamps or participate in strenuous sports, I latched onto visiting cemeteries. Creepiness aside, it is a pretty cool diversion. Cemeteries are quiet, peaceful sanctuaries, with some of the older, historical ones boasting magnificent landscaping and breathtaking sculpture. To date, I have spanned the country and visited over two dozen graveyards, sometimes accompanied (not always willingly) by my wife, sometimes going solo.

At the end of August, the reassembled Dead Milkmen announced an outdoor show at — of all places — historically-certified and recognized Laurel Hill Cemetery in Philadelphia. I chuckled to myself at the combination of performance and venue and how it smacked of the typical absurdity for which the Dead Milkmen were famous. Surprisingly, my wife suggested that we go. "Jeez!," I responded to the invitation, "I didn't know that would be something you'd be interested in." For thirty years, that woman has kept me on my toes! Next thing I knew, I was purchasing tickets. It was going to be two great things that go great together — like a punk rock/funereal Reese's Peanut Butter Cup.

When I arrived home from work, I was greeted by a cooler that my wife had prepared and packed with bottled water, sandwiches and snacks. I quickly changed my shirt and we headed out for the show. Mrs. P, a tie-dyed-in-the-wool Dead Head, seemed genuinely excited. We picked up our tickets at a make-shift "Will Call" table and started off, along with other patrons, on the winding path through the grand burial ground to the predetermined stage area set up just outside the ominously named "receiving vault." We chose a suitable piece of grass, just a few feet in front of a headstone inscribed with the birth and death dates of Ralph and Mildred Young, who, sadly, would be missing the show by 30 years. I began the task of setting up our chairs, as the stage crew made last minute adjustments to lighting and other rigging.

When the crypt goes creak
As the sky grew dark and a bright moon shone through foreboding clouds (how apropos!), the crowd — a mixed bag of aging punks and their younger counterparts — moved in and surrounded the stage. With no announcement or fanfare of any kind, the Dead Milkmen, now in their early 50s, looking a little gray around the temples and presumably not as spry as they once were — took the stage and launched into a fitting cover of the Bauhaus classic "Bela Lugosi's Dead." Within seconds, they had the crowd eating out of their hands. When they reached the final few notes of the tune, the recognizable opening beats of their hit "Punk Rock Girl" drove the faithful over the edge. I felt an involuntary smile stretch across my face. I was immediately transported back to 1982. I knew every lyric to every song, even though I hadn't heard most of these tunes since my hair was its natural color. "Tiny Town" "V.F.W," "Beach Party Viet Nam," — all of 'em rang out like they did from the headphones of my Walkman (when the aforementioned Mr. and Mrs. Young still walked the earth). Plus frontman Rodney Anonymous prowled the stage with the energy and fervor of a man half his age. He engaged the crowd with a series of quips and banter that evoked laughter, even if some of the references went over the heads of the younger audience members. The crowd was great. The music was great. The setting was great. It was an experience like no other and it was killing two birds with one stone.

Even if it took thirty years.

www.joshpincusiscrying.com

Saturday, October 30, 2010

a painting from my past

I did this painting in art school in 1981. I never felt I was much good at painting and I gave the original to my friend Sam, one of my biggest fans and supporters of my work.

Despite Sam's regular change of address,we remained friends over the years, even though there were many times that we lost touch.

Sam found my painting and sent a scan of it to me in 2007. Of course, I had long forgotten about it.

HERE is a link to a story I wrote about my friend Sam back in March 2010. I wish he could have read it.