hooray for hollywood

I love movies and stories from the Golden Age of Hollywood. I love the glamor and glitz. I love the bigger-than-life personas. I love the behind-the-scenes dirt and gossip. There is just something so, appealing, so compelling and so reviling about the stars, the movies and the lore of the movie business from the 1930s until roughly the early 1960s.

I especially love the dark, seedy underside of Hollywood. That's where the real fun is. Scandals in Hollywood are nothing new. Lurid tales of double-crossing, abuse of power and false promises go back to the first time a strip of film passed though a flickering light and was projected on a screen. One of the best accounts of true Hollywood lore — in my worthless opinion — is Nathanael West's 1939 novel The Day of the Locust. A flop in its initial release, The Day of the Locust gained universal praise a decade after its first publication. Since the 1950s, the novel has appeared on numerous "required reading" lists and "best novels of the 20th century" compilations. Sadly, Nathanael West was killed in a car wreck just eighteen months after its publication.

The Day of the Locust is a dirty story of dirty people in a dirty industry. Thirty-six years after publication of the novel, Academy Award-winning director John Schlesinger brought the story to the big screen.

Although I loved the book so much, I never saw the movie until yesterday.... and what a movie it was.

The film version of The Day of the Locust stars young and versatile William Atherton in just his second starring role. He plays the main protagonist, aspiring art director Tod Hackett. His role is ably supported by a cast familiar to avid viewers of 70s movies and television. The characters from the book were thoughtfully cast, not just plopping the "flavor of the week" into a role, as is so often done in today's film offerings. The criminally underrated Karen Black plays wanna-be starlet Faye Greener. Her father, washed-up third-rate vaudeville clown Harry Greener is chillingly portrayed by Burgess Meredith. And, then there's the always capable Donald Sutherland as bashful, naïve Homer Simpson (no reference to the cartoon character — just pure coincidence), who gets top billing, despite not appearing until nearly forty minutes into the film. Also along for the ride are Jackie Earle Haley as an obnoxious child star, Gloria LeRoy as his overbearing mother, Bo Hopkins as a scummy Western star, Billy Barty, as Abe Kusich, Tod's cantankerous neighbor (and one of the film's most unsettling performances), John Hillerman and Richard Dysart as shifty movie studio executives, Paul Jabara as a nightclub drag queen and a surprising Natalie Schafer as (of all things) a whorehouse madam. I also spotted Nita Talbot, Robert Pine, Dennis Dugan and Jerry Fogel in small roles. The whole ensemble plays each individual part to its harrowing and pitiful hilt. The sets are vintage and the scenes are slightly tinted in a sepia hue, giving an air of authenticity of the era.

But, be warned. This is no love letter to Hollywood. On the contrary, glamor and glory takes a back seat. This is a sick, sleazy, sordid tale of lowlifes, broken dreams, lofty delusions, shallow personalities, sexual escapades, entitlement, disregard for humankind, arrogance and contempt... and a little bloody cock fighting thrown in for good measure. The final scene — which seems to go on and on long enough to make sure every gut is properly wrenched — will haunt you for days. It is visually unforgettable and perfectly illustrates the climactic nightmarish scenario as described in the book. It is brutal, disturbing and, at the same time, poignant and tragic. Film reviewer Lee Gambin called The Day of the Locust a "non-horror film that is secretly a horror film."

I met William Atherton at a horror-themed celebrity autograph show several years ago. Known mostly for his later career roles in Ghostbusters, Die Hard and countless other movies and television shows, I caught William off-guard when I asked if he had any stills from The Day of the Locust. He laughed and leaned in close to me so as not to let the other attendees — some dressed as Freddy Krueger and Jason Voorhees — hear what he was about to say. He whispered, "Nobody here has seen The Day of the Locust." as he gestured toward the costumed occupants of the room. Then he reached under his table to retrieve a briefcase from which he produced a single promo shot of him dancing with a blond-wigged Karen Black. He graciously inscribed the photo and even posed for a picture with me. I shook his hand and thanked him. He smiled and said, "That was a great movie and a great experience filming it."

It was a great experience watching it, too. Take that as a warning.

www.joshpincusiscrying.com

you wanna be starting something

For years, my father kept his family entertained with stories from his youth. Well, maybe not my mom so much. After all, she had heard all of them long before my brother and I came along. Well, maybe not my brother so much, as he really had little time for my father and his brand of semi-believable mishagas. So, in reality, my father kept me entertained with stories from his youth.

I have often mentioned my father's propensity to "stretch the truth" in nearly everything he said. He told great stories, but later in life, I came to discover that a good 95 to 99 percent of what he said was total fabrication. So the real difference between my dad and someone like Stephen King — besides the money and fame — is everyone knows the stuff Stephen King writes about is made up and he makes no effort to say otherwise. Well, that and the fact that Stephen King is a published author, many times over, as a matter of fact. Well, back in the early 70s, my father had hoped to change that.

selections from the
Dad Pincus collection

My father was a voracious reader, although his choice of reading material was questionable. He would go back and forth between nationwide best-sellers, usually purchased in paperback form from a bookseller in a nearby discount market who sold books months after their initial release at a huge reduction in price. I would sometimes get outdated comic books and Mad magazines there, while my dad stocked up on an assortment of books that he would no doubt breeze through in the coming weeks. My dad read The Godfather and a number of Ian Fleming books about super-spy James Bond. In between, he'd sneak in several thin tomes with lurid covers featuring scantily-clad, voluptuous femme fatales pawing subserviently at the feet of some muscular, T-shirted hulk. They had slightly suggestive titles like I'm for Hire and Sinful Sisters and my dad tried to hide them from his impressionable sons — unsuccessfully, I might add. 

Inspiration

One of his favorite mainstream authors was the prolific Philip Roth. Roth was a best-selling author who wrote a book in 1971 called Our Gang. Although Roth reminisced about his childhood in other novels, I don't believe that was the topic of Our Gang. Nevertheless, I do think that it was my father's inspiration. My brother had just received a manual typewriter as a gift. He hoped it would serve to help his schoolwork appear more impressive, but actually, my brother was a budding writer, and he eventually made it his chosen career. (A career, incidentally, from which he recently retired.) One day, my father announced that he was going to write a book. Now, my father often made "announcements" and rarely followed through. He would announce "This weekend, we will paint your bedroom!" and, come Saturday, we'd go out to a local hardware store to purchase a few gallons of neutral-colored paint (we had no input into the color selection). So far, Dad looked as though he was "gung ho" on this project. When we got home, Dad would put on his "painting costume," which consisted of a paint-splattered shirt and pants (I have no clue where these came from and how they became paint-splattered) and a canvas painter's cap that he picked off the counter of the hardware store as we left. He'd parade around in his duds, announcing his plans on how to tackle this venture. Then, he'd grab a paintbrush, swipe a few haphazard brushstrokes in the middle of a wall.... and leave to go smoke a few dozen cigarettes. And read. He'd go read. My mom, my brother and I were left to cover his half-assed efforts and finish the room ourselves. So when Dad Pincus "announced" that he was going to write a book, we had heard it all before and were less than enthused. But, true to his word, he sat down at my brother's typewriter and, with no previous writing or practical typing experience, he began to bang on those keys, single finger style.

Among the tales my father liked to spin, were stories about growing up in West Philadelphia — decades before Will Smith's behavior sent him for a rehabilitative stretch under Uncle Phil's watchful eye in Bel Air. At the time, West Philadelphia was a working-class, predominantly Jewish neighborhood and the majority of my dad's pals fit into that category. He knew guys whose family ran the local candy store or car repair. My dad's father drove a trolley. But, despite their blue-collar lifestyle, they had their share of interesting adventures... according to my dad. There were scraps at school and antics on the playgrounds and trips to the nearby Jersey Shore. The stories would sometimes change details, depending on how my father felt during a particular retelling. Each one of his friends had a colorful nickname. There was "Sarge," so named because he dressed as a soldier for Halloween one year. There was "Hook," who had a rather prominent nose. My dad was given the nickname "Pinky," an obvious play on his surname. Sometimes it was lengthened to "Pinky McGee" for no apparent reason. I loved hearing about my dad's friends and the origins of their various monikers. And secretly, I was hoping to — one day — read my dad's completed book.

Inspiration

My dad selected the perfect title for his memoir-in-progress. It was to be called "No Sand Tomorrow." This was a reference to an oft-told story about a group of my dad's friends spending a weekend in Atlantic City. While cavorting on the beach, one guy — who they called "Dopey," stemming from his reputation for being not-too-bright — pointed to a posted sign and questioned its wording. "Does the beach get regular deliveries of sand?" he asked aloud. His friends appeared puzzled and they asked their pal to elaborate. He pointed to the sign and read what he interpreted as its message. "It says 'No Sand Tomorrow'," he stated. His colleagues approached the sign-in-question from the back. When they all silently read the sign, they simultaneously burst out laughing. The sign said "No Sand Throwing" and it confirmed tagging their friend as "Dopey" was right on the money.

A good portion of the day was spent typing and retyping this story. When my dad decided that he was able to properly convey this tale from his youth in a way that achieved both sentimentality and humor, he yanked the page from between the typewriter's rollers and read it to his family... over and over and over again... each time as though was reading it for the first time. Then, he retired to his bedroom to smoke and read.

Another
inspiration

Don't bother checking Amazon or Barnes and Noble or your favorite local used book reseller. You won't find a copy of No Sand Tomorrow anywhere. It never made it to publication. Actually, it never made it past that single paragraph. The rest of my dad's book was puffed away in the smoke of countless Viceroys and forgotten in the jumble of the many chapters of some pen-named hack churning out erotic sagas in a dimly-lit room.

My dad was just a guy who liked to announce things he never intended on finishing.

www.joshpincusiscrying.com

book I read

Recently, as part of a promotion at the radio station that employs my son, E. was asked to select a few special books from his youth to share with the listening audience. He was at our house, wherein his childhood bedroom remains a veritable shrine, practically undisturbed since that traumatic day he moved into his own house several years ago*. His bookshelf is still stacked with a large library that reflects the progression of reading material collected throughout his formative years. Okay, we sold his bureau, desk and lamp at a yard sale, but still....

When E. was little, bedtime always included a story. I loved to read to him and he loved being read to. The nightly ritual was always the same. After a bath, E. would get into his pajamas and choose a book. Then he'd climb up on his bed, where we were joined by our cat Scarlett — without any sort of prompt or enticement. The two of them would settle in as I read the evening's selection, be it an installment from the "Curious George" series or a dose of Dr. Seuss silliness or any number of off-kilter volumes that Mrs. Pincus and I thought would tickle E.'s developing sense of humor or trigger his budding imagination.

E. browsed the spines of each well-worn (and well-loved) and picked out three books. Three books, I assume, that had special meaning to him and stirred pleasant memories from his youth. The first book was Where The Wild Things Are by Maurice Sendak, a familiar book, popular since its publication in 1963. The version that E. chose, however, is translated into Hebrew and reads from right to left. (Curiously, the illustrations are mirror images of the original.) The second book was It Happened in Pinsk by Arthur Yorinks. This quirky tale concerns shoe salesman Irv Irving, who wakes up one day without his head. The story unfolds with nary a sense of panic, as Irv's wife fashions a new head for her husband out of a pillowcase stuffed with socks. E. loved this story and the "matter-of-fact" way it was told. I provided different voices for the different characters that Irv met in his pursuit of his missing head — much to E.'s delight. The third book was The Giant Jam Sandwich by John Vernon Lord and Janet Burroway. This implausible yarn — presented in rhyme — addressed a terrible wasp problem in the fictional town of Itching Down. The inhabitants of the town constructed the title assemblage as a way to trap the pesky insects.

Of course, we read a lot of books over the years. We read classics like The Wind in the Willows and A Wrinkle in Time (which I remember being a lot better in my youth). We read a number of Roald Dahl's twisted tales, as well as the first Harry Potter novel, just after its publication. (I found it to be a Roald Dahl rip-off.) And we read a lot of silly stories about pigs and bears and other amusing characters. We enjoyed reading together. I like to think that it had a positive and memorable impact on E.'s development into the adult he has become. 

On occasion, I have called E. — out of the blue — to ask if he looks back and has good memories of his childhood. Once he confirms that I am not dying, he answers "yes," and then realistically adds "for the most part." 

I'm okay with that.

www.joshpincusiscrying.com

*Don't bring this up to Mrs. Pincus

for you, for you, I came for you

I love to read and I love actual books. Books with covers and pages and a place to offer the services of a physical bookmark. I still purchase books and read them voraciously... on most occasions. I will admit that I have given up midway into the first chapter of a few books whose convoluted plots just weren't doing it for me. But, there is usually another waiting as a back up. I buy books several at a time because I am such an avid reader. And — best of all — my wife sells the gently used volumes (I take great care with my reading material) on eBay when I am through. She gets a good portion of the original selling price back, too.

As a reader, I have been to a few book signings, an event that coincides with another of my hobbies: collecting autographs. In 2010, Mrs. P, our son E. and I attended a book signing/charity auction in New York City. It was part of a tour by April Winchell, the multi-talented voice actress, who was promoting a recently published anthology of items from her (now-defunct) website Regretsy.com. April was a blast — engaging fans in conversation, personalizing each book and offering bookmarks made from maxi-pads. A few years later, my wife and I found ourselves at the main branch of the Philadelphia Library to hear actor-comedian Michael Palin read passages from his memoir Diaries 1969-1979, a personal chronicle of his years with the comedy troupe Monty Python. Afterwards, the comic signed copies of the book for a queue line than snaked thorough the cavernous library building. We waited — first outside in the rain, then inside among high shelves of books in forgotten storage rooms — for nearly three hours. Mr. Palin was delightful, humble and truly appreciative of the crowd.

This, apparently, is his BOOM-STICK!

A few weeks ago, I got word (via the internet's foremost source of information, Twitter) that actor Bruce Campbell had written a continuation of his 2001 memoir If Chins Could Kill. I read that book and it was highly entertaining. Subtitled "Confessions of a B Movie Actor," Bruce gives a hilariously self-aware account of his humble beginnings as a budding actor, eager to ply his trade with some down-and-dirty "on-the-job" experience. With his childhood pal, director Sam Raimi, the pair teamed up to stand the horror genre on its bloody ear, combining over the top gore with slapstick humor. Bruce, for the uninitiated, is the rugged goofball best known for his cult-movie roles in the Evil Dead series of horror films, as well as a plethora of cameos in major studio releases, and the television series Burn Notice and the short-lived Adventures of Brisco County Jr. To his fans, like most actors in the horror category, Bruce is held in the highest of esteem. He is movie royalty, occupying a place of honor alongside Robert Englund ("Freddy Krueger" in the Nightmare on Elm Street films) and whoever is behind the hockey mask in Friday the 13th.

Bruce's three-month promotional book tour brought him to Philadelphia on August 18th, to a Barnes and Noble just a few blocks from my office. I pre-ordered my copy of Hail to the Chin* and picked it up early in the week during my lunch hour. When I made my purchase, I was issued a Tyvek wristband that guaranteed a spot in line to get my book signed. So, on Wednesday, I left work at my regular time and leisurely strolled the bustling sidewalks of downtown Philadelphia's afternoon rush. I took my time, as the event was called for 7 PM, a full two hours from the time I leave work. I stopped for a quick bite to eat at a popular vegetarian restaurant and then I walked a block or so up 18th Street to the Barnes and Noble that faces Philadelphia's famous Rittenhouse Square. When I turned the corner onto Walnut Street, I spotted a smattering of folks gathering for the evening event. When I entered the store, I saw even more. How did I know they were there to meet Bruce Campbell? Well, as a veteran of many horror movie conventions, there were quite a few tell-tale signs. First, most were clad in shirts emblazoned with Bruce Campbell's likeness, specifically his "Ash" character from the Evil Dead film franchise. The ones that weren't sporting T-shits were dressed as though they were attending a Victorian funeral, especially the female members of the crowd who were draped in heavy velvet gowns with lacy bodices. The men boasted hair either hanging limp and unwashed from their pale scalps or slicked with product, except for thick and menacing sideburns flanking their collective visages. Numerous examples of elaborately inked flesh were visible at every turn, begging the question: what sort of bodily artwork was hidden by the layers of somber clothing? Plus — and I mean this in the most non-judgmental context — most appeared to be experiencing their first visit to a book store. Not that their behavior was disruptive. (On the contrary, it was not!) They just exhibited a sense of bewilderment at the sight of stacks of those things they have not seen since school was in session.

The actual book-signing process was extremely well-organized. The staff of Barnes and Noble were friendly and jovial — all while being deadly efficient. The wristbands that were distributed earlier were each pre-marked with a letter designating the order in which groups would be led to the store's third floor. The line was moving at a fairly quick clip, with new group letters being announced every fifteen to twenty minutes, it was obvious that, two floors above us, Mr. Campbell began affording his signature almost an hour ahead of schedule. I overheard several non-book-signing customers wandering through the store, muttering, "Is this place always this busy?"

Who drew ya, baby?

I waited patently, following the direction of the smiling staff members, as they guided the line up escalators, around support pillars towards the Bruce Campbell-occupied destination. Mr. Campbell, it was revealed, would graciously autograph one additional piece of memorabilia with each copy of his book that was purchased. People were carrying all sorts of items, from DVDs and magazines, to action figures and replicas of the so-called Necronomicon Ex-Mortis, the notorious "Book of the Dead," as featured in the Evil Dead films, noted for its binding (human flesh in the film; something else, I hope, in the facsimiles carried by my fellow autograph seekers). An attentive worker walked along the queue line, exchanging customers books for one that had been pre-signed by Bruce, thereby allowing him to technically sign just one item for each waiting person. I exchanged my book, putting my signed copy in my messenger bag and extracting a glossy print of a portrait I drew of Mr. Campbell as a gift, as well as a photo I printed at home for him to inscribe. In an effort speed things along even more, it was made clear that nothing would be personalized. Bruce would just scribble the few twisted lines that passed as his signature.

I was almost at the signing table, my turn coming just after two sweaty dudes in ill-fitting Evil Dead tank tops reminiscing about every single one of Bruce Campbell's 119 screen credits and a guy in a full Deadpool costume, complete with prop katanas (no, I don't understand the connection either). Finally, I was beckoned forward by a nice young lady who was monitoring the line. She handed Bruce my photo and I approached the signing table. Bruce was seated and, I suppose from that angle he isn't quite the imposing figure he renders on the silver screen. He wore a blue, subtly-flowered shirt. His usually coiffed hair was cut close, accentuating his graying temples. He fiddled with a rainbow selection of Sharpies as I handed him my drawing. "This is for you.," I announced. Bruce took my artwork, raised it to eye level and, with a slight sneer, handed it off to an assistant, with the instruction to "add this to the archives." He signed the photo, cautioning me to wait until the gold ink was dry before putting it away. I told him meeting him was a pleasure and I extended my hand. He grasped my hand with one of his large, perspiring paws and gave it a good, strong, vigorous shake — sending me on my way. It was very obvious that Bruce had done this before and he had the process down to assembly-line precision. My "brush with greatness" lasted under a minute. 

For Bruce, it was just another day at the S-Mart.

www.joshpincusiscrying.com

*Bruce Campbell's book titles are puns that allude to the actor's prominent mandible.

whenever I call you friend

I like to read. I read on my short commute to and from work every day. In the age of cutting edge technology, I am one of the few people on the train that reads a book with an actual cover and pages made of paper. I mostly read biographies and memoirs of people whose fame comes from their work in the entertainment industry. I've enjoyed some. The memoirs of Harpo Marx, Phyllis Diller and local Philadelphia DJ Jerry Blavat are standouts. Conversely, I Dream of Jeannie star Barbara Eden's life was a story that didn't really need to be told.

Recently, I completed the quirky Queen of the Oddballs by the equally quirky Hillary Carlip. Although, Hillary is a few years older than I, the time frame of her tales of growing up afforded instant familiarity. Our lives could not have been more different, but I felt an instant kinship in her love of pop culture. Her pursuits of celebrities were somewhat reminiscent of my own desired "brushes with greatness." The book was a joy to read — funny, poignant, sweet and engaging — and I didn't want it to end.

So, I decided to turn the tables on Miss Carlip. I decided to pursue her.

I sought Hillary out on the Internet and discovered a multifaceted website, offering numerous portals to sub-sites of several books, a collection of essays and even a web design business. I located a contact email address and composed the gushiest fan letter a 52-year-old man felt comfortable sending.

Nine days later, I received this reply from Hillary herself:

JOSH!

Thanks so much for the shout-out! 

Sorry for the belated response -- I was out of town and on two deadlines and my email piled up beyond control.

So sweet of you to write, and I LOVE your blog and your drawings!!!  (Not to mention the title of it all!  It's fabulous!!!!)

So glad to e-meet you, and so glad you enjoyed my book.

Stay odd and proud!

XO Hillary

It was awesome, if I do say so myself. Referencing a passage from an early chapter of her book, dealing with her determination to make pop songstress Carly Simon her friend, I wrote back asking if I we were now considered friends, at the Carly Simon level. She replied immediately, asking for her obligatory loaf of banana bread, as she had offered the "You're So Vain" singer that night in a cramped dressing room at the Troubadour on Sunset Boulevard. Then, she said "OF COURSE" in all caps, followed by a smiley-face emoticon.

I read that Hillary had published another book, the concept of which was based on shopping lists found at the supermarket — discarded at the checkout or left at the bottom of an empty shopping cart. Hillary compiled these lists into little dramas, creating an appropriate character and story to go with the contents of each one. Just last week, I discovered an abandoned shopping list that I shared with Hillary, via this email:

Hey there Hillary,

I went to the supermarket this evening and I found this list  in the bottom of the hand-basket I picked up at the entrance (before I went to Hell in said hand-basket).

I though you'd get a kick out of it. It's a six item shopping list on semi-personalized "G" notepaper, carefully torn at the bottom... perhaps hiding some secret or maybe just conserving paper for the next grocery list. How thoughtful and "green"-conscious! Each entry is preceded by an empty, hand-drawn check box. It looks like nothing was found and accounted for. Nothing accomplished. High hopes and broken dreams at the market. Clean up in Aisle Four.

The first item is Morton's Natural Seasonings... whatever that is.

Next is onions, followed by steak and a question mark. Are they unsure about purchasing steak or still wrestling with the possibility of a vegan lifestyle?

Well, so much for becoming a vegan, since the next entry is cheese. (No question mark, dammit!)

Once again, we are contemplating olives.

And, understanding the outcome of a meal with the above components, the final entry is Fabreeze. 'Cause... you know... phew!

Have a great holiday, whichever one you celebrate. (We're doing both Chanukah, 'cause we're Jews and Thanksgiving, 'cause we're Americans. Luckily, they both start the same day!)

Almost two weeks later, this showed up in my email inbox:

OMG THIS IS FANTASTIC!!!!!!!

I was out of town and my email piled up beyond control and I'm just now catching up.

Not only is this list spectacular, but your blow by blow analysis ROCKS!!!!!!!!

Thanks for thinking of me, and thanks for sending. And speaking of thanks, hope you had a fabulous Thanksgivukkah!

Your FRIEND.

XO HC

That's right. "FRIEND" is in all caps.

Awesome.

www.joshpincusiscrying.com