unbroken chain

Andy Warhol once said: "In the future, everyone will be world-famous for 15 minutes." Well, this past Thursday morning, I overstayed my allotted time by a half hour.

Some time ago, my favorite Philadelphia radio station began a new feature on their morning drive-time show. Joining such popular features as Wednesday afternoon's "Worst Song in the World" and "The Fab Four," a four-song block of songs from the Beatles catalog, a long-time staple of the afternoon broadcast, the morning show introduced a fun little concept called "The Name Chain Game." The Thursday morning feature entails a little clever thinking on the part of listeners who plan to submit a contender for on-air play. The rules are actually pretty simple. It's a string of songs whose artists are connected by name. The last word (or part of a word) begins the first word (or part of a word) of the next song's performer. This continues for as long as you can. For example, an early submission in the games initial stages ran as follows: "Etta James" followed by "James Gang" followed by "Gang of Four" followed by "The Four Freshmen" followed by "Men at Work" followed by "Work Drugs." Five songs were played in a row and at the end the enthused host of the show reading the conglomeration as "Etta James Gang of Four FreshMen at Work Drugs." She chuckled. The morning news guy chuckled and the morning moved on. This little experiment gathered steam and strings of songs or "chains," if you will, averaged about four to five songs. On the rare occasion, some extended to six or seven. Additional rules allowed for dropping "the" from a band's name. Syllable pronunciation and homophones are permitted, in the case of a recent submission that included Donald Fagen followed by Against Me. 

Now that you've been properly intrigued and have subconsciously begun forming your own chains, let me tell you where Josh Pincus and my ever-so-brief fulfillment of Andy Warhol's prophecy fits into this. 

These go to 11.

Way back in January of this year, I sent an email to the morning show with my entry for the Name Chain Game. Keeping in Josh Pincus fashion to buck convention, my entry included eleven performers. Yep. Eleven. These were not obscure artists. These were performers who I had heard previously in the eclectic mix that is the loose playlist of my favorite radio station. I clicked "SEND" on my email and waited. And waited. And waited. And waited. And forgot about it. I should mention that my son is employed by my favorite radio station and is pretty friendly with the morning show host. I should also mention that that connection was in no way influential in the decision of whether or not my submission was played... or even considered. As a matter of fact, my son dismissed my submission, citing its cumbersome length not being conducive to the tight scheduling of a radio show. Hey.... what do I know about programming a radio show? I know about listening to a radio show. I've been doing that for most of my life. But, programming? I shrugged my shoulders at my son's viewpoint and secretly hoped to one day hear my Name Chain Game opus.

To my surprise, a few days ago, I got an email from the morning show host. She told me that she'd be tackling my monster submission this week. I made sure I was listening. The game usually kicks off at 8:20 AM on Thursday morning, but, as she explained, due to its unusual length, she'd be starting things just ahead of the scheduled news break. With a proper introduction and/or warning, the opening strains of "Playing in the Band" by the good old Grateful Dead got the whole affair started at 8:13.  At the song's conclusion, a short time out was taken for a quick news brief. The marathon restarted at 8:23 with "I Feel Love (Every Million Miles" by Jack White's recent supergroup Dead Weather. A little before 9 o'clock, the whole shebang came to a conclusion with the fade out of "Standing in the Shadows of Love" by The Four Tops. (How did I arrive here? I'll tell you in a minute.) And that was it. My name was announced and I was thanked. And the show moved on with an unrelated song by funkster Warren G.

Twitter alighted with a few congratulatory tweets and "likes" on the morning show's acknowledgment of the list of artists featured on this week's Name Chain Game. I got a few "likes" myself from a few followers who are local and listen to the station as well.

So, what was my chain? Well, like I said, it started off with The Grateful Dead and went like this...

Grateful Dead 

Dead Weather 

Weather Report 

Portugal the Man 

Man or Astroman? 

Man Man 

Manfred Mann 

Manhattan Transfer 

First Class 

Classics IV

Four Tops

I even made a few suggestions for songs, including First Class's one and only hit "Beach Baby," the sunny Beach Boys homage by an unlikely group of British studio musicians and one of three choices by Classics IV, the smooth, sophisticated jazz/rock ensemble that became the basis for the Atlanta Rhythm Section. (Their 1968 hit "Traces" was selected for play.)

And that was it. By 9 o'clock, my moment in the spotlight was over. As they say, "Fame is fleeting." That certainly is true. If this actually qualifies as "fame."

I don't think it does. But it was fun.

www.joshpincusiscrying.com

stop! in the name of love

If you do a lot of driving... or walking... or going outside, you have probably seen hundreds of stop signs in your lifetime. Maybe even thousands. They are everywhere. They stand silently, doing their job of regulating traffic. Sometimes they are used for non-traffic applications, like keeping you from entering an exit door or making sure you don't proceed to the next page of a test before given the "go ahead" signal by the teacher. But no one really takes an interest in stop signs. They are just there, like trash cans or utility poles or that thing that holds the roll of toilet paper in your bathroom.

Well, stop right there.

My wife belongs to a Facebook group that concerns itself with events and happenings around our small community of Elkins Park, Pennsylvania. I don't belong to the group because anything I need to know about my neighborhood, I can find out by going outside and looking as far as my field of vision will allow. Or by not paying my property taxes. I'm sure I will find out exactly what's going on if I fail to do that just once. If, by chance, I really want to know how my neighbors feel about people who don't pick up after their dog or whether the nearby ice cream store is really gonna close for good this time or if I need a solid recommendation for a reliable electrician, I'll just ask Mrs. Pincus for the latest dope on the Elkins Park Facebook page. (and from what I have seen on a few "over the shoulder" scans of the page, the word "dope" truly applies.) In all honesty, none of those scenarios have come up yet, so I can see no need to actually join. Mrs. P will remain my liaison until I think things have gotten desperate.

At your service!

Between heated discussions concerning dog shit protocol and speculation about a proposed business opening in a neighborhood five-and-a-half miles away, a frequent topic on the Elkins Park Facebook page is the regular damage inflicted upon a single stop sign that stands at an intersection on a street that isn't even a real street. For a couple of years now, posts about this stop sign have been showing up on the Facebook page with some regularity. The stop sign's jurisdiction is a non-municipal thruway that serves as an access to a shopping center, as well as to a bigger highway on the other side of the parking lot of said center. Sure, there are other, less convenient routes to the highway, but this little thoroughfare is a shortcut and has become so well-traveled that it actually shows up in Waze directions when plotting out a route to the Pennsylvania Turnpike from our house. The street — imaginatively named "Shoppers Lane" — is policed at one point near the rear receiving dock of a Target — by this stop sign. By the looks of posted photos and gut-wrenching descriptions, it is a dangerous area for the likes of one little stop sign. It seems that the massive 18-wheeler delivery truck drivers have some difficulty backing their rigs up to the docks in the narrow space as determined by the poor placement of the Target building. After a futile series of forward-reverse-forward-reverse maneuvers, drivers wishing to maintain a schedule throw caution to the wind and, mostly likely accompanied by an inaudible "fuck it!," proceed to plow backwards into the stop sign in an effort to align with the dock and keep to a company-enforced delivery timetable. Poor "Stoppy" has been banged and dented and jolted and bumped more times than a demolition derby jalopy.

Oh yeah.... the members of the Facebook group have taken to call this scrappy little stop sign "Stoppy."

And ol' Stoppy has since garnered a fan base that rivals professional sports teams or the latest K-Pop darlings. Suddenly, information about when the next scheduled trash pick-up (interrupted by a Monday holiday) or where a dependable plumber can be had has taken a backseat to concern for the well-being of a three-foot metal sign. On any given day, there can be up to a dozen photos of Stoppy along with a few lines of sentiment for the now-beloved traffic fixture. Once, someone posted a picture of Stoppy with a necktie knotted nattily around its... its... um, well it isn't exactly a neck. Let's say stanchion, because that's what it is. But to Stoppy's followers and supporters, it's his neck.

Poor, poor pitiful me.

Stoppy has been photographed in various states of injury. He's been bent. He's been scraped. He's had half of his face torn off. His bright red paint has been scratched and pitted and dinged. His post, despite being wrapped in some thick protective padding, has been pulled down to a 45° angle, making poor Stoppy look like he's on his last legs... well, maybe not legs..... oh, you know what I mean.

During the throes of the pandemic, Stoppy was made into a symbol of hope and endurance for a number of members of the Elkins Park Facebook page. Their one-time informational and documentational posts had now taken on a spiritual tone. Stoppy was a symbol of faith, of redemption filled with promise... promise of a life pulled from the ashes of despair and rising up to restore us to a life we once knew.... or some such bullshit. Some folks were serious about this. Really serious. But, not everyone...

Mrs. Pincus is one of the nicest people I know — if not the nicest. However in the nearly 40 years we have known each other, a bit of the cynicism that is "Josh Pincus" has, unfortunately, tarnished her otherwise sunny disposition. She is still very sweet and kind, but this underlying acerbity that I so readily exhibit, has crept in to her personality like a weed — a sarcastic little weed (which, by the way, was my nickname in high school). Mrs. Pincus has posted her own photos of Stoppy, along with snarky captions right out of the Josh Pincus playbook. Although she gets her fair share of "likes" and "thumbs ups," there are those who don't find her comments the least bit humorous. Of course, in the world of comedy, that's when something funny becomes even funnier.

Just this past week, Mrs. Pincus was contacted by a reporter from the Philadelphia Inquirer, the once-mighty daily newspaper serving the once-fourth largest city in the country. The reporter explained to my wife hat she was doing a story on Stoppy and, in her research, Mrs. P's name came up. A lot. (Doing a story on Stoppy? Jeez, no wonder no one reads newspapers anymore!) Mrs. Pincus was, of course, flattered when the reporter started asking a barrage of questions, but soon turned leery when the inquiries leaned towards Stoppy's place as a spiritual representative for the Elkins Park community.

Whoa! Whoa! And whoa!

Mrs. Pincus politely interrupted to say that she didn't feel that way at all. The whole "Stoppy" thing was just a fun little distraction. If the reporter was looking for a divine awakening from a metal traffic governor, she should look elsewhere. The reporter continued along with her prepared questions, all answered with a palpable sardonic attitude by my wife. She pressed her angle, but Mrs. Pincus stood firm on her position, refusing to be swayed. The reporter thanked my wife for her participation and told her she'd let her know when the article was to scheduled to appear in both print and online.

When I left for work on Friday, I found a torn page from the newspaper laying on our front porch. I picked it up and immediately recocognzed a color photograph of good old Stoppy. I skimmed the article as I went back into the house to wake my wife and alert her of her pending fame. I noticed that she was only quoted once and her statement is more informational fact than her opinion of the whole "Stoppy" phenomena. It was fun to see her name in print — even for something as silly as a lengthy story about the metaphysical properties of a stop sign. Throughout the day, Mrs. P received plenty of accolades from friends and acquaintances regarding her fifteen minutes of fame. And then the day went on with attention rightfully directed towards more important matters. And that would be pretty much anything.

But, this shows no signs of stopping.

www.joshpincusiscrying.com

that's me in the spotlight

I know some famous people. Some are local celebrities whose fame — whether or not they acknowledge it — only reaches to the very real boundaries of the Delaware Valley*. Others have achieved widespread nationwide success — even worldwide in a few well-deserved cases. These people fall into many categories. Some are singers. Some are actors. Some are media personalities. However, I will not divulge the names of any of them. I don't want to brag. I don't wish to use my acquaintance with a famous person in an attempt to impress you. (Some of them, I will admit, are far from impressive.) I won't do this, because it was done to me many years ago. And I was not impressed.

When I was in elementary school, I was pretty close friends with a boy named Mitchell Rosencrantz‡. Mitchell was a nice kid. He was somewhat awkward and quirky and not one of the "cool" kids. Well, neither was I, but I was able to ingratiate myself among that clique-y, elitist group without much backlash. Mitchell, however, was not so savvy. He experienced his share of bullying. He was the unfortunate target of schoolyard epithets on a fairly regular basis. It was sad, but I was his friend because I thought he was a nice guy, not because I felt sorry for him.

Mitchell and I hung out at recess with a few other kids who didn't fit in with the top tier of the popular hierarchy either. But that was okay. We had just as much fun. We discussed our favorite television shows, often debating the logistics of actually kissing Marcia Brady. We traded baseball cards that we collected, although none of us was really that interested in the actual sport of baseball. Mostly, we ran around and did "kid on the playground" stuff until the bell rang and we filed back into our classrooms. Every once in a while, on a weekend, I would go to Mitchell's house or he would come to mine. (To be honest, he would rarely come to my house, because that would've required my mother to straighten things up and possibly vacuum... and she wanted no parts of that.) At Mitchell's house, we'd do almost the same things that we did in the schoolyard except it was just the two of us.  (I remember that Mitchell had a little brother who was the spitting image of Mitchell. He also had a little sister who looked like Mitchell with pigtails.) After a few hours, my mom would pull up to Mitchell's house in her giant station wagon. I'd say "goodbye" and "thank you" to Mitchell and my mom would nudge me until I remembered to thank Mrs. Rosencrantz as well.

There was one thing that Mitchell did in an concerted effort to be accepted. He bragged about knowing a celebrity. He would find an opening in the conversation to remind everyone that his father was the manager of a celebrity. Now, we all knew that short, balding Mr. Rosencrantz was a lawyer. With his pen-filled plastic pocket protector, he looked nothing like any of the managers we saw on TV, like the guys in sequined-covered suits who escorted hulking professional wrestlers into the ring or the often-harried but coolly-coiffed Reuben Kincaid who called the financial shots for The Partridge Family. Granted, the celebrity that Mitchell talked about wasn't Adam West or Bobby Sherman or Karen Valentine. Hell, it wasn't anyone we even heard of. But he swore up and down of his celebrity status, so who were we to argue. We weren't worldly and we knew it. Mitchell insisted that his father represented the one and only Eddie Holman in all things show business.

That's right. Eddie Holman.

Gold.

New York-born Eddie Holman moved to Philadelphia with his family as a teen ager. At 16, he recorded his first song. It was heavily influenced by the so-called "Philly Soul" sound. He continued to record eventually hitting big in 1970 with "Hey There Lonely Girl," which was a reworked cover of a song originally released by Ruby and the Romantics in 1963. The tune hit Number Two on the prestigious Billboard Hot 100 chart. It sold over a million copies, however, Eddie Holman never had another hit.

Mitchell talked about Eddie Holman as though his popularity and recognition rivaled The Beatles. Mitchell's friends would nod politely as he expounded on the vast reaches of Eddie Holman's fame. He got misty-eyed as he spoke of Eddie Holman's talent and renown. Honestly, in 1970, I was 9 years old. I don't remember hearing "Hey There Lonely Girl" on the radio. Granted, the AM pop stations that I listened to were unjustly segregated and featured predominantly white artists. I don't recall seeing Eddie Holman perform on the ubiquitous Ed Sullivan Show, the barometer by which true fame was measured — at least in my young mind. If Ed Sullivan welcomed you to the stage, you were somebody... even if you were somebody I never heard of. I don't believe Eddie Holman ever graced the stage at 1697 Broadway in the Big Apple. But, as far as Mitchell Rosencrantz was concerned, Eddie Holman was celebrity enough to impress his friends.

As the years passed, I still remained friends with Mitchell Rosencrantz. We moved on to a new school after elementary school and the name "Eddie Holman" rarely breached conversations anymore. 

Soon, many of my classmates were anxious and excited about upcoming Bar and Bat Mitzvahs. Invitations were sent and the buzz was constant about how elaborate plans would be†. Sometime in the autumn of 1974, I attended Mitchell Rosencrantz's Bar Mitzvah.

The day began early in the morning, as I fidgeted in my seat at a synagogue in Northeast Philadelphia. I tugged at the necktie that my dad so expertly knotted around my skinny neck and thumbed through the Hebrew-printed pages of the prayer book some bent-over old man with three teeth in his head shoved into my hand as I entered the sanctuary. I adjusted the complementary satin yarmulke on my head (I think the old man plopped that on the back of my skull as well) and whispered to my seatmates that I recognized from school. I'm sure I also ogled the young female guests, marveling how they all looked well beyond their thirteen years, some wearing make-up for the first time and appearing waaaaay prettier than they did in any math class. Mitchell was barely visible at the lectern, peering over the top of those big wooden disks that kept the sacred Torah scrolls properly corralled. We could hear Mitchell's voice stammering out some tuneless chant. We giggled covertly each time his maturing vocal chords hit an unintentional sour note. When the grueling marathon service was over, we adjourned to a banquet room in the synagogue building that was decorated for an adults' version of a children's party. There were people who, though strangers, resembled members of my own extended family. There were two multi-tiered fountains, situated on a table — side-by-side — surrounded by large platters of unidentifiable hors d'oeuvres. One fountain dispensed wine, the other a tamer grape juice. Of course, my friends and I tried to sneak the wine, only to be scolded by a stern-looking older woman in a beaded dress, her mass of hair all done up for the occasion. Some of us danced with unwieldy moves to the typical hired band — a four-piece combo comprised of two accountants, a department store salesman and a guy who sometime, somewhere was passed over for his shot at stardom. Some of Mitchell's friends even mustered up enough nerve to ask one of the girls to dance.

Famous.

Once Mitchell's friends were finally seated at the long table reserved for the younger set (and far removed from the rest of the tables at which more important guests were seated), Mr. Rosencrantz hijacked the microphone from the tuxedoed band leader. He delivered a solemn double-shot of HaMotzi and Kiddush over a hefty loaf of challah and a full goblet of wine. Then, he cleared his throat, waved his hand and, through a wide smile, announced a "very special guest" of the afternoon. The double doors at the rear of the room opened and a tall, handsome African-American man appeared — impeccably dressed in a maroon velvet tuxedo, his barrel chest festooned with contrasting powder-blue ruffles. He smiled and waved to the guests as he made his way to the microphone offered by Mr. Rosencrantz. The man accepted the mic and, after warmly embracing Mitchell's dad, began to sing in a smooth tenor. His selection? Why, that 1970 near-chart topper "Hey There Lonely Girl." As he serenaded, whispers carried through the room. "That's Eddie Holman!," was the general consensus. 

Mitchell sat at the center of the long table with his arms crossed and a satisfied smirk on his lips. He was surrounded on both sides by his school friends and he beamed! I mean visibly beamed! Finally, he must have thought, everyone will see that I really know Eddie Holman. It really didn't matter that his friends still didn't know who he was. By the thunderous applause at the song's conclusion, Mitchell was fully convinced that he knew a celebrity. 

And that was all that mattered.

www.joshpincusiscrying.com

*A colloquial term for the area surrounding Philadelphia, Southern New Jersey and the tip of Northern Delaware.

‡ This is a fictitious name. Don't bother trying to figure out who it is.

† I did not have a formal, traditional Bar Mitzvah. The explanation for that can be found here. 

fame, fame, fame, fame...what's your name?

2016 was a rough year for celebrities. Or was it?

I have been tracking celebrity deaths for years. It all started back in 1981, when my brother's roommate at the time burst in to their apartment with the utterly hilarious statement: "The password is 'dead'." Of course, he was reporting the death of noted game-show figure and long-time host of the show Password, Allen Ludden. From there, I took my cue and, considering my slightly skewed sense of humor, there was no turning back.

I attended a small but respected art school in the early 80s. Every morning, before classes began, I would peruse the newspaper with several of my classmates. One morning, in 1983, while we sipped our coffee and pored over the printed accounts of events from the previous day, I stumbled across an obituary for Junior Samples, the hefty, overall-clad bumpkin comedian, famous for his slow delivery and dimwitted demeanor on the syndicated country music variety show Hee Haw. Samples. a former race car driver, carpenter and radio comic was a fixture on the show for fourteen seasons, bumbling his way through flubbed lines and corny jokes. When he died, my demented friends and I tacked his death notice on a school bulletin board, along with the caption: "The world has lost a great man... a great BIG man" alluding to his considerable girth. The joke, while it amused a small contingency of my colleagues, was met with a less than favorable reaction from the rest of the students and faculty. They also didn't care much for our sacrilegious treatment of the passing of singer Ethel Merman almost a year later. (That story is a classic in bad taste. See for yourself HERE.)

After I finished art school and entered the workforce, I encountered a few co-workers who, curiously, shared my absurd view on celebrity deaths. We created a sort-of informal contest to see who could report on the death of a celebrity before anyone else. As the years went on, and the internet and social media entered the equation, I gained a reputation as The Grim Reaper of sorts. Through a network of sources, I have made tracking celebrity deaths an on-going hobby, joining my other macabre pastime of visiting cemeteries. I have compiled an annual "Death Pool" in the final week of every year since 2009, listing a dozen or so celebrities who I think will meet their maker in the new year. I hang on to every minute of every news report wrap-up and award show's "In Memoriam" segment, paying close attention to those who are included and those who are unjustly snubbed. I regularly note celebrity passings on Twitter and Facebook, even becoming a confirming source for other celebrity death watchers (and, oh, there are others).

Which brings us to 2016 and the bad rap it's taken as the most unforgiving year for celebrity deaths. This malevolent notoriety is undeserved, as society's — and even my own — definition of "celebrity" has evolved over the years. "Celebrity" used to apply to movie stars, athletes, politicians, singers and regulars on television shows. Now, anyone with access to a computer and a YouTube channel is a "celebrity." People who were voted off the show on Week One of Survivor or The Bachelorette are considered "celebrities." I, myself, am guilty of foisting "celebrity" status on such folks as the guy who invented the plastic Red Solo cup and the woman who was featured in television commercials for Prince Spaghetti. Of course, my motives are strictly tongue-in-cheek. However, more people have heard of them than have heard of me, so, based on that alone, they are a celebrity at some level.

Also, consider my age. I was born in 1961. I am of a generation that bridges two generations that are significant in the roles they play in pop culture. My generation is a transitional generation. It comes at the tail end of the so-called "Golden Age of Hollywood," as well as the heyday of television hitting its creative stride. Some of the top names that graced the "silver screen" in huge Hollywood productions were now in the twilight of their careers and taking roles in television series in an obvious "if you can't beat 'em, join 'em" career move. Screen sirens like Barbara Stanwyck and Joan Blondell were now reduced to roles in weekly dramas with skimpy production values. I would see people from my parents generation pop up on The Tonight Show and I'd have to ask my mom to explain their claim to fame. There are but a handful of stars from that long-gone era who are still with us. Doris Day, who will disputably turn 94 in 2017, Jerry Lewis, who will turn 91 early next year. and Olivia de Havilland, who will pass the century mark next summer, come to mind. When their ultimate time comes, will it matter to anyone under the age of 50? Will anyone from my son's generation even know who they were?

On the other end of the "fame" spectrum, I saw The Beatles transition into the Jackson 5 into New Kids on the Block into Britney Spears into Miley Cyrus. Is Katy Perry's impact on music the same as, say Frank Sinatra's? I would say "no," but someone thirty-five years my junior, with no clue who Sinatra was, would be quick to argue. Will the eventual loss of Lady Gaga elicit the same level of sorrow as the death of Ray Charles or George Harrison? Perhaps not to members of my generation, but how about two and three generations after mine? "Celebrity" and "fame" are relative terms and they have different applications to different generations. I don't think that Ringo Starr's passing will have the same worldwide impact as Paul McCartney's. And I don't know how the passing of Justin Bieber will rate. Not that I am wishing for any of those... well, not actively, anyway. There is also a whole crop of actors and actress and athletes that I don't know. Names from Netflix shows and internet series and a slew of obscure reality shows that I don't watch. There are men and women from sports that I don't follow, not to mention singers whose music I have never heard. But, some fan of theirs, somewhere, years from now, will be upset when they die.

Good riddance.

Sure, some pretty big names died in 2016, but if you look at each one individually, they aren't really that jarring. David Bowie was 69, and while it was definitely a shock, he was sick (although he hid it from the public). Plus, he was a drug user and cigarette smoker for a good portion of his life. Prince, at 57, was discovered to have had a long addiction to opioids. Merle Haggard undoubtedly, led a hard life. William Schallert, George Kennedy, Nancy Reagan and John Glenn were all in their 90s and, whether or not we care to face reality, old people die. Then, there were accidents, like the one that claimed the life of actor Anton Yelchin. Consider all of these situations coupled with the ever-widening label of "celebrity." So, while these deaths were indeed sad, they were not circumstantially extraordinary, 

Unfortunately, I can predict with a fair amount of certainty, more "celebrities" will die in 2017.

www.joshpincusiscrying.com