Sunday, February 15, 2026

tonight I'm gonna have myself a real good time

This post is purely self-indulgent. It is 100 percent for my enjoyment. You may like it. You may not, but I'm telling you right now. It's just for me. So, if you want to skip this week's entry on It's Been A Slice, that's okay. Next week, I'll write about some old television show or a movie or some bit of day-to-day tedium that pissed me off. But this week, it's just a little "me" time.

One evening in the late fall of 1974, thirteen year-old Josh Pincus was up in his bedroom in his home in northeast Philadelphia. I had my radio tuned to WFIL, the radio station in Philadelphia for all the top pop hits of the day. Everyone listened to the "boss jocks" on WFIL and I was no different. I was probably avoiding getting my homework done when I heard a very very unusual sound coming from the radio. Among the glut of Olivia Newton-John and Mac Davis and America and Tony Orlando and Dawn, the song I was hearing sounded like aliens. I was stunned. I was motionless. I was mesmerized for a full three minutes. When it was over, the DJ announced to me and the entire Delaware Valley that we had just heard a new song called "Killer Queen" by a British band called Queen. I was an instant fan.

The following year, I became a concert goer. Going to concerts at 14 years-old was no easy task. I wasn't old enough to drive and I wasn't familiar enough with the intricate and often unreliable public transportation system in Philadelphia. Fearing that the wrong bus or subway train would deposit me in a different country where I'd never see my family again, I was not above securing (read: begging) my mother to provide door-to-door car service to one of the two (maybe three) major concert venues in the city. My mom was only too happy to drive my friends and I. My father... well, I never asked my father. If we weren't going to see Al Jolson, my father was not driving. Besides, he had to get up early the next morning for work... even if it was his day off.

In the winter of 1977, Queen released A Day at the Races, the follow-up to their international hit album A Night at the Opera. Somehow, some way, I had missed Queen when they brought their A Night at the Opera tour to the Tower Theater for three nights in 1976. But I was not going to let that happen again. Queen had become my favorite band and I was determined to see them live. Based on their new-found popularity, the natural venue, after playing the 3000-seat Tower Theater, was the self-proclaimed "America's Showplace" — The Spectrum. The Spectrum, an 18,000-seat multi-purpose facility, was the home to the Philadelphia 76ers and Flyers. It also hosted a wide variety of musical acts — all presented with the worst acoustics one would expect from a place more suited for hockey games. But — no! — Queen was relegated to the Philadelphia Civic Center, another multi-use venue. (The Beatles played there in 1964.) Alas, The Spectrum was hosting Electric Light Orchestra on February 11, 1977, so Queen drew the short straw. Nevertheless, I purchased a ticket for $7.50.

The night of the show, my mom graciously drove a friend and me to West Philadelphia. We made firm arrangements where to meet my mom at the show's conclusion. My friend and I nervously maneuvered our way through the general admission crowd. We decided that a viewing point on the second level would be optimum. I really didn't want to fight the crowds stage side. So we spotted and laid claim to two empty seats in the balcony and waited for the lights to dim.

Irish rockers Thin Lizzy kicked things off. They buzzed through a quick thirty minute set highlighted by "The Boys are Back in Town," their current big radio hit. After a brief intermission, Queen burst on to the stage to the shrieking guitar strains of "Tie Your Mother Down," the lead track on their A Day at the Races album. From there, they tore through 22 more songs, each one more exciting than the last. Their four-song encore included "Hey Big Spender" from the Broadway musical Sweet Charity and a "queen-sized" take on Elvis Presley's "Jailhouse Rock." Freddie Mercury stalked and swirled and pirouetted his way right into my teenage heart. I thought my head was going to explode... and that would have left my friend without a ride home. 
Despite touring in support of A Day at the Races well into the summer of 1977, Queen released News of the World, their sixth studio album in October of the same year. Where did they find the time? The album boasted a rare double-A sided single in "We Will Rock You/We Are The Champions" which was already charting ahead of the album's official release. Two Queen shows were announced at the Spectrum for late November 1977. I bought tickets to the first night. At the time, it was unheard of in my social circles to go see a band on more than one night of a multi-night stop in your city. Except if you were a Deadhead... and I surmised that Deadheads only went to more than one show in a tour because they were so stoned that they had forgotten where they were the previous night. Besides, the night of Queen's second show was Thanksgiving, and there was no way my mom would have allowed me to go to a concert instead of spending the evening wrestling a turkey drumstick away from my Aunt Claire. 

I got a ride to the concert with my brother, who also had tickets. His seats were in the front row to the right of the stage, but the view was obstructed by a giant speaker. My seats were in the fourth row but dead center. Queen hit the stage with a fast, hard version of "We Will Rock You" and immediately segued into the epic "Brighton Rock" from Sheer Heart Attack. They packed a whopping 31 songs into their evening's set. The night ended when Freddie Mercury disappeared backstage and reemerged with an armful of  pink carnations. One by one, he nonchalantly tossed them out to the crowd... and I caught one. (I took it home and - almost fifty years later - I still have it.) My brother watched a speaker and the top of Brian May's head.

Almost a year to the day, Queen returned to the Philadelphia Spectrum in support of their album Jazz. This release, again, was supplemented by another double-A sided single "Bicycle Race/Fat Bottomed Girls." I honestly remember very little about this show. I was sitting seventeen rows from the stage, which, in the scheme of the Spectrum, might as well have been in the parking lot. In between the time I bought my ticket and the day of the show, I contracted a bad case of pneumonia. It was bad enough to keep me out of school for a few days... but not nearly bad enough to stop me from seeing Freddie and company live in concert. At one point during the show, I thought it would be a good idea to stand up on my chair like everyone else in my section. It turned out not to be a wise decision at all. As soon as I stood up, I lost my balance and fell backwards. Luckily, my friend who I was attending the concert with, grabbed me and kept me from hitting the floor. I suppose the show was really good. I read about it in the newspaper the next day.

After a two-year hiatus, Queen returned to Philadelphia for The Game tour. For some reason, I don't remember who I went to this concert with. I don't remember how I got there. By 1980, I had a driver's license. I may have borrowed my mom's car. I really don't remember. I have seen a set list and read about the show. I remember seeing Freddie Mercury come out on stage perched upon the shoulders of Darth Vader. I remember him referring to my beloved city as "Filthydelphia." I even remember being confused by their choice of opening song - "Jailhouse Rock." I remember being surprised by the inclusion of an opening act, something they had dispensed with for the previous two tours. I just don't remember being there. 

In 1982, I met the future Mrs. Pincus. She walked into the restaurant where I worked. After a few dates and "getting to know you" conversation, I revealed myself as a Queen fan. She was a Deadhead. She didn't have to tell me. It was apparent by the stickers on her car and the music in her apartment. In April of 1982, against my better judgement and despite my long history of concert-going, I was taken to my first (of many) Grateful Dead shows. Let's just say... I love my wife a whole lot more than I love the Grateful Dead. I only thought it would be fair to take my soon-to-be wife to a Queen concert. (Turnabout is fair play.... isn't that how the saying goes?) So I did. Queen was coming back to Philadelphia in the summer of 1982. I bought three tickets — one for me, one for the future Mrs. P and one for the original Mrs. P... my mom. My mom had developed into quite the avid Queen fan. She bought Queen albums before I did. She turned up the volume when she heard Queen songs on the radio. (Oh, she recognized Queen songs on the radio, unlike my dad who... well, my dad didn't.) So, that summer I took the two Mrs. Ps to their very first Queen concert. One was ecstatic. The other, not so much. 

The show — in my very biased opinion — was great. My mom cried the moment Queen took the stage. (She loudly voiced her dismay with opening act Billy Squier, commenting: "Well, he sucked!") My mom was just beside herself — dancing and singing along and squealing like a teenager. Mrs. P-in-waiting, however, was unimpressed by Freddie Mercury's descent to the stage on a flower-covered swing, citing that Jerry Garcia never did such a thing. My future spouse questioned the band's numerous costume changes, asking if that was a ploy to cover for their lack of talent. I noted that Jerry Garcia had been wearing the same black t-shirt since 1968. We remained quiet for the rest of the show.

While Queen mounted several more tours before Freddie Mercury's death, they never returned to the United States after 1982. 

I got to see Queen five times. This week was the forty-ninth anniversary of that very first show. Time sure does fly when you get old you're self-indulgent.

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