me and the boys

Way back in the early 2000s, I worked in the marketing department of Pep Boys, the national chain of after-market auto supplies. In the nearly four years that I worked in the company's main headquarters in Philadelphia, I set foot in an actual Pep Boys retail location at total of  two times. Once was to buy a set of Pep Boys bobble head characters. The second time was to fix a flat tire on a rental car while on vacation in Southern California. Aside from that, I had no reason to avail myself of Pep Boys' services. I had a local mechanic that I brought my car to for regular service. I had also heard my share of  "horror stories" regarding the level of care (or lack of) provided by Pep Boys mechanics. Customers described a wide range of experiences frm "stellar" and "excellent" to "awful," "unprofessional" and even "criminal." I was privy to a story summitted by a very unsatisfied customer who told of a routine stop to fix a flat tire. When the service was completed and her car war returned to her, she noticed that one of the car's windshield wipers was broken. She went on to question how this could have possibly happened, seeing as how the wipers are no where near the tires. I also heard a tale of how a customer's car was knocked off of the hydraulic lift in the service garage. I even saw full-color photographs to corroborate this customer's complaint. I will say that my personal experience in a Fullerton, California Pep Boys was short and sweet.

I owned my last car — a 2004 Toyota RAV4 — for twenty years. In that time, I recall getting a flat tire once. That dreaded little light popped up on my dashboard and, after consulting the owner's manual to determine the meaning of that little glowing pictogram, I drove my car over to my local mechanic and got a new tire. The end. That was the first and last time I had to deal with anything of that nature. In Spring 2023 I bought a brand new Subaru Crosstrek. In the 17 months that I have owned and driven my new car, the "flat tire" warning has lit up on my dashboard three times. Each time, after first cursing profusely, I drove my car over to the service department of the Subaru dealer from which I purchased my car. The first time, they were able to plug the damaged tire for a nominal fee. The second time required me to buy a new tire. Just two weeks after dropping two hours and two hundred bucks on a new tire, the light ticked on again while I was on my way to work. After unleashing a spontaneous barrage of carefully chosen expletives, I considered my options of how to quickly and efficiently remedy my situation. I wouldn't be able to get to the Subaru dealer until the weekend. It would be risky driving around with the threat of a full-blown flat tire looming over me. My tires seemed to be okay, but that damn light on my dashboard told me otherwise. I decided to take my car to one of the many service garages I pass on my way to work. I remembered there was a Pep Boys not too far away. I settled on making that a stop on my way home from work... providing my tire would hold out until the end of the day.

After work that day, I checked my car's tires. They all seemed fine — fine enough to get me to the Pep Boys just down Route 130 from my place of employment. I drove the short distance and pulled my car into Pep Boys parking lot. I parked, got out and headed to the front door. I half expected Rod Serling to step out from behind a stack of tires — a cigarette smoldering between his fingers — and announce that I had just entered The Twilight Zone.

This particular Pep Boys was different than any that I had seen before (all two of them). There was no retail section. No shelves with merchandise of any kind.. It was jus a big empty space, poorly concealed with a series of large posters advertising the various services that Pep Boys offers. Off to one side were large metal racks with dozens and dozens of tires. Along the back wall were piles of cardboard boxes. Just ahead was a reception counter, behind which stood two fellows in Pep Boys branded work shirts. They both looked liked characters that had just escaped from prison seen in countless television police dramas. As I approached the counter, neither man said a word, but they did not break the laser-like stare they had fixed on me. It was obvious that I was going to have to initiate this conversation. I cleared my throat and spoke up. I explained the light on my dashboard and the fact that my tires seemed to be okay. The one man finally asked for my key fob and handed me a clipboard to fill out a brief informational form. I asked if this would be taken care of while I waited. He didn't answer, but I believe I detected an ever-so-slight nod. I took that as a "yes."

So I waited. And waited. And waited.

After twenty-five minutes, I saw my car pulling into the otherwise empty service area. Through a large window, I saw a mechanic raise my car up on the hydraulic lift. I suddenly had flashbacks to those photos I saw twenty years earlier, but everything appeared to be okay. The other silent guy from the front desk joined the mechanic, but I couldn't tell exactly what they were doing. The first man, the one who asked for my key fob, stood silently at the desk and stared off into space. He did not appear to be anxious to entertain any of my potential questions or concerns, so I reconsidered asking about the timetable of my car's repair. I said nothing. I just continued to crane my neck to get a better view of the activity surrounding my car. I could see the lead mechanic wipe the sweat from his forehead and cheeks often by grabbing the front of his t-shirt and enveloping his face with it, exposing his large, hairy belly in the process. He also appeared to be moving in slow motion. His actions were jerky, as though illuminated by a strobe light. He walked to and from my car, sometimes wielding some sort of tool, sometimes not.

 

Finally, with just a few minutes remaining before the store's posted closing time, I was beckoned silently to the reception desk. The first man waved my key fob in my direction and motioned for me to present myself front and center. 

"We plugged it," he said, uttering the most consecutive words since I had arrived. 

"So, I don't need a new tire?," I asked. 

"No.," he replied, returning to his monosyllabic speech pattern.

He handed me a bill for $20 and change and I swiped my credit card in the terminal. The man handed me six pages that he had plucked from the tray of the printer behind the counter. He passed me my key fob.

"Where is my car?," I asked. He pointed towards the door and said nothing. I didn't press my line of questioning. I figured I could find my car on my own. Once out in the parking lot, I spotted my car the same space in which I had originally parked. I got in and started the engine. After driving a few feet, the flat tire light on my dashboard dimmed. It has not come back on since.

Although, I did find a large, greasy handprint on the hood of my car — the Pep Boys Seal of Quality.

www.joshpincusiscrying.com

cry me a river

This will probably be my last baseball-related blog post until next season. So enjoy it... or skip it.... it's up to you.

I used to have season tickets for the Phillies. Had them for eighteen seasons. Every year, on the first game of the season, Mrs. Pincus and I would amble down to our seats, usually bundled up to stave off the early April weather. We would greet and catch-up with our fellow Phillies season ticket holders in our section, the ones we would see every year and lose touch with during the winter months. Then, I would announce that the first person who says "This year, the Phillies are going all the way!" — well, I'm going to take a swing at them.

Phillies fans are adorable. Every year, they think "this is THE year" and every year they are met with the same disappointment that transpired the previous season. And the season before that. And the season before that. The joy of being a Phillies fan is the false sense of hope presented for two months during a season that lasts seven months. The team gets hot, the bats are swinging, balls are flying over the fence, the pitching staff is striking opposing batters out left and right.... until it stops. And it always stops. The team stumbles in the post season playoffs, somehow forgets how to play baseball and scratchehs their collective heads in bewilderment. This year, the Phillies were pathetic in three of the four post-season games they played. As the great baseball/philosopher Yogi Berra once said: "It's deja vu all over again."

In my worthless opinion, I think the reason for the Phillies customary decline is fairly obvious. Money. Yep.  M-O-N-E-Y. The payroll for the active Phillies roster for the 2024 season was 264.2 million dollars. That is the seventh highest in Major League Baseball. The top three batters in the Phillies lineup, the ones on whom the team relies to produce runs, are Kyle Schwarber, who earned 19 million dollars, Trea Turner, who earned 27 million dollars, and Bryce Harper, who earned 26 million dollars. What sort of incentive do these guys have? Not "motivation." "Motivation" is the initial contract. "Incentive" is the promise of a big monetary windfall if the player performs well. This is not an "incentive!" Schwarber hit a massive homerun in Game 1 of the NLDS and then his bat went silent for his remaining plate appearances. Turner, for his 26 million dollar payout, didn't accomplish an extra-base hit in 15 at-bats. Harper did manage a home run in the post-season, but he also struck out five times. You see, the players get the money whether they hit a zillion homeruns or strike out on every appearance at the plate.

In July, the Phillies acquired relief pitcher Carlos Estevez to bolster their bullpen. Estevez was stellar on the Los Angeles Angels early in the 2024 season. But, the Angels were terrible and Estevez's pitching talents would be better served elsewhere — and that "elsewhere" was Philadelphia. So, for a salary of 2+ million dollars, Carlos Estevez was..... fair. In Game 4 of the NLDS, Estevez gave up a 6th inning grand slam to New York Mets shortstop Francisco Lindor, essentially hammering the final nail in the coffin of the Phillies post-season dreams. But, as the Mets planned their strategy against National League opponent The LA Dodgers, Carlos Estevez still got a 2 million dollar deposit in his bank account.

After losing the final game of the NLDS series, a dejected Bryce Harper, the Phillies unofficial team leader, spoke to the press in subdued tones about disappointment and dashed hopes and blah blah blah blah. I didn't want to hear it. I am sick of hearing overpaid athletes whining and complaining and blaming while getting salaries that are downright obscene. I love baseball. I love watching baseball and I love going to baseball games. But the price of a ticket averages around 50 bucks. Parking cost 25 dollars and the prices of food at the ballpark are ridiculous. 

Will this stop me from going to games? Probably not. Will I still get excited when the Phillies show some promise? I suppose I will. Is there a solution to my little, stupid, privleged, white guy dilemma? No. No, there is not.

Yogi Berra's quote is still ringing in my ears. It has been for years.

Pitchers and catchers report for Spring Training on February 20, 2025... and, yes, I'm a sucker.

www.joshpincusiscrying.com

you dropped a bomb on me

For the past few summers, Mrs. Pincus and I, along with a couple of friends, have spent our evenings attending various free concerts hosted by nearby Camden County in New Jersey. At the beginning of the summer, a series of upcoming concerts at various outdoor venues are announced on the public website. The concerts have featured a wide range of performers and musical genres from folk rock, Tex-Mex, blues, experimental, jazz and a few I have forgotten. The performers are local acts, popular national acts, as well as once-popular national acts. Sprinkled among these are niche performers including a trio of young ladies we saw as the summer came to a close.

I have loved music from the Big Band era since I was a little kid. My mom was a huge fan of swing music and she introduced me to the likes of Benny Goodman, Glenn Miller and the Dorsey Brothers. My mom was partial to Frank Sinatra, that skinny kid from Hoboken, as well as America's "girl next door," Doris Day. My mom had a stack of big band albums and they were played often in the Pincus house. She tried to teach me to jitterbug, a dance she loved. She even was able to coax my stick-in-the-mud father to "cut a rug" at weddings and bar mitzvahs over the years. One of my mom's favorites from the World War II era was The Andrews Sisters. I have to admit, my first exposure to The Andrews Sisters was Bette Midler's 1973 cover of "Boogie Woogie Bugle Boy." I remember hearing this catchy ditty on the radio and my mom — as my mom often did — explained that the song was originally done by The Andrews Sisters in the 1941 Abbot & Costello war farce Buck Privates. She then produced a load of Andrews Sisters albums and — even though I was deeply immersed in the music of Elton John and Alice Cooper — I was in heaven. The Andrews Sisters were the shit! Tight harmonies, infectious wordplay, and a boogie-woogie jump beat that defied your feet to keep still. And hits? The Andrews Sisters recorded over 600 tunes — six hundred! They sold over one hundred million records. They charted 113 songs, including 23 with crooner Bing Crosby. They appeared in 17 movies. And they served as ambassadors and "cheerleaders" for the war effort, stirring patriotic pride in a time when actual patriotic pride had a meaning.

So, when I saw that Camden County was welcoming "American Bombshells" as part of the 2024 Free Concert series, I marked it off on my calendar and did my best convincing to get my wife and our concert friends to go. "It's a tribute to The Andrews Sisters!," I cajoled, reciting the promo lines verbatim from the website. That fact that it was free, it was a beautiful night and we'd be picnicking on local hoagies all worked in my favor. 

We met at the lakeside park and set up our camp chairs. We ate our hoagies and chatted before show time. I noticed that the crowd was particularly lighter than the throng that attended a free Spin Doctors show earlier in the summer. Despite not having a charting hit in over thirty years, The Spin Doctors commanded a huge crowd with folding camp chairs and territory-claiming blankets covering the ground for as far as the eye could see. The American Bombshells, however... not so much. With just minutes to go before the scheduled 7 PM start, the area reserved for seating showed more grass than patrons.

After a few awkward stage announcements by some Camden County officials, the three young ladies of the American Bombshells took the stage. They sported tight military uniforms with their olive drab garrison caps tilted at a jaunty angle. They were doing their best to mimic the familiar look of The Andrews Sisters. They introduced themselves and launched into "Don't Sit Under The Apple Tree" with near-perfect Andrews Sisters harmony. The crowd was immediately receptive. A few older couples even popped up to jitterbug in front of the stage. 

As cute as it was, this was somewhat puzzling to me.

My mother and father were the target audience for the Andrews Sisters and all music of the Swing Era. My father entered the United States Navy in 1944. He was 18 years old. My father passed away in 1993 at the age of 66. If he were still alive, he would be 98 — hardly an age at which jitterbugging would be advisable or even possible. If my mother were still with us, she would be 101. As agile and vivacious as my mom was, I think her boogieing days would be looooong behind her. The few couples who were showing off their fancy footwork to the jump-blues stylings of this Andrews Sisters homage looked to be in their 70s.  This means they were born around ten years after World War II ended and around the time that the Andrews Sisters were embarking on solo careers. Sure, I am in the minority in my love of the Swing Era, but these impromptu dancers were too young to have experienced a war-time visit from Bob Hope or a trip to the Hollywood Canteen.

Nevertheless, we were there to enjoy an evening of 40s nostalgia — just like the website advertising promised. The singers treated us to the hits "Bei Mir Bist Du Schön" and their take on "Boogie Woogie Bugle Boy." They moved on to songs popularized by Frank Sinatra and Ella Fitzgerald. Then, for some reason, they jumped ahead to some hits from the 1950s. They sang "Mr. Sandman" and "Please Mr, Postman." They paused the music to thank our servicemen and women and offered a flag-waving salute while singing a medley of service branch songs — "Anchors Aweigh," "The Caisson Song" (with different lyrics from the ones my dad sang around the house when I was little), "The Marine Corps Hymn." The young ladies proceeded to sing some folk-rock songs of the 1960s before launching into a full-blown vocal tribute to all things America, including "My Country 'Tis of Thee" and "God Bless America." They capped the evening with the Toby Keith musical "line drawn in the sand" threat "Courtesy of the Red, White and Blue" and the right-wing "pick a fight with me" anthem "God Bless The USA."

Midway through the 1950s segment of the performance, I lost interest. By the time they reached their nationalistic frenzy, I was ready to leave.

At the risk of starting a political debate, the current state of our country is fragile. The less it is discussed in non-political situations the better. A night of music and reminiscing is not the place to stir up polarizing feelings among an audience of unknown political leanings. Just sing and leave your political affiliations behind. I found the progression of the evening to be very uncomfortable and I think I was not alone.

The hoagies were good, though.

www.joshpincusiscrying.com

monster mash

I love horror movies. Or rather.... I loved horror movies. Frankenstein, Dracula, The Wolf Man, The Mummy... all of them. I watched them as a kid on my family's black-and-white TV on Saturday afternoons. They were campy and creepy at the same time. Since most of them were made in the 40s, they all had this strange — yet endearing — quality. Like the actors knew they were in a movie and were delivering scripted lines. It was like watching a play. It made things fun and not too scary. 

My love of horror movies progressed to the low-budget camp of the 1950s with beings from outer space and teenage werewolves. The acting was bad. The make-up was bad. The special effects were amateurish. But I loved them just the same. In some of the Japanese imports of the late 50s and early 60s, I swear I could see the metal pull of a zipper at the base of Godzilla's neck and he tore down an obviously miniature elevated train set in a faux downtown Tokyo.

The 60s, however, brought the real horror. England's notorious Hammer Studios offered garish takes on classic tales. Under the capable lead of Christopher Lee, Dracula, Prince of Darkness splashed vivid red blood across  the screen at a Saturday afternoon matinee, the likes of which I had never seen before. On television, I cowered with my mom as we watched the shadow of Norman Bates slash poor Marion Crane to bits in her shower in Psycho. I still maintain that Psycho is among the scariest movies I have even seen.

Of course, horror films grew more provocative and more daring and more bloody as directors pushed their limits and audiences demanded more. So-called "slasher films" became the norm with Halloween and Friday the 13th and A Nightmare of Elm Street (and all of their imitators) monopolizing theatres. Anti-heroes Freddy Krueger and Jason Voorhees and Michael Myers became icons, beloved among horror movie fans. I enjoyed the initial entries into these long-running (and lucrative) film franchises, but I lost interest after the umpteenth sequel presented essentially a retelling of the original movie.

I like an interesting and clever story. That grabs my attention. I don't care to see someone getting their limbs slowly separated from their torso by a crazed madman with unexplained super-human strength and an even less concise non-sensical backstory. The current trends in horror movies tend to present a skimpy outline of a plot and rely more heavily on overly gory, in-your-face exercise in torture, sadism and suffering.

Years ago, I saw a movie called Hostel. Actually, I saw part of a movie called Hostel. I was only able to stick with it until a man was strapped into a chair and various parts of his body were removed by a masked man wielding a power saw. I don't know how Hostel ended and I really don't care. Hostel, no thanks to me, was very popular. It spawned sequels and copycats — none of which I have seen or have any intention of seeing.

There have been a few recent horror movies I have enjoyed. The Ring was clever. I didn't find it particularly scary, but I appreciated the intelligent story telling. Silence of the Lambs, if that can even be considered a "horror" movie, was taut and spine-tingling, another example of a good story being executed by good actors. Even the Japanese import Audition with its hard-to-watch climax, was well-done and suspenseful in its presentation.

It seems that today's horror movie lover is not particularly discerning. Every new release (and there are a lot of 'em) boasts a similar synopsis as other recent films. A mysterious killer that kills for the sake of killing. A variety of killing methods each designed to produce the most blood, viscera and humiliation of the victim. Overly and gratuitously explicit scenes unfairly and disturbingly equating sex with mutilation. I read a capsulized plot of a recent horror "hit" called Terrifier about a murderous clown named "Art." Art seems to have joined, if not overtaken, the ranks of Freddy and Jason as the new slasher icon. The plot was nauseating, as were the similar plots of Terrifier's two sequels. I have no plans to see Terrifier, Terrifier 2 or Terrifier 3 (when it's released in early October). As long as all the right boxes are checked, the film should do well.

I just want a good old-fashioned horror movie with a monster and a good story and good acting and not a reservoir's worth of blood and guts.

Is that too much to ask?

www.joshpincusiscrying.com