I must be a glutton for punishment. I continue to watch awards shows. I have watched the Emmys, although most of my preferred television viewing consists of shows that were produced in the 70s and most of the regular core cast members are long dead. I watch the Grammys, knowing full well that I will be unfamiliar with the names of performers and their songs and will be baffled by the hordes of adoring fans. I watch the Tonys.... well, I actually haven't watched the Tonys in years, since I am positive that I will have heard of none of the Broadway shows that will be showcased. Of course, I watch the Oscars.
Last night, I watched the three-and-a-half hour marathon that was the 92nd Annual Academy Awards... despite having seen only three films that garnered nominations. I will note that the three films were all animated films and one I had just watched a few hours prior to the evening's telecast. Two of the entries — Toy Story 4 and Frozen II — were both nominated for best song. I loved Frozen II while I was watching it, but, for the life of me, I can't remember a single song from it. None of them were nearly as catchy as "Let It Go," "In Summer," "Do You Want to Build a Snowman?" (Jeez! I could name them all!) Toy Story 4 was also nominated for Best Animated Feature. Yes, I enjoyed it. Yes, the animation was stellar, but it didn't live up to the tear-jerking, gut-wrenching level of Toy Story 3, my favorite of the trilogy-plus-one... just my opinion. The third nominated film I saw this year was Hair Love, which was six minutes of pure joy that — goddammit! — brought me to tears. Aside from those, the rest of the nominees were totally unfamiliar to me. So, why do I watch? I watch these lengthy broadcasts for a four-minute segment that is shoved in just before the night's biggest award is presented —The "In Memoriam." Year after year, on awards show after awards show, this segment causes more anger and controversy than when a confused Warren Beatty proclaimed La La Land the winner of the "Best Picture" Oscar in 2016.
Last night, I watched the three-and-a-half hour marathon that was the 92nd Annual Academy Awards... despite having seen only three films that garnered nominations. I will note that the three films were all animated films and one I had just watched a few hours prior to the evening's telecast. Two of the entries — Toy Story 4 and Frozen II — were both nominated for best song. I loved Frozen II while I was watching it, but, for the life of me, I can't remember a single song from it. None of them were nearly as catchy as "Let It Go," "In Summer," "Do You Want to Build a Snowman?" (Jeez! I could name them all!) Toy Story 4 was also nominated for Best Animated Feature. Yes, I enjoyed it. Yes, the animation was stellar, but it didn't live up to the tear-jerking, gut-wrenching level of Toy Story 3, my favorite of the trilogy-plus-one... just my opinion. The third nominated film I saw this year was Hair Love, which was six minutes of pure joy that — goddammit! — brought me to tears. Aside from those, the rest of the nominees were totally unfamiliar to me. So, why do I watch? I watch these lengthy broadcasts for a four-minute segment that is shoved in just before the night's biggest award is presented —The "In Memoriam." Year after year, on awards show after awards show, this segment causes more anger and controversy than when a confused Warren Beatty proclaimed La La Land the winner of the "Best Picture" Oscar in 2016.
As you might know, I love all aspects of celebrity deaths. I write about them on my illustration blog. I visit cemeteries where celebrities are buried. I report the death of a celebrity as soon as possible to my followers on Twitter and Facebook. At the end of each year, I even compile a list of celebrities that I don't think will be around to watch the ball drop on Times Square the next New Years Eve. So, I sit through each of these grueling tests of celebratory endurance just to keep the various Academies honest. I take these things pretty seriously. (Eh... who am I kidding? I don't take anything seriously!) I brazenly call out the glaring omissions on social media within minutes of the segment's end. And there are always omissions. I do this primarily for my own amusement. But, apparently, I am not alone. At 11:07 PM, Eastern time, I tweeted a brief list of stars that were left out of the 2020 "In Memoriam" montage. At the time of this writing, that post has 128 "likes" and 40 "retweets"... plus a number of comments. I even left some names out of my "left out" list for lack of space. And it looked like this....
These seventeen actors and actress passed away between the time of the last Oscar broadcast (which was actually later in February 2019) and the one last night. Each one was carefully considered (by me) for their celebrity status, career length and industry impact (also determined by me). I even left out a few deserving (but relatively unknown and unsung) names, including Joan Staley, Richard Erdman, Larry Cohen, June Harding, Jessie Lawrence Ferguson, John Wesley, Rob Garrison, Josip Elic, Natalie Trundy, Alan Harris and Kevin Conway. (Feel free to Google any of these names.) The seventeen I chose to list were (again, my opinion) the ones who I felt deserved (by the unofficial standards of the Academy of Motion Picture Arts and Sciences) to be included in the presentation. Some had lengthy careers. Others had short or unnoticed careers, but appeared in some pretty significant and iconic films.
Almost immediately, my tweet generated some reaction. Even before I tweeted, I saw this from a follower who knows me all too well...
The "In Memoriam" segment is a tricky thing for all awards shows. The folks who assemble these photo montages have under five minutes to please everyone. In an attempt to be fair to both fans and industry types, the segment has to include a cross-section of all parts of the business — on-screen, behind the scenes and really behind the scenes. They have to include a sampling of actors, directors, producers as well as publicists, marketers, set decorators, key grips, best boys, make-up experts, hair stylists, matte painters and a bunch of other positions I didn't know existed until I saw it printed in small, italic text under someone's smiling unfamiliar face that I couldn't identify. It's not all grand names from the Golden Age of Hollywood or that too-young shocker that blind-sided us last summer, prompting a "Wow! That was this year?!" reaction while shoving a fistful of popcorn into one's mouth. This year's tribute featured such notable passings as Doris Day, Peter Fonda, Robert Evans and Kirk Douglas, who died just four days prior to the Oscar broadcast, most likely throwing a monkey wrench into a completed presentation and causing a few last-minute edits. I'm sure a sound editor and a cinematographer were removed to make room for the Spartacus star and still keep it under five minutes. It is obviously a very tough job and someone — somewhere — will not be happy.
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| Are you playing my advocate? |
As it turned out, a lot of "someones" were not happy. The Twitterverse, as they say, exploded. I saw likes and retweets well into the night and the next morning. There was furious commentary, as well. Some was directed at the Academy. Some, curiously, was directed at me. Some folks questioned the AMPAS omitting Carroll Spinney (the puppeteer responsible for "Big Bird" and "Oscar the Grouch"), Robert Conrad (the star of TV's Wild Wild West) and Peggy Lipton (from TV's Mod Squad). I replied to these people that Spinney, Conrad and Lipton were primarily television performers and the Academy focuses first on an individuals contribution to film. A few people noted that young Cameron Boyce was unceremoniously "snubbed." I will admit, as a 58-year old, I was unfamiliar with Cameron's body of work when his death was announced in July 2019 at the age of 20. It seems the budding actor was a staple on Disney TV, appearing in three made-for-television films, a teen-centric sitcom and providing voice-work the the title character in the animated Jake and the Never Land Pirates. He was featured in small roles in just a few theatrically-released films, including two Adam Sandler movies and his debut in the horror film Mirrors. I explained to someone whose Twitter handle is "Geri.Aspergers | Cameron 💙" that Boyce was primarily a television actor and that is probably why he was not part of the 2020 montage. "Geri.Aspergers | Cameron 💙" was not satisfied with my reply. He countered me with "Please do your research on Cameron. He did so much in his 20 years of life than someone can do in a lifetime. He wasn't just credited for 2 movies so please do your research. It isn't fair. I know Kobe Bryant deserves it but he isn't even an actor and he was still included. Cameron was only 20 when he died and he did so much in his life." This person did not fully read my reply. (I hate that.) I didn't say that he was only credited with 2 movies at all. Then, I noticed that his Twitter profile picture was a photo of Cameron Boyce. This was going to take some "tough love." After doing my best to be as "matter-of-fact" as possible, I bluntly stated: "The Academy hates two things: Adam Sandler and horror movies. That covered Cameron's film credits and automatically eliminated Cameron from inclusion. Kobe Bryant was an Oscar recipient in 2018. Maybe I'm not the only one who should do research." I have not heard a response from this Twitter user. Perhaps he's in gym class or doing his algebra homework.
One of the most surprising omissions was Luke Perry, who co-starred in Quentin Tarantino's Once Upon A Time... in Hollywood, which received a whopping ten Oscar nominations this year. Luke died in March 2019 and the role in the retro comedy-drama was his last.
Michael J. Pollard was passed over, despite an Oscar nomination in 1968 for Best Supporting Actor in the beloved Bonnie and Clyde. He also appeared in the popular films The Russians are Coming, The Russians are Coming, Dick Tracy and Melvin and Howard.
Billy Drago didn't make the cut either. He was one of those character actors that Hollywood loves. A menacing heavy, Drago played "Frank Nitti" in Brian DePalma's The Untouchables and a Western deputy in Clint Eastwood's Pale Rider. Just the association with two of the film world's heavy hitters should have been enough to have his name listed among the memorials.
Denise Nickerson's omission was also surprising. Sure, she was only in a couple of movies, but her portrayal of smarmy, gum-chewing "Violet Beauregard" in Willy Wonka and the Chocolate Factory was iconic and her appeal was multi-generational. Her July 2019 death shocked fans of the film, even forcing reflection on their lives and their youth.
The so-called "Awards Season" has come to a close with the Oscars. The Tony Awards are scheduled to be presented in June, so there is still a few months for famous people to die and still a few months for regular people to get mad. And next year's Academy Awards "In Memoriam" segment will forget to include Orson Bean (who appeared in Being John Malkovich and Anatomy of a Murder) and Paula Kelly (featured in The Andromeda Strain and Soylent Green).
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