Showing posts with label christmas. Show all posts
Showing posts with label christmas. Show all posts

Sunday, December 14, 2025

I'm dreaming of a white christmas

"I'm dreaming of a white Christmas/Just like the ones I used to know"

Are you? Are you really? Before the early 1940s, nobody was really dreaming of a white Christmas. Sure, folks thought about Christmas and all the things that came along with the Christmas season. Presents, family gatherings, sending Christmas cards, a visit from St. Nicholas... well starting in 1823 when that poem was first published. But the concept of a "white Christmas" didn't become "a thing" until a Jewish immigrant named Irving Berlin wrote a song called "White Christmas." Before that, Christmas songs were mostly religious in nature. "White Christmas." made its public debut on Christmas Day 1941, just a few weeks after the infamous attack on Pearl Harbor. Popular singer Bing Crosby sang the song on his radio show. He recorded it the following May for inclusion on an album released ahead of the holiday-themed motion picture Holiday Inn, which debuted, inexplicably, on August 4, 1942. The song performed poorly in its initial release. Bing Crosby wasn't especially thrilled by the tune, commenting during the recording session: "I have no problems with that one." But as Christmas 1942 approached and Holiday Inn gained traction, it topped the charts and became an international hit. It went on to sell fifty million copies, becoming one of the best selling singles of all time.

But, how many folks in later generations, even know why they want a white Christmas? They certainly don't want a white Christmas in Australia, where it's summer in December. So, a white Christmas is purely a Northern Hemisphere thing. Before Irving Berlin penned that beloved Christmas song, the concept of a white Christmas was barely a thing. It was alluded to in Charles Dickens' classic novella A Christmas Carol. Snow and wintery weather was described, but it was not the main focus of the story. It merely offered a setting in which the action took place.

I used to work with a couple of women who were very nice, very sweet, but not too bright as far as where their holiday traditions originated. First of all, they marveled at the fact that I was Jewish. They had never known anyone — anyone! — who didn't celebrate Christmas. They questioned me about holidays that they had never heard of, as though I was the Jewish equivalent of the Pope. (By the way, there is no Jewish equivalent of the Pope and if there were, it sure wouldn't be me.) When Christmas time would roll around, the questions were brought up again. It became tradition. "You don't have a Christmas tree?," they'd ask, as though they were asking how I was able to breathe without lungs. I'd explain that, of course, I had a tree, but I just keep it in the backyard, growing in the ground with the other trees. Being the sarcastic jerk that I am, I would often return the questioning, with a little bit of Josh Pincus attitude. "Why do you want a 'White Christmas'?," I'd innocently ask. "There wasn't any snow in the desert when Jesus was born." The two women would exchange blank looks and then look at me. They'd frown and furrow their collective brows, hoping that would force a convincing answer the front of their brains. Finally, one of them replied. "Well, you know..... it's nice for the kids." 

What? What does that mean? How did that attempt to answer my question? How does that explain your tradition? Jeez! I went on and on and on about Judah Maccabee and his ragtag band of soldiers fighting off the Greco-Roman Assyrian army (or whoever they fought) and how the oil in the temple lasted for eight days instead of just one and why we eat fried food to commemorate the "oil" aspect of the Chanukah story. Okay, okay... I fudged on some of the details, but at least I was far more convincing than "It's nice for the kids." That made as much sense as yelling English into the face of someone who doesn't understand English to get them to understand.

I get frustrated by "traditions" that are blindly followed by people who don't even know the reason why they are doing what they are doing. There are so many Christmas "traditions" that are dragged out every year that have absolutely nothing to do with the birth of Jesus. A lot of them were borrowed from other cultures. There is nothing wrong with that. But if you don't understand why you are doing these things, you kind of look like a dope. Even an excuse of "Well, my parents did this, so I'm doing this" is better than "Uh... I don't know." I had another coworker at another job who would talk about all of her cherished family traditions as though these rituals were handed down from generation to generation... only to discover that her "traditions" were read about in a magazine during her train commute into work that day.

If you are "dreaming of a white Christmas," good for you. If you like snow, that's fine. If it's because a songwriter told you to over eight decades ago, that's fine. If it's because "Uh... I don't know." Well, as they say in the South: "Bless your heart."

Sunday, December 13, 2020

troll the ancient yuletide carol

I have always loved Christmas music. I'm not sure why. After all, we didn't celebrate Christmas in my house, so there wasn't a "feeling of Christmas" that, I suppose, makes those who do celebrate Christmas want to break out in song as the 25th of December approaches. I loved watching all of the special Christmas programming on television, from the animated A Charlie Brown Christmas (with its sweet and simple "Christmastime" melody) and How the Grinch Stole Christmas (with its faux-menacing title song) to the stop-motion "Animagic" Rankin-Bass productions that mixed original Christmas songs with the traditional and established ones with which I was already familiar. I remember that the now-defunct Philadelphia Bulletin would include an "assemble-it-yourself" Christmas song booklet with the color comics section in the Sunday edition just prior to Christmas Day. It was from these annual, illustrated, 8-page supplements that I first learned the words to beloved Christmas carols like "Silent Night," "Away in a Manger" (having no idea what exactly a "manger" was. Actually, I'm still not certain), and "O Holy Night." I tried to master the Latin lyrics to "Adeste Fideles" once I was sure I memorized the words in the English version, "O Come All Ye Faithful." I was so familiar with these songs, that I recall getting excited as a teenager when, during a 1978 Jethro Tull concert, flutist Ian Anderson broke into "God Rest Ye Merry Gentleman" in the middle of a rousing version of their classic instrumental "BourĂ©e."

As I got older and started buying albums, I made sure that I had a good amount of Christmas music in my collection. Whether it was a current band cashing in on a holiday release or a reissue of a famous crooner singing well-known carols — I had to have 'em. And the more unusual, the better. Aside from the classics, I like original Christmas songs that spin tales of off-beat scenarios while still keeping with the holiday spirit. Not necessarily "novelty" songs, but ones that stray from the standard Christmas images like mistletoe, sleigh bells and Jesus's birth. I like the slightly skewed songs like The Pogues' "Fairytale of New York," that creates a holiday scene through the eyes of two drunk Irish immigrants in a New York lockup. My wife's favorite song — not specifically holiday song, but song in general — is The Waitresses' bouncy 1981 rhyming tune "Christmas Wrapping." 

Despite my love for Christmas songs, I am still taken aback by some of the unsettling lyrics that folks blindly sing, parroting words they heard over and over, year after year, not quite understanding what it is they are singing.... yet still teaching these songs to their children and grandchildren. One of the creepiest lyrics is from "Holly Jolly Christmas," a holiday favorite written by Johnny Marks in 1962. Marks wrote a bunch of your favorite Christmas songs. This one gained fame when it was included in the first Rankin-Bass Christmas special Rudolph the Red-Nosed Reindeer, sung by actor/folk singer Burl Ives. Near the end of the first verse, just before the chorus, Ives' deceitfully friendly tenor says: "Oh, ho the mistletoe/Hung where you can see/Somebody waits for you/Kiss her once for me." Don't let that avuncular "Sam the Snowman" persona fool you. Burl Ives is gunning for your girlfriend, pal. Behind the warm sentiment of this catchy little ditty, this leering stalker is tipping his hand. He's letting you know he's making a move on your honey at the first opportunity. Turns out that "Holly Jolly Christmas" was the forerunner to "Say 'Hi' to your mom for me!"

Andy Williams has a voice I always associate with Christmas songs. He sings two of the most popular ones and they can both be found on his 1963 release Andy Williams Christmas Album. The first is "It's the Holiday Season," a cheerful song penned by no less than seven credited writers. Andy mingles this with "Happy Holiday," written by Chanukah-celebrating Irving Berlin for the film Holiday Inn. "It's the Holiday Season" is an adequate song. It doesn't break any new ground, as far as Christmas songs are concerned. As a matter of fact, it plays out like a Christmas reference shopping list, making sure that it checks all the boxes for things to be mentioned in any good Christmas song — bells, toys, Santa, snow, tree. It even manages to get "peppermint stick" in there. But, "It's the Holiday Season" is also kind of clunkyIt's proof that even the most clever lyricist struggles to construct an easy-flowing song. Obviously written with a looming production deadline, this "committee" of wordsmiths, at a loss for words, insert the preposterous line: "With the whoop-de-do and dickory dock" smack in the middle of an otherwise, perfectly good holiday song. This is a reference to nothing and merely a lame placeholder until they could think up a better, more suitable, eight syllables. Well, they couldn't and now, we're stuck with it. C'mon fellas... "dickory dock?" Really? That's the best you could do?

Andy Williams' other signature Christmas song is "The Most Wonderful Time of the Year," written especially for Williams by his musical director George Wyle, best known for composing the theme to Gilligan's Island. This rousing song evokes the warmth of family gatherings and general good cheer among friends. But, again, in searching for a rhyme for "glory," Wyle opts for the set-up line: "There'll be scary ghost stories." He must have hastily written the lyrics over a previously-started composition for Hallowe'en. When he presented the lyric sheet to the publisher, it was too late. Ghost stories are now and forever part of the Christmas ritual. Thanks to George Wyle, you are now free to distribute candy canes to trick-or-treaters.

Bing Crosby famously sang "White Christmas" in 1942's Holiday Inn and in its much-better (and blackface-free) remake White Christmas in 1954. "Der Bingle" sang a lot of Christmas songs throughout his long career and released over a dozen Christmas albums. "It's Beginning to Look a Lot Like Christmas," written by Meredith Willson (who also wrote the award-winning musical The Music Man) is one of his most popular. Bing lovingly sings about candy canes, decorated trees and eager children wishing for all sorts of toys. But somewhere near the end of the bridge, this song suddenly takes an angry turn as an exasperated Bing expresses his frustration with the aforementioned kids when he laments: "And Mom and Dad can hardly wait for school to start again." Gary Crosby could tell you stories about his father's impatience, especially when it came to his kids. Hey, lighten up, Bing! Christmas is still a few days away, for goodness sake! School will start soon enough and you'll be back to playin' golf and doin' shots before you know it. Spending a few days with the kids won't kill you.

Bing Crosby also makes his own plea in "I'll Be Home for Christmas," written to honor soldiers serving overseas in World War II. In the song, Bing asks for specific things for his family to have when he comes home for Christmas. His list of demands includes: "Please have snow and mistletoe/And presents by the tree." Sure, Bing, there can be mistletoe. We can pick some up when we purchase this year's tree. And presents? Of course, there will be presents, Bing! There have been presents since you were a kid! But snow? Really, Bing? There's only so much your family can guarantee. We can't control the weather, for crying out loud! If there isn't snow, can we just forget your visit? Mom will be so upset! Wait a second! What did you say....? You'll be home for Christmas... only in your dreams!?! Oh, nice one, Bing! You think that's funny, you selfish, inconsiderate holiday tease!

"There's No Place Like Home for the Holidays" also contains some lyrics that make no sense — at least to me. It's been recorded by many vocalists, including Perry Como and The Carpenters, but it's no less weird. The song is all about the trials of travelling in holiday traffic, as is illustrated by the words: "I met a man who lives in Tennessee and he was headin' for/Pennsylvania and some homemade pumpkin pie/From Pennsylvania, folks are travelin' down/To Dixie's sunny shore." But, what is going on here? You're telling me there's no pumpkin pie between Tennessee and Pennsylvania? If you want to get technical, Illinois leads the country in growing pumpkins, most of which is used for pie filling. And Illinois is a lot closer to Tennessee than Pennsylvania (which is fourth in production). Okay, okay... maybe they don't have any relatives they speak to in Illinois. But then the folks from Pennsylvania have their sights set on the South because — what? — they've been eating so much pumpkin pie, they have to get out of here? Then, there's that crack about the traffic being "terrific," as though they are enjoying it!

Don't forget the songs about Santa Claus. "Santa Claus is Coming to Town" is kind of frightening, if you consider the lyrics: "He sees you when you're sleeping/He knows when you're awake." This pretty much describes the plotline for George Orwell's 1984. Not to be outdone, "Here Comes Santa Claus" is downright threatening, warning children to "Jump into bed and cover your head/'Cause Santa Claus comes tonight!" Jeez! It sounds like Santa is coming to kill you!

And then there are all of the songs that, by reason of misinterpretation, have come to be considered Christmas songs... but really aren't. "Winter Wonderland" does not mention Christmas. Not even once! Neither does "Sleigh Ride" or "Jingle Bells" or "My Favorite Things." And "Frosty the Snowman" is just a song about a snowman that comes to life...on a random day in winter... not necessarily Christmas Day. The song "We Need a Little Christmas," technically isn't a Christmas song either. It's from the Broadway musical Mame and is sung to cheer the household up after the Stock Market Crash of 1929. It uses "Christmas" as a metaphor for "happier times." Oh, and stop singing Leonard Cohen's "Hallelujah" as a Christmas song. It's not about what you think it's about.

Nevertheless, I love Christmas songs — no matter how weird or nonsensical or questionable the lyrics are. Hey, aside from "Dreidel, Dreidel, Dreidel" and a couple others in Hebrew, Chanukah offers some pretty "slim pickins" in the holiday song department.

Happy Holidays, everyone. Now, go deck those halls.

Sunday, December 23, 2018

in my midnight confession

I grew up in a Jewish household. To me, that meant we didn’t drag a tree into our living room every December, we didn’t dress up in our finest clothes on a late Sunday in April, and we didn’t believe that Jesus was "Our Savior" — whatever that meant. (Who thought, at four years old, I needed saving?) Despite the majority of my friends and classmates also being Jewish, we weren’t denied participation in Christmas card and gift exchanges at school and dyeing Easter eggs every spring. It also didn’t stop me from enjoying another practice associated with my communion wafer-munching friends — the visit to Santa Claus. 

I have vivid memories of accompanying my Mom to one of several large department stores in the pre-mall days of the 1960s. The store's toy department was jammed with all the latest offerings to fulfill a child’s appetite whetted by Saturday morning commercials and the thick Sears Wish Book. Just past the aisles of colorful playthings was an area gaily decorated with twinkling lights and pine garland and speckled with oversized red velvet bows and piles of fake snow. In the center sat a raised platform covered with more fake snow surrounding a great throne on which sat the seasonal fat man himself. Several holly-decked pylons connected by candy-striped rope designated a queue line. Excited children chatted and fidgeted as they waited their turn to greet St. Nick and impart their requests for gifts. 

My mom directed me to join the line while she made arrangements with the "elves" operating the huge tripod-supported camera for a photographic record of my encounter with Santa. (Although I’m sure he did, I don’t recall my older brother joining us for these yearly excursions. Obviously, he got wise to this scam at an earlier age than I did.) I patiently waited for my chance to tell Santa what I wanted. I knew that we didn’t celebrate Christmas, didn’t have a Christmas tree and especially didn’t have a chimney or fireplace, but I never made the connection. All I knew was: if you wanted presents, this was the guy to ask. A smiling little girl in white tights and a plaid coat climbed down from Santa’s lap and happily skipped away. A college-age young lady in full elf uniform waved me in. My moment in the spotlight had arrived. My mom stood by the platform's exit ramp and beamed. I’d fix that in a few minutes. 

The kind-faced Santa looked down at me perched on his red-flocked lap and asked if I had been good this year. My four-year old mind assessed the question. As if any four-year old would fess up, I answered that I not only had I been good, I’d been very good. Then, he asked the most important question, the one I was preparing for. 

"What would you like for Christmas?," he smiled. I wrinkled my brow and bent my tiny mouth into a frown at the "Christmas" reference. But then, I raised my head proudly, cleared my little throat and replied. 

"My very own roll of Scotch tape." 

Santa stared, perplexed. "What?" he asked in a puzzled tone. 

”I want my very own roll of Scotch tape.,” I repeated. (Okay, I thought, the guy's old. Maybe he didn’t catch me on the first go-round.) Santa looked over my shoulder at my mother. My mother frantically looked around for a place to hide. She glanced back at Santa with a "that-is-not-my-kid-on-your-lap" look on her face. Santa looked at me again and saw the I-am-not-shittin’-around look on my face. With disbelief, he stammered as he echoed my request. 

"A roll of Scotch tape?" 

 I confirmed. 

"Nothing else?," he asked, somewhat hopeful. 

I stared back at Santa with my own disbelief. "Nope.," I said. Why on earth would I want anything else, I thought. I’m talking Scotch-fucking-tape, my chubby friend! Do you have any idea how much fun I could have with my very own roll of Scotch tape? 

The bewildered Santa smiled, nodded, handed me a candy cane and sent me on my way. I joined my mom who was busily trying to hide her embarrassment from the other mothers."Did you just ask Santa for a roll of Scotch tape?," she asked. "Yep. Of my very own." 

Mission accomplished. My mom and I continued walking through the store.
I'm dreaming of an adhesive Christmas.
This story originally appeared in a slightly different form on my illustration blog in December 2010.



Sunday, December 24, 2017

seasons come, seasons go

In 1988, Jim Morrison (no, not that Jim Morrison), a life-long Christmas enthusiast, purchased a multi-piece display called "Tudor Towne" from the Christiana Mall in Delaware. Filled with lifelike, anthropomorphic animals, all decked out in Victorian era winter garb, the animated tableau takes viewers into a whimsical storybook world where chapters of the story unfold along a winding, faux cobblestone pathway. Christiana Mall was updating its holiday decor and Morrison was pleased to acquire the exhibit. He added it to his already massive Christmas collection.

Well, of course, this is the owner.
Morrison purchased a 20,000 square foot facility in the fittingly-named Paradise, in the heart of Pennsylvania's rural Lancaster County. Wedged between Bird-In-Hand and Intercourse, Paradise is a sparsely populated town of just over eleven hundred residents. Morrison filled the maze-like structure with the multitude of nostalgic, Christmas-themed items in his collection and began offering tours to the public in 1998. 

While scanning the news feed on her Facebook page, Mrs. Pincus came across a post highlighting the National Christmas Center. The brief description was intriguing and, seeing how, once again, I found myself with a surplus of unused vacation days at the end of the calendar year, my wife and I planned a road trip to Amish country on the Tuesday afternoon before Christmas. Paradise is just a bit over an hour from Philadelphia. With Mrs. P in her natural surroundings — behind the wheel of her car — we headed out, not quite knowing what to expect.

We passed a number of large farms as we snaked up Route 30. There were small pockets of commerce — strip centers with a large supermarket anchoring smaller businesses like auto parts dealers and feed stores. But mostly there was farmland. Some were made up of bare fields while others were dotted with small herds of cows, grazing in bare fields. Our GPS announced that our destination was ahead on the right and, sure enough, the friendly facade of the National Christmas center loomed large just over the crest of a hilly section of blacktop highway. We parked and noticed that for a weekday, the lot was fairly crowded. We joined several folks in a queue to purchase admission ($12.50 for adults and five dollars for kids) and soon we entered for our self-guided tour.


The National Christmas Center is a heartwarming trip through the history of Christmas, beautifully displayed, beautifully assembled, although not chronologically presented. The fifteen individual galleries are loosely themed to various aspects of Christmas. The first display is a full-scale, minutely-detailed living room, straight out of the 1950s, replete with period board games and toys, furnishings and a large tree, dripping with tinsel and appointed with fragile (fragilly?) glass ornaments and authentic bubblelights. A night-shirted adult figure stands by the fireplace while a sad-faced boy in a pink bunny costume (reminiscent of "Ralphie" from the film A Christmas Story) stares longingly at a shiny red two-wheeler. Just past this scene is a long hallway outfitted with glass-front display cases that house hundreds and hundreds of figurines - Santa Clauses, elves, angels, nymphs, snowmen — crafted from a wide variety of materials from wood and plastic to papier-mĂ¢chĂ©. A doorway opens to a splendorous depiction of Christmas around the world, including vignettes of traditions from several European and Scandinavian countries. Figures are clad in clothing and accessories  alongside unusual trees and decorations. Another room is a full-size reproduction of a Woolworth's circa 1940. Shelves are tightly stocked with wares and signage from days long in the past. Tables overflow with trinkets and displays of sewing notions, greeting cards, kitchen gadgets, glassware, toys — all frozen in time and as pristine as the day they arrived at the store. The National Christmas Center continues on with room after glorious room. There's Santa's workshop, a full-scale street of vintage shops, a three-dimensional representation of Haddon Sundblom's famous Coca-Cola Christmas advertisement. A multi-level model train set-up — positioned beneath a giant Christmas tree — delights and mesmerizes guests with its tunnels and bridges and multiple locomotives. The collection culminates in a retelling of the birth of Jesus (after all, I've been told that "he's the reason for the season") and a stroll through a realistic Bethlehem of a thousand years ago.

We were surprised by the sheer amount of stuff assembled inside this nondescript building. We were also surprised by the meticulous attention to detail each and every display boasted. This was not some thrown-together roadside tourist trap. This was a lovingly conceived and presented collection, professionally executed and very well maintained. We were among the youngest visitors that day, with the average tourist having nearly twenty years on us. We were also unique for most likely being the only ones taking the tour who never celebrated Christmas and have no fond childhood memories of anything among the Center's contents.
 
But, alas, this may well be the final Christmas for the National Christmas Center. The owners, Mr. Morrison and his business partner Dave Murtagh, are in their 70s and 80s respectively. They recently announced that, unless they find a buyer, the facility will close its doors forever in January 2018. Murtagh and Morrison want to sell the entire contents of the National Christmas Center to someone who will continue their passion for all things Christmas. They cringe at the prospect of closing, but shudder even more at the thought of the collection being dismantled and auctioned off piece by piece. The National Christmas Center has never made a profit, despite its steep entrance fee and droves of visitors. Murtagh suggested that the next owner could apply for non-profit status. Quite an enticement to a prospective buyer.

I'm glad I got to tour the National Christmas Center. I would recommended it to all nostalgia lovers for a fun, interesting and educational day — even if you don't celebrate Christmas. But, hurry, because time is running out.

Unless, of course, you'd like to buy it.

* * * *  UPDATE * * * *  
The National Christmas Center has closed its doors forever on January 7, 2018.

www.joshpincusiscrying.com

Saturday, December 26, 2015

remember me to herald square

After a failed attempt to join the U.S. Army during the Civil War, Philadelphia native John Wanamaker opened a men's clothing store with his brother-in-law. In 1876, Wanamaker purchased an abandoned Pennsylvania railroad station with the idea of opening a huge retail business. After renovations, he opened Wanamaker's Grand Depot and he expanded his wares to include ladies' clothing and household dry goods. It became Philadelphia's first department store as well as one of the first in the nation.

Meet me at the Iggle.
Wanamaker, a shrewd and successful businessman, wished to portray his store with an air of elegance. So just after the turn of the 20th century, Wanamaker began replacing his building in stages, eventually constructing a massive, 12-story, full city block structure with granite walls, ornate decor and a soaring marble atrium known as The Grand Court. The building housed the beautifully-appointed Crystal Tea Room, the largest dining room in Philadelphia. It could accommodate 1400 diners at a time. The ovens in its cavernous kitchen could roast 75 turkeys simultaneously. The store offered nine floors of selling space, as well as a post office, a model house in the furniture department, a Egyptian-themed auditorium and a radio broadcasting station. Wanamaker purchased the pipe organ from the 1904 St. Louis World's Fair and had it installed in The Grand Court. He also purchased the immense bronze eagle that has become a popular meeting and gathering place for people in the store. (Just ask any Philadelphia resident "Meet me at the Eagle." They'll know what you're talking about.) The pipe organ, the largest in the world still in operation, is still used for daily recitals in the store — a practice that began over a hundred years ago.

In addition to the daily concerts, the famed organ is used to accompany the annual Christmas Light Show, another tradition started in 1956 as a holiday treat (and marketing draw) for its customers. It has become a regular stop during the busy holiday shopping season for generations of families. Surprisingly, after Wanamaker's was sold in 1978 (and again in 1986, 1994, and finally in 2005 to its current owner, Macy's), the new owners kept the Christmas Light Show, despite closing and renovating other iconic aspects of the majestic building. The Crystal Tea Room served its last cup of Darjeeling in 2008 and the basement post office is now a parking garage.

My wife and I went to see the Christmas Light Show last year (after a decades-long absence) and again this year. Even though we do not celebrate Christmas, the simplicity of the display and the nostalgic setting in which it's presented offer a warm sense of familiarity to those of us who remember a time long ago — a time that is holding on, however futilely, for dear life. 

I work just a few blocks from the store and I rarely, if ever, go there. Last year, when Mrs. P and I went to see the Light Show, it was the first time I was in Wanamaker's... uh, I mean Macy's.... in years. It was then, as my wife and I hustled through the crowded Men's Clothing department towards the Grand Court, that I took notice of the actual merchandising of the store. It was surprisingly awful! Gone were the wide aisles and sweeping glass display cases. In their place were tables piled high with sweaters and shirts, some folded neatly, most jumbled in a cottony ball on top of the pile or tossed on the floor in a heap. Dress shirts, boasting designer names like Geoffrey Beane and Michael Kors, were haphazardly stuffed into racks too small to adequately accommodate the amount of stock on display. It was a far cry from the once dignified and opulent arrangement that the name "Wanamaker's" instantly brought mind. The signage announcing "50% Off" revealed a puzzling $69.00 price tag on some of the shirts. That was the discounted price. Aside from the roped-off and blocked marble staircases and obscured, though still majestic fixtures, the polish and refinement were missing.

I can't figure out how stores like this still exist? In these times of online retailers and discount stores like Target and Walmart, who is still shopping at traditional department stores? Who is paying these bloated prices for clothing easily purchased at other convenient outlets for far, far less? Seriously, when was the last time you bought anything at a department store?

I just hope that Mrs. P and I get to see the Christmas Light Show again next year. I know that's pretty selfish on my part, but the show is really cool.


Saturday, December 27, 2014

just another day


I'm gonna tell you right now — nothing really happens in this particular post. And that's the point.

While a lot of people we know were celebrating Christmas, Mrs. P and I carried on the traditional Jewish alternative of going to the movies and eating Chinese food. If you remember, last year's exercise was quite an endeavor. The roads were eerily empty, however the theater was jam-packed with fellow "Chosen People" carrying on the annual "not-our-holiday" tradition. And when we left the movie for our local Chinese restaurant, that, too, turned out to be the destination of everyone we ran into at the theater.

This year, the situation was odd, in a "nothing is odd" sort of way. First of all, there was traffic, not a lot, but it was something we did not expect to encounter. We passed a Dunkin Donuts displaying an illuminated "OPEN" sign, its parking lot surprisingly sporting several cars. Further on our route, we passed a Wawa, its parking lot filled and its multi-pump, self-serve gas station area suitably bustling with activity. Across the street at the 24-hour CVS pharmacy, groups of customers strolled toward the entrance, while, through the large glass windows, more shoppers could be seen walking the aisles. We drove past several more Dunkin Donuts and gas stations, all brightly lit and doing obvious business.

The parking lot at the theater was crowded but we found a space pretty quickly. With our pre-purchased, "print-at-home" tickets in hand ("skip the box office and proceed right to the ticket-taker podium" as the printout instructed), we entered at the "Ticket Holders" door. The box-office line (that we passed) was orderly. The concession stand lines were uncharacteristically sparse. We were directed to Auditorium 20, where our selection, Tim Burton's Big Eyes, would be screened at 4:10 pm. When we entered the darkened theater, we were taken aback by the sight of just one other couple quietly chatting in their seats. My wife and I climbed the aisle to the top row of the stadium-style seating and chose a spot just under the projection booth window. As the appointed start time approached, the place filled in, but by the time the film began, there were plenty unoccupied seats. Plenty.

After the show, I phoned our order in to our regular Chinese restaurant. My call was answered by a friendly, leisurely "hello." Last year, it took two calls to the frantic woman on the other end of the phone line. Fifteen minutes later, I was bounding out of my wife's car to pick up our dinner. The place looked like it does on any random Thursday evening, as opposed to the sea of annoyed diners and hectic atmosphere that greeted me last year. My order was bagged and ready to go when I arrived. And it was correct to the very last noodle. We headed home and ate. And that was that.

Maybe, with more stores and businesses opening up on Christmas and treating it as just another retail day, the novelty of "a movie and Chinese food" isn't nearly as "novel" as it once was.

I'll let you know next year.


Wednesday, December 10, 2014

holiday, oh, holiday and the best one of the year

It's time once again for the big, year-end, holidays. Everyone (well, almost everyone) is celebrating something. Most people will be observing some level of Christmas. A little over five million people will be lighting some sort of menorah in celebration of Chanukah (or Hanukkah or Chanukkah or Chhannnukkkkah or whatever). After the Christmas and Chanukah festivities have ended and all the dreidels have been packed away and the Christmas trees have been kicked to the curb, some people will be celebrating Kwanzaa. (Unclear estimates put that number anywhere between two and thirty million.) Muslims already had their traditional festival in the summer, as Ramadan and Eid-al-Fatr both fell in July.

Last weekend, Mrs. Pincus and I experienced the two extremes of the holiday season within a few hours of each other. In the afternoon, we joined my son and his girlfriend for the 12th Annual "LatkePalooza" held at a downtown Philadelphia Jewish community center. The event was sold out. I didn't even know that eleven similar events had preceded this one. For fifteen bucks, attendees clamored to sample latkes (fried potato pancakes, traditionally served on Chanukah) offered by a dozen different area restaurants. Some of the sizzling goodies were pretty average, not able to hold a shamash to my mother-in-law's version. Others, however, like the lox and pickled beet-topped morsels served by Philadelphia newcomer Abe Fisher were a delight. The Cajun spin from Catahoula was delicious as well, although the spicy apple sauce topping was a bit too much for Mrs. P's palette. The event was supplemented by a four-piece band playing family-oriented songs (with a few holiday-appropriate tunes sprinkled in the mix) and an awkward magician who was unable to hold anyone's interest. We observed a number of restaurants packing up their equipment well-before the 4 PM closing time. It seemed that the attendees descended upon the latkes with the efficiency of a swarm of locusts, wiping out the surplus in just forty minutes. The vendors appeared pleased with the prospect of an early exit. 

"They won't revoke my
synagogue membership
for this, will they?"
With the room nearly empty, we, too, exited and made our way to our next destination - a Christmas tree decorating party. (I was later informed that it was not a "party," but instead, should be referred to as a "spire." When I questioned the term "spire" in reference to an intimate get-together, I was told in the original text message it was actually a "soire," but auto-correct changed it to "spire." So, it stuck.) Our pal Kathy asked a select few of her "inner circle" to, essentially, come over and decorate her tree while she watched. Having never had the opportunity to decorate a Christmas tree in my Jewish household or among my Jewish friends, I watched as well. Mrs. P, whose family's Jewishness outranks me in spades, took a front-row seat for the activity, as she nursed a glass of sparkling cider. As the only Jews in a roomful of long-time Christmas celebrants, we were warmly received and the overall tone of the evening was one of snarky joviality. After a while, Mrs. P bravely joined another guest in adorning the tree when a "Gone with the Wind" ornament was produced from the packed box of decorations. My wife's favorite film is the epic Civil War tale and she knew she'd probably never get this opportunity again. Afterwards, everyone dined on a delicious, serve-yourself meal of homemade chili and a vegetarian-friendly corn soup. There was a miscommunication when we questioned the ingredients of the homemade cornbread. The preparer cheerfully rattled off the various components — flour, baking soda, etc. Satisfied, my Kosher-observant wife and my vegetarian self simultaneously popped warm slices into our mouths, when the guest suddenly remembered that she had smeared the pan with bacon grease prior to baking. Mrs. P and I exchanged wide-eyed panicked glances, although we were comforted in the fact that Jews don't acknowledge the existence of Hell and eternal damnation. We get enough guilt from our mothers. We also steered clear of the cornbread for the rest of the night.

As the evening moved on, conversation bounced around, ranging from favorite holiday movies to various and diverse holiday celebrations to convincing me to allow my hair to go back to its natural color, a suggestion I quickly dismissed. Considering that my spouse and I had just met the other guests mere hours earlier, we were as close as childhood friends by evening's end, even hugging when we eventually parted.

Maybe this will become an annual tradition. And depending on when Eid-al-Fatr falls in 2015, perhaps someone will bring a plate of baklava. I don't think there is anything to decorate or light.

Friday, December 27, 2013

Tra-di-tion! Tradition!

I'm Jewish. My wife is Jewish. For the most part, we observe Jewish tradition (Mrs. P more than me). We have a kosher kitchen. We search for chametz before Passover begins. We fast on Yom Kippur and we light real, wax candles on Chanukah, instead of the electrified version. So, after a lapse of many years, we once again participated in one of the most revered and time-honored of all Jewish traditions. On Christmas, we went to the movies and ate Chinese food.

Anticipating a large crowd, I visited the confusing Regal Cinemas website on Monday evening and purchased tickets for a 4:00 p.m. Christmas Day showing of Saving Mr. Banks at a nearby theater where the film was playing in one of the 22 auditoriums. I figured at 4, most gentiles would still be assembling new bicycles, figuring out which way to install batteries or mixing up their third batch of eggnog before the Christmas goose hits the tablecloth. (Having never celebrated Christmas, my only frame of reference is the Cratchit Family gathered eagerly around the Scrooge-provided meal in the final scene of A Christmas Carol.) I also figured that most Jews would venture out later in the evening, taking advantage of a day off from work. I printed out my "Print-At-Home" tickets, wondering what specific "convenience" was afforded me by the $2.50 convenience charge, and stuck them in a safe place until Christmas.

After a morning of Christmas episodes of vintage television (Mr. Ed, Hazel and The Patty Duke Show all shared similar "Down with Christmas Commercialism" plot lines.), Mrs. P and I headed out to the movies. As we drove the twenty-five minutes north on Route 611, I noticed that every strip center boasting a Chinese restaurant had a full parking lot. All other business were dark and locked up tight, but the familiar red and yellow sign in front of each Chinese restaurant burned brightly as a welcoming beacon. We passed six or seven such eating establishments and every one bore an overabundance of parked vehicles.

We pulled into the theater's parking lot and, it too, was jammed with cars. My wife located a space a good distance from the theater. We parked and hurried in. Luckily, we already had our admission tickets because the queue line snaked through the lobby and onto the cement walkway out front. At the risk of making a very, very racist statement, the overwhelming majority of patrons were Jews. Oh, it's okay — we can spot each other a mile away. We know our mannerisms, our traits, our demeanor, our speech patterns and our overall "look." Don't ask me to be specific, we just know. By the pained murmurs of "Oy vey! What a line!" and the over-dramatic exaggerated shrieks of recognition exchanged by women who just saw each other a day ago at the hairdresser, we knew we were among "my people." There were more Jews here than the last time I was at High Holiday services.

Our ticket was scanned by a disinterested young man who was wedged into a tight red Regal Cinemas vest. He directed us down the labyrinth-like corridor to Theater 13, where a line for seating was winding out of the darkness into the light of the hallway. We joined the line and shuffled slowly into the auditorium. My wife stopped to say "Hello" to a fellow she knew from synagogue (See?). Soon, we were able to view a selection of available seats. The place was packed and a low rumble of hushed conversation filled the dimly-lit room. I spotted two unoccupied seats in the middle of a row about halfway up. Excusing myself to the few seated patrons on the aisle end of the row, I led my wife to what would be our location for the next two hours.

The movie (once it started, as it was preceded by thirty minutes worth of trailers for a slew of films I have already decided I have no desire to see) was great. Well acted, well written and, save for a few anachronisms, very entertaining — but now I was hungry. 

We located our car (not before Mrs. P spotted and greeted another group of people she knew from synagogue) and headed back to Route 611. I found my cellphone and called a Chinese restaurant that's a few blocks from our house. Our plan was to place an order from the car and pick it up on the way home. I dialed the number. On the other end, I recognized the voice of the young lady at the restaurant that usually answers the phone, except this time she screamed "SZECHUANMANDARIN-CANYOUHOLDFORAMINUTE?" and I heard the receiver drop on something hard. She spewed  the salutation as one long, angry word. She sounded harried and frantic. Through the phone I could heard the clinking of plates and tinkling of silverware, but above it all, I could hear the agitated tones of the usually demure hostess. Although the words were indiscernible, they were obviously foreign and decidedly furious. I waited patiently. And I waited some more. I could still hear a great commotion through the phone, but no one was returning to accept my order. My wife called on her phone and I could hear the ring through my phone. Her call was answered by a man. She quickly passed the phone to me and I placed the order, only to be told that it would be ready in about fifty minutes, nearly five times the usual waiting period.

We arrived at the restaurant and I hopped out of the car. As I approached the entrance to the restaurant, it looked as though all of my fellow movie-goers had beat me here. I was told my order was not yet ready, so I waited some more. The place looked like a typical morning at the Wailing Wall. I expected a Torah to pass by carried by a t'fillin-swathed gentleman. Men and women I recognized from our predominantly Jewish neighborhood were pacing and talking and complaining.

"Oy! It's so busy!"

"This is crazy meshuganeh!"

"So many people here — kine hora!"

I spied the regular hostess scurrying between the kitchen and the reception area, her spindly arms over-laden with take-out orders. A young man, pad and pencil in hand, was scribbling the names of entrees being screamed at him by fur-wrapped, jewelry-encrusted, white-haired women in condescending mock-Asian accents. I stood by a coat rack, waiting for my order number to be announced. Finally, my vegetarian feast, labeled "Number 25," appeared. I paid and maneuvered my way through the crowd. I weaved around a few more arriving families — annoyed Dads, distressed Moms, unruly children and bewildered, slothy grandparents — and made it to my wife's waiting car.

I will make a note to remember these events next Christmas. And we will be breaking tradition.

Sunday, December 15, 2013

wish I could be part of your world

Despite not having young children nor participating in the celebration of Christmas, Mrs. P and I found ourselves in the thick of the holiday shopping frenzy. Killing time before a snowstorm predicted for our area, we ventured into a nearby Barnes & Noble Booksellers. My wife had a printout of an emailed offer from the book retailer and I came along to peruse the books and novelty sections. Although our son is 26 and moved out of our house over a year ago, I still purchase toys — to accessorize my home office and work office, as well. The shelves of my office are jammed with figurines depicting cartoon pals from my youth and more recent film characters (Quick Draw McGraw and Jonny Quest stand cheek-by-jowl with Norman Bates and Cherry Darling, Rose McGowan's machine gun-legged seductress from Robert Rodriguez's schlockfest tribute Planet Terror.) Earlier in the day, I picked up a small figure of Fred Flintstone, complete with Royal Order of Water Buffalo hat, which will occupy a prime piece of shelf space this coming week.

Barnes & Noble was bustling. Parents were selecting educational gifts for their youngsters, along with the obligatory frivolous toy... and B&N is not short on frivolous toys. A few years ago, the fine folks at Funko - the West Coast toy manufacturer noted for their character bobbleheads - introduced a new line to their roster of pop culture icons called Pop! Vinyls. Like the bobbleheads before them, Pop! Vinyls are 3.75" tall representations of your favorite superhero, TV character or other iconic member of the fictional world. At Barnes & Noble, the colorful boxes were piled high on shelves and on the floor. Customers, young and old, scanned the window-fronted display boxes looking for their favorites. My wife and I hung back behind the small crowd that had gathered by the figures — children in bulky winter coats upfront, Moms and Dads on cellphones at the back. I, however, wanted to look at the stock. Perhaps there was one that would feel at home on display next to the small plastic Mr. Flintstone.

My wife commented on how cute she found the figures. The man standing next to her - cellphone wedged under his chin, his arms trying to wrangle the many boxed figures he was precariously balancing - agreed with her aloud. Then he elaborated.

"I got my kids The Little Mermaid and Cinderella ones. We gave them to friends who were going to Disney World and they got The Little Mermaid and Cinderella to autograph them. They signed 'em right across the heads!" He was quite proud of his ingenious accomplishment.

My wife asked, in a whisper, "Do your kids still belive in Santa Claus?"

"Oh no!," he laughed heartily, "They're way too old for that!"

Now let me get this straight. They are past the age of believing that a man in a red suit delivers toys to every child in the world in one night in a reindeer-powered sleigh, BUT they are perfectly fine with believing that a pretty teenaged girl who is working her way through college by wearing a red wig and fish fins on a float in a theme park parade is the actual Ariel from her namesake cartoon from a quarter-century ago... and her glass-slipper wearing BFF, too.
"Please let me in."

My wife replied, "Y'know, you could have just signed it yourself." with an uncharacteristically sarcastic tone in her voice.

The man smiled and said, "Yeah, well, our friends were going to Disney World anyway."

Mrs. P awkwardly smiled, wished him a "Happy Hoiliday" and slunk away. I joined her... right after I picked out Russell.

Wednesday, December 19, 2012

it's beginning to look a lot like christmas

Philadelphia's Suburban Station is not a nice place. It is a necessary evil. Because I regularly travel by train, I have to walk through it to get to work and I have to walk through it to get home. I try to spend as little time as possible in Suburban Station. In the mornings, I exit my train and hasten my step to get to street level as quickly as I can. When I leave work in the evenings, I hurry through the slow-moving crowds to board my train just as it pulls up to the platform.

Suburban Station is huge. At street level, there's a massive 21-story art-deco office building. Below is an underground network of winding walkways stretching for blocks. There are many businesses throughout the station, ranging from "Mom and Pop" variety stores to several outlets of national fast-food chains. Suburban Station is home to a handful of transient street musicians, diligently working their musical instrument of choice while a cup (or sometimes their instrument's open case) beckons a small donation. There's also an unwashed handful of just plain transients. On most days, the station is permeated by a mixture of smells: old cooking oil, sweat, piss, liquor, sewage and mold. It's an unpleasant odor, as you can imagine, and one you don't want to be subjected to for any length of time (hence my hastened gait). It the summer, it's worse as the heat adds to its potency. No, in the winter, it's worse, as the cold adds a sort of preservative aspect. It's just bad all year 'round.

Which is why I was surprised last Friday.

On Friday, I got off the train and rushed up the platform stairs to the main station. SEPTA, the overseeing body that operates Philadelphia public transportation, has decorated the station for the winter holidays. Garland is draped from support columns. Small areas between benches are sectioned off with plastic fencing surrounding a blanket of fake snow and a couple of sparsely-decorated artificial trees. It's a nice attempt at "festive," but it's still Suburban Station and it still smells like shit. Making my way to the nearest exit and the promise of fresher air, I passed a typical family — Mom, Dad and little Billy and Suzy. They were happy, dressed in brightly colored winter wear and clutching paper shopping bags stuffed with a morning's worth of Christmas purchases. They were posing, as a family, in front of one of SEPTA's holiday displays, carefully positioning themselves midway between a fake white tree decorated with purple glass balls and a fake blue tree with similar decor, except green instead of purple. Little Billy and Little Suzy grinned and mugged as Mom and Dad hugged and leaned in close. A woman adjusting a camera stood a few feet in front of them. The family beamed as the camera's flash fired and the memory of their magical Suburban Station Christmas was instantly preserved forever in 16.0 megapixels. They continued to smile and laugh as they gathered together and peered at the camera to preview the photo.

And it seemed as though they didn't even notice the smell.

Tuesday, December 18, 2012

little shop, little shop of horrors


As I have mentioned before, I don't particularly like shopping. I can tolerate some stores, like Target and my local supermarket. Multi-level malls, however, make me cringe. I admit that I have found myself, on occasion, in a Walmart, but I don't like to linger. I like to get my incredibly low-priced merchandise and get the hell out of there (mostly, for fear that someone I know will see me in a Walmart... but, wait! That means they're in a Walmart, too!). Walmart's cheap prices cannot be denied. The drawback is that you have to go to Walmart to get them. But, judging by the amount of customers in a Walmart on any given day, you would never imagine that the economy is suffering.

Target has shrewdly positioned itself above Walmart, while avoiding the pretentiousness of department stores. Target's combination of kitschy chic and sensible discounts is brilliant marketing. In spite of the fact that Target sells peanut butter and winter coats and power drills, it remains cool. (Walmart also sells peanut butter and winter coats and power drills, yet it remains not cool.)

Then there's K-Mart.

On a recent Saturday, my wife had a few last-minute gifts to purchase and since Chanukah blindsided us with an early arrival this year, we decided to get our collective asses in gear. Mrs. P received an emailed plea from K-Mart, based on a purchase she made nearly eight months ago. The offer, phrased in an almost pathetic beg, promised seven whole dollars off any purchase in the store. Closer inspection revealed that the item must be selected from the toy department. Well, better than nothing! We'll just get something for seven bucks and split. (But, I've known my wife for thirty years and there's no such thing as "hit and run" when it comes to her and shopping.... even at K-Mart.)

The closest K-Mart to our house requires driving past several malls, shopping complexes and strip centers. With the big gift-giving holidays approaching at a threatening pace, the parking lots of these commerce establishments were packed. Anxious shoppers maneuvered their cars in and around lengthy rows of vehicles, hoping to spot that one elusive space and get on with their shopping. Lot after lot was a sea of chrome and tires... until we came to K-Mart. Poor K-Mart. In K-Mart's parking lot, we had our pick of prime parking accommodations. I could have made a blindfolded U-turn with a cruise ship and not hit anything.

We entered the store. It was sad. A single display of generic boxed Christmas cards stood just inside the automatic doors. It was tilting a bit to left. A few confused shoppers pushed nearly-empty carts aimlessly about. I whispered to my wife, "See these people? Obviously, there was an incident and they've been banned from Walmart. Now, they have to come here instead. Why else would anyone shop here?"

Continuing deeper into the store, it just got sadder. A few popcorn tins, dented and emblazoned with several out-of-favor cartoon characters, were stacked haphazardly in one aisle. Another aisle offered varied gift sets ranging from hot chocolate kits to shaving outfits. Next to that was cardboard shelving stocked with Ben Gay. Tinny, unrecognizable Christmas music trickled out of the ceiling speakers.

We found the shabby toy department and proceeded up and down each aisle — several times — scanning the shelves for something — anything — we could grab for seven bucks. We settled on a Hello Kitty lunchbox and headed for the checkout area. As we expected, the lines were light. When it was our turn, I placed our selections (yeah, yeah... we got other stuff, too. I told you!) up on the counter and my wife presented the print out of her special K-Mart offer. The cashier looked at the paper as though it were the twentieth question in the math section of the SATs. She pressed a series of keys on her cash resister and reported that "the system is down," praying we would just pay cash and leave her brain alone. Mrs. P explained the origins of the offer to the cashier, an explanation that would have received the same reaction had it been delivered in that South American tribal clicky language. A manager was summoned. She was cordial, businesslike and swift in her actions. Gently shoving the cashier aside, the manager mashed some buttons, swiped some access cards and whisked the printed paper out of the cashier's hand. "I'll have to hold on to this.," she said as she started back to the customer service area. We gathered up our bagged items and started for our car. Seven dollars had been deducted from our receipt.

While we loaded the bags into the back of my wife's SUV, I said, "Take a good look at this place, because next year, I predict, there won't be such a thing as K-Mart. There's just no room in the world for it."

www.joshpincusiscrying.com

Saturday, October 27, 2012

right down Santa Claus Lane

In 1823, Clement Clarke Moore wrote the epic holiday poem A Visit from St. Nicholas, better known as Twas the Night Before Christmas. For nearly 200 years, this holiday favorite, describing Santa's clandestine visit to the narrator's home, has been a central part of many families' traditions. Many a father or grandfather has gathered the kids around for a spirited recitation of the multi-stanza rhyme.

For coming holiday season, Canadian publisher Pamela McColl has decided to issue a new, slightly altered version of the beloved classic - minus two lines that refer to Santa Claus' use of tobacco. The lines "The stump of a pipe he held tight in his teeth/And the smoke it encircled his head like a wreath" have been excised by Ms. McColl, an outspoken anti-smoking advocate. Fearing that children may be influenced and take a cue from Santa's smoking habits, Ms. McColl said, "I just really don’t think Santa should be smoking in the 21st century."

Now, I don't smoke and I don't like being around smoke. But, come on!,  isn't this taking political correctness a bit too far? Someone has decided, in 2012 — after 189 years since its first publication — that Santa Claus, a fictional character in a poem, should not smoke because it presents a negative influence on an impressionable child. Yet, in ten or so years, this person will have to deal with explaining to the same child that they've been lying to that child about the existence of Santa.

www.joshpincusiscrying.com

Sunday, December 19, 2010

who's got a big red cherry nose?

Last night, my son and I stopped for dinner at National Mechanics an hour or so before heading to a concert. National Mechanics is a restaurant and bar in the Old City section of Philadelphia, and one of my son's favorite haunts.

We came inside out of the cold December evening and were greeted by a dark-haired young lady who grabbed a couple of laminated menus and directed us to a table toward the rear of the dining area adjacent to the bar, lively with Happy Hour patrons. As we each perused our menus, a waitress, whom my son knew, politely introduced herself and took our drink orders. She returned with the two glasses and accepted our dinner requests.

My son and I talked as we waited for our meals. I regularly interrupted his train of thought to have him identify various songs playing on the slightly-too-loud piped-in music.

At a point in our conversation, I was distracted by something in my peripheral vision. The dark-haired hostess was having words with a man near the bar. The man, whose back was to me, was wearing an ill-fitting Santa Claus suit. Although they were less than two feet from where I sat, I could not hear their exchange over the ambient music. From the stern expression on the hostess' face, it was apparent she was not pleased. Her jaw worked and her brow knitted as she made her point. The Santa man listened silently and rocked slightly from side to side. Finally, he dropped his shoulders and staggered toward the the door. The hostess, with arms defiantly folded across her chest, watched to confim his exit. As she made her way back to her post by the front door, I tapped her shoulder when she passed within reach.

"Did you just throw Santa out of here?", I asked.

"Santa was in here earlier.," she replied, "He's had enough."