it's all coming back to me now

In the early summer of 2024, retro nostalgia network MeTV launched an offshoot channel called MeTV Toons. After featuring The Flintstones and The Jetsons in its regular evening line-up of shows from over sixty years ago, as well as an early morning block of familiar animated shorts from the vast Warner Brothers catalogue , the cable network decided to offer a separate channel that ran cartoons 24 hours a day. When MeTV Toons debuted, no cable system offered the channel. It was only available as an HD channel, requiring a special antenna. Or, you could see it via an internet-connected TV.

I am a frequent viewer of MeTV. One Saturday afternoon this past December, I was watching Greg and Marcia Brady argue over who was the better driver when the debate was interrupted by a glorious announcement. MeTV Toons was now available through Xfinity, my cable provider. I couldn't have grabbed the remote control any faster! I immediately punched in the channel and — ta daaah! — there it was! MeTV Toons! Right there on my television! I am both proud and somewhat embarrassed to say that I haven't changed the channel in almost two months. In addition to the Bugs Bunny cartoons I had seen on MeTV's Saturday morning schedule, I was now afforded the likes of Underdog, Mighty Mouse, Speed Racer, Mr Magoo and a slew of others that I haven't seen since the days of riding a yellow school bus and eating peanut butter and jelly sandwiches with my classmates at a long table in the basement of Watson T. Comly Elementary School. 

When I was a kid, my favorite cartoons were Yogi Bear, Huckleberry Hound and the rest of the characters from the Hanna-Barbera Studios. Unlike Warner Brothers and MGM, the Hanna-Barbera Studios cartoon were not originally shown in movie theaters.. Following the success of Ruff and Reddy, a cat and dog team widely acknowledged as the very first Saturday morning cartoon show produced specifically for television, Hanna-Barbera's Huckleberry Hound Show premiered in 1958, featuring the easy-going blue hound dog and supplemental adventures starring Pixie & Dixie, Hokey Wolf and Yogi Bear. Yogi would prove so popular, he warranted his own show in 1961. I loved all of the Hanna-Barbera characters, but now, seeing them for the first time as an adult, I have noticed some strange and disturbing things within their seven-or-so minute run times.

First of all, all of these cartoons feature an awful lot of guns, dynamite and cigars. Yogi, Huck, Hokey Wolf, Quick Draw McGraw, a bunch of black-masked crooks, a variety of big-game hunters and gangs of mean and unshaven western outlaws all regularly get shot by a pistol or a rifle, only to suffer a gray face, wiry hair or the occasional holes in their torso that miraculously heal in the very next scene.

Where does this endless supply of wooden-crated dynamite come from? What reputable demolition company is happily doing business with talking animals and have no questions when delivering an order to a semi-circular hole cut into the baseboard of a house? And what would a bear, a dog, or a couple of mice need with such enormous quantities of dangerous explosives?

And smoking? Jeez! Cigars are rampant throughout the Hanna-Barbera universe. From shifty looking gangsters (you can tell they are gangsters because they all have five o'clock shadows, dress in double-breasted suits and smoke cigars), to celebrating expectant fathers, to even Wally Gator all take pride in their tobacco habits. Ranger Smith often relaxes with a fat stogie after finally breaking Yogi Bear of that nasty penchant for stealing picnic baskets. Lippy the Lion has had more that one "loaded" cigar blow up in his face. What sort of example was this setting for impressionable youngsters in the early 1960s? Yeah, my father smoked four packs of tar-laden Viceroys a day, but he wasn't a funny cartoon character. Well, he wasn't funny, anyway.

Oh, I have other questions, too. A lot of 'em. Huckleberry Hound regularly wears a bow tie, sometimes a straw hat, and nothing else. Yet, in one episode in which he was doing some barbecuing in the back yard (whose house it was... that's another question), he was wearing an apron. Why? So as not to splash steak juices all over his... bow tie? And — yes! — who does own the house where Huckleberry Hound lives? Yogi Bear lives in a cave in Jellystone Park. Snagglepuss also lives in a cave (oh, I'll get to Snagglepuss in a minute), but Huckleberry Hound apparently lives in a house. I suppose he can afford rent or a mortgage because he has held so many different jobs across his many cartoon adventures. He's been a police officer, a cab driver, a circus performer, even an astronaut. Obviously, Huck is pulling down a pretty good salary, despite the fact that he cannot hold a steady job.  But, I digress....

Speaking of houses, who owns the house where Pixie, Dixie and Mr. Jinks live? In the old Tom & Jerry cartoons (an early endeavor by Bill Hanna and Joe Barbera), there was always a human in the house to berate poor Tom and turn a blind eye to that rotten little instigator Jerry. But in Pixie & Dixie cartoons, it looks as though Mr. Jinks has full run of the house. There is never a human present, unless, of course, we are only seeing the antics that go on while the homeowners are at work. I guess we are not privy to the clean-up and putting the home furnishings back in order before the owners of the house get home. That's a pretty daunting task for a cat with a bow tie and little-to-no motivation beyond "hating meeces to peeces!"

Even though I watched both cartoons back in their first run, Mrs. P (who joins me daily in watching cartoons) pointed out that Snagglepuss and Fred Flintstone have similar looking mailboxes and entrances to their homes. Which begs the question who is sending letters to a pink mountain lion (in a tie and cuffs) and a caveman? Are they getting utility bills? Advertising circulars? Unsolicited offers from realtors to buy their homes for top dollar? Can humans and large felines really survive in the same type of accommodations? For goodness sakes, Mr. Jinks owns a house — like a brick and mortar house!

On a totally different note, what happened to Yogi Bear between Season 1 and Season 2? His face changed. It's like a different character design. Early Yogi Bear had a mostly yellow face, while later versions show the "smarter than the average bear with the yellow solely coloring his snout. Even his tie was rumpled in earlier episodes. It straightened out as time progressed. Y'know, I'm not even going to address the fact that Ranger Smith held intelligent conversations with a talking bear, yet got angry when a misunderstanding led to that same bear following the beleaguered ranger to a hotel in Miami on his vacation. The talking bear wearing a tie and a hat was perfectly normal to a US National Park Ranger, but picnic basket stealing.... that pissed him off.

And one last thing... can gruff dogs really have a friendship with baby ducks?

Oh, I will continue to watch MeTV Toons. There are plenty of things that I like. Things that greatly outweigh these petty inconsistencies I have just mentioned. Pixie & Dixie and Yakky Doodle both have pretty catchy theme songs that I find myself humming absentmindedly throughout the day. 

I didn't even bring up the puzzling fact that Quick Draw McGraw has a pet dog, but his best friend is a donkey.

"Pixie Dixie diddly-dum....." (There I go again!)

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overture! curtain! lights!

Remember that song? If you're around my age, you probably still know all the words. I know I do. When I heard those magical opening lines, I knew the Bugs Bunny show was starting. And, boy, did I love Bugs Bunny.

Yeah, you probably have heard me gush and profess my love and admiration for all things Disney. But, my infatuation with The Walt Disney Company and its all of its offshoots didn't come into being until I was nearly out of my teens. When I was a kid, I loved to watch Bugs Bunny and his animated pals. Even though the cartoons I was watching were from my parents' era, they were timeless... except, of course, when they made topical references to World War II. But, Bugs Bunny was clever and sassy. He was a schemer and a loveable jerk. He was sort-of the "anti-Mickey Mouse"... and that aspect of his rascally (or "wascally" as Elmer Fudd would put it) personality was purposely exploited in his cameo appearance alongside Mickey Mouse in 1988's Who Framed Roger Rabbit? 

The Bugs Bunny Show (with its catchy theme song) premiered in primetime in October 1960. The show served as an anthology of theatrical Looney Tunes shorts, originally produced in the 1940s. Under the supervision of veteran animators Chuck Jones and Friz Freleng, the cartoons were trimmed for time and fitted with new title cards better suited for television. A brand-new introduction was created featuring Bugs Bunny and his long-time adversary Daffy Duck along with that memorable theme composed by the prolific team of Mack David and Jerry Livingston. (Gosh! Even Jerry Seinfeld knows it!) The Bugs Bunny Show ran on Tuesday evenings for three years until it was moved to its familiar spot on Saturday mornings where it stayed (in one form or another on one network or another) for four decades. 

It was in the middle 1960s that I became an avid viewer. Plopped in front of the Pincus family black & white TV set, with a big bowl of sugar frosted somethings on my pajama-clad lap, I was hypnotized by the animated antics of Bugs Bunny, Daffy Duck, Yosemite Sam, Porky Pig, Foghorn Leghorn, Sylvester & Tweety, Road Runner and Wile E. Coyote and even the one-joke premise of Pepe LePew. And when the opening fanfare of that infectious theme song started and Bugs and Daffy (in their vaudeville finest) took the stage, I was right there... singing along.

.... but, about that opening sequence.

If you recall, Bugs Bunny and Daffy Duck kicked off each episode in yellow jackets, red bow ties, straw hats and canes (curiously, no pants). After the first verse of the song, a parade of familiar and beloved Warner Brothers characters would enter silently from the wings and march across the stage. 

There was Tweety and Speedy Gonzales and... wait..... just wait a second.... who the fuck is that kangaroo?

Yes, even as a child, this didn't sit right with me. There was Yosemite Sam and Sylvester the Cat and Elmer Fudd — all getting the ass-end of this buttinsky marsupial. How on earth did this Outback refugee get third placement? He even has the nerve to take the stage before Wile E. Coyote and Foghorn Leghorn make it into the shot! (Foghorn Leghorn, is last... I say, I say last!!) This was an outrage! Where was Porky Pig or the Tasmanian Devil or Road Runner or even Granny? What was this nondescript kangaroo doing rubbing elbows with these...these... stars! I never saw this kangaroo in any cartoon. I had no idea who he is or what he does. And I was especially irked that he was being treated like cartoon royalty among this actual cartoon royalty.

This has bugged the shit out of me for fifty years. Half a fucking century!

Retro TV network Me-TV has started showing cartoons on weekday mornings and I watch a good portion of the program before I leave for work. Bookended with corny schtick by the host and a puppet, an assortment of Warner Brothers cartoons are presented along with a smattering of background trivia. I don't pay very close attention to the show, as I have seen these cartoons countless times in my life. However, every so often, they slip one curiosity in that makes me take notice. Once they showed Horton Hatches the Egg, a 1942 cartoon that was the very first animated adaptation of a Dr. Seuss book. Around Christmastime, they showed a particularly gruesome take on The Little Match Girl from Columbia Studios in 1937. But, just recently, I saw a cartoon entitled Hop, Look and Listen from 1948. It was a vehicle for Sylvester the cat and featured one Hippety Hopper, a kangaroo that escaped from the zoo. My kangaroo. I sat up and paid close attention. It was the usual fare of "mistaken identity." Sylvester thinks the kangaroo is an overgrown mouse and attempts to catch and eventually eat it. Of course, if cartoons have taught us anything, we understand that all kangaroos are expert boxers and poor Sylvester has the shit kicked out of him several times over the course of seven minutes. But now, I had a starting point — a name.

A quick "google" search resulted in enough information to satisfy me. Hippety Hopper appeared in 14 Warner Brothers shorts between his debut in 1948 until 1964, when Warner Brothers gave up trying to endear him to its audience. Also, as fate would have it, Warner Brothers pulled the plug on its animation studio in 1964 with the decline in demand for theatrical cartoons. The plot of Hippety Hopper cartoons did not vary from the "escaped from a zoo/circus/pet shop and is mistaken for a giant mouse" premise. I guess Pepe LePew pulled the "one trick pony" act off better.

Still, I cannot understand how this minor, almost forgotten character from the annals of Warner Brothers' storied history, pushed himself between the "Fastest Mouse in all of Mexico" and the "Rootin'est Tootin'est Orneriest Cowpoke this side of the Pecos" on a show that ran for four decades and no one seemed to notice or care.

Just me.

www.joshpincusiscrying.com