you're no good

My son and went to our first Phillies game of the 2025 season. I love going to beautiful Citizens Bank Park. It's a great facility. It's easy to get to and (relatively) easy to get out of the parking lot when the game is over. In between, there's a lot to see, a lot to eat and a lot to do, besides the baseball game, which — for most attendees — is the main attraction.

This particular Saturday afternoon game began with Photo Day, an annual event during which fans get a face-to-face encounter with their hometown favorite players, coaches, broadcasters, mascots (the renowned Phillie Phanatic and his mom, Phoebe) and even the ball girls — Megan, Ashely, Ashely, Ashely, Caitlyn, Ashely, Megan, Ashely, Caitlyn, Meagan and,,,, who am I forgetting?... oh right! ....Ashely. Several hours before the scheduled first pitch, fans are invited down the the playing field to stand on cordoned-off plastic platforms (so as not to scuff up the pristinely-trimmed grass), while the team representatives mingle within the safe confines of a thin rope barricade, waving, fist-bumping and even posing for individual pictures to the delight of the faithful. My son and I ventured down with the crowd and — all in all — it was a fun experience. We met some players (who all look like kids), got some pictures and just had a lot of fun.

Then, as the skies darkened with the threat of rain, we found our seats — on the second level Section 243, right in front of the giant scoreboard — and waited for the game to start. 

We should have hoped harder for rain. Right off the bat (no pun intended), the Milwaukee Brewers scored four runs, thanks, in part, to former Phillie Rhys Hoskins. It was all downhill from there. The Phillies lost 17-7, a dubious feat not achieved by the Phils since 1947. It was a brutal, ugly affair and, as a 60+ year Phillies fan who has seen his share of Phillies disappointments, it was still hard to watch.

In the eighth inning, with a good portion of the seats in Citizens Bank Park now vacated, a fellow staggered down the aisle that divided Sections 242 and 243. He teetered back and forth as he leaned precariously over the edge of the balcony and screamed, "YOU SUCK!" in a strained yelp that stretched the range of his vocal cords. The object of his succinct derision was Milwaukee left fielder Isaac Collins, who was patrolling the grassy area right in front of us, but on the lower ground level. For the entire inning, for as long as it took Phillies offense to rack up three outs, this guy screamed and hollered and shrieked and wailed some of the meanest and degrading insults at Collins. He yelled about his fielding ability (or lack thereof). He yelled about not belonging in the big leagues, adding that he wasn't even good enough for a Triple A minor league squad. He even yelled when Collins took his cap off to wipe his forehead, advising him to "PUT YOUR CAP BACK ON! IT ISN'T HELPING!"... whatever that meant. When Trea Turner popped out for the final Phillies' out of the eighth inning, the yelling guy ambled back up the steps, gripping a can of Surfside in one hand and fumbling with the bannister with the other. He muttered, "Collins is a BIG NERD!" to no one in particular and he navigated the steep stairs. Once he disappeared from sight, the few folks who remained in our once-packed section, looked around to silently acknowledge the absurdly of this guy and his relentless heckling. I broke the ice, commenting aloud (as one does at a ballgame) that this guy was yelling at a player several hundred feet away, in a outdoor stadium filled with ambient noise and loud music... not to mention that the home team was down by fifteen runs. 

The top of ninth inning saw Phillies' utility man Weston Wilson try his hand at pitching, handily handing the Brew Crew three outs while only giving up a single along the way. When the Brewers' players took to the field to defend their lead and allow the home team one slim opportunity to even up the score, the yelling guy also retuned to his post at the foot of our section. Before play started, the yelling guy addressed my son and me. "You're gonna help me yell at Collins, right guys?," he asked, swigging his Surfside while he waited for an answer. "Sure, we will," we replied with a laugh. "I hate this fuckin' guy.," he said, "He stinks! He shouldn't even be in the Majors!" Without waiting for further comment from us, he turned his head toward the field and screamed, "YOU SUCK, IKE COLLINS!"  Considering how much Isaac Collins is, apparently, hated by the yelling guy, he has given him a palsy-walsy nickname that I cannot confirm has ever been previously applied to the 27-year old outfielder.

The Philles kicked off their half of the ninth inning with a promising flurry of hits and runs, although they came up a dozen runs too short. However, our yelling friend made up for it in spades. For the duration of the bottom of the ninth, the yelling guy's voice cracked repeatedly as he hurled insult after repeated insult at Isaac Collins. Collins, however, appeared unfettered — a reaction that only angered the yelling guy more. His voice grew hoarse, but his mission remained strong. The yelling guy's commentary noted every move Collins made — every shift of his weight, every scratch of his ass, every adjustment of his cap and of his cup, every tug on the laces of his glove. Nothing was spared. The yelling guy yelled and he wouldn't be done yelling until Isaac Collins was out of the Brewers' line-up and on a bus headed back to Maple Grove, Minnesota (population 70,000), never to darken the doors of a Major League Baseball dugout for the rest of the yelling guy's alcohol-sotted life.

With the disappointing final score displayed on multiple scoreboards around the perimeter of the ballpark, fans began gathering their belongings with plans to head for the exits. The yelling guy offered up an open palm for a celebratory "high five," which I uncharacteristically — and reluctantly — completed. As far as "celebratory," may I remind you that the Phillies lost by an embarrassing ten runs.

I never heard of Issac Collins before this game. Granted, have not been familiar with the Milwaukee Brewers roster since the days of Paul Molitor and Robin Yount. A little research showed that Issac Collins was drafted by the Colorado Rockies in 2019. He played in several levels of the Rockies' farm system. He spent the 2023 season in the Brewers' minor leagues, landing there in a Rule 5 draft (look it up, it's kind of complicated), eventually making the big league roster at the end of the 2024 season. From the look of his stats, he just an average back-up fielder and an average hitter at the plate. It seems his biggest accomplishment is raising the ire of a drunken fan on an overcast Saturday in Philadelphia.

And he probably doesn't even know he achieved that.

www.joshpicusiscrying.com

wind of change

After mulling over my future options, I entered art school in the Fall of 1980.  I had graduated from high school over a year earlier. Although I had expressed interest in drawing at a very young age, I couldn't imagine making it a career. (Forty years later, I still can't believe I made it a career.) I worked in retail for a year while I decided what to do with the rest of my life. I was terrible at math, so that eliminated a lot of possibilities. I wasn't mechanically-inclined, so that eliminated even more. With my choices narrowing, I resigned myself to the pursuit of a rewarding career (?) in the field of commercial art.

Following Labor day 1980, I joined a small group of other budding artists as part of the freshman class at the renowned Hussian School of Art (Well.... "renowned" in Philadelphia, anyway. Well.... sort of renowned.) I met and eventually formed friendships with a majority of my classmates. Just like any school or other inter-personal situation, I didn't get along with everyone. There was one guy in particular who was.... what's the word?.... oh yeah.... an asshole. He was a sullen, angry, insulting, belligerent jerk. He openly criticized his colleagues' work, whether or not his opinion was requested. (It was not.)  He sat in class with arms folded tightly against his chest, head down, surveying his surroundings through strands of greasy hair that hung limply over his forehead, dipping into his line of vision. Mostly he would mutter to himself, huffing a "this sucks" or "you blow" under his breath. Every so often, he would raise his voice to make sure everyone was apprised of his negative opinion. "Sucks!," he'd spew and punctuate his statement by tossing a crumpled piece of paper at the artist whose work was being actually critiqued by the class instructor. Between classes, this guy would walk the halls and deliberately bump into people with the grace and finesse of a hockey defenseman. He'd offer his favorite, all-purpose, all-encompassing "pet name" to any and all that crossed his path. "Shit stain" he'd call them.

This behavior continued for the entire four years that I was a student. It never let up for one minute. After graduation, I figured I never see this guy again.

Nearly a decade into the 21st Century, an effort was made by some of my art-school classmates for an extremely informal twenty-fifth anniversary class reunion. Plans were made to meet at one of our old haunts — a small Irish pub in one of Philadelphia's narrow alleys. In our younger, more rambunctious days, many a Hussian student downed many an alcoholic beverage at this establishment, so it was the perfect venue. (Although I no longer drink alcohol, I myself ended up on the floor of this pub more times that I'd care to admit.) When the designated date rolled around, I hopped a train from my suburban home. I headed for the tiny bar with the hopes of reconvening and reminiscing with classmates and friends I had not seen in a quarter of a century. Many things had changed in that time. I was married for twenty-five years, having tied the knot just two months after my graduation from art school. I had a son that was about to turn 22. I was working in the marketing department of a large law firm in Philadelphia. I was genuinely anxious to see the paths my various classmates' lives had taken.

I arrived and entered the bar through the familiar heavy wooden doors. In the dim light, I immediately recognized some faces that had strangely not changed in twenty-five years. Sure, there were plenty of folks who I did not recognize, but after some awkward guessing I was able to make identification. As for my appearance, at the time, I had been coloring my hair a vibrant and decidedly unnatural red-orange, so I was subjected to a certain amount of scrutiny by those who knew me with mousy brown locks. 

The conversation was lively. I honestly dread events like this (I haven't attended a high school reunion since my first one — a five year milestone), but I was really glad I came. I talked with people who had not entered my thoughts for years... and it was very nice. During the course of the afternoon, a fellow approached me whom I did not recognize. He knew me, though. The first thing he did was offer an apology. As he spoke, hanging his head and expressing regret over his past actions, I realized who he was. It was my belligerent asshole classmate. He looked totally different, but once he began talking, it all came back to me. He acknowledged his poor behavior and asked for forgiveness for his less-than-amiable personality. He explained that he had grown as a person and turned himself around as his life progressed. He never pursued a career in art, but found a satisfying and rewarding vocation elsewhere. I shook hands with this former asshole. I had never shaken hands with him before.

As I became more active on social media, I have reconnected with a number of people with whom I attended art school. I see their vacation activities and their acquisitions of new pets and sad passings beloved ones. I see what they've eaten for breakfast. I've seen the marriages of their children and births of their grandchildren. I have received comments on my various silly posts and welcomed well-wishes on my birthday. Somewhere along the way, I reconnected with my asshole classmate. He has made comments here and there, although Facebook activity does not appear to be a priority in his life. Recently, however, he has made a few comments that harken back to his art school days, each one dripping with the same venomous loathing once so prevalent in those early 80s classrooms. Several consecutive comments — on different posts relating to different topics — smacked of that dismissive "you blow" and "this sucks" that I remember hearing an apology for.

What's that they say about old dogs, new tricks and a leopard's spots never changing?

www.joshpincusiscrying.com

when I paint my masterpiece

Let's get something straight. I don't draw for you. I draw for me. I draw purely for my own amusement. Sure, I have that little ad on my illustration website where I offer to draw a portrait for a nominal fee. But, be assured that I will be getting way more enjoyment out of it than you ever will. 

I have been drawing since I was a little kid. As would be expected, my style has changed considerably over these many years. A lot of that change, I will admit, has been forced. That's right. I make a conscious effort to change my style. Sometimes, it's based on another artist's influence. Sometimes I change out of boredom. I don't like to keep drawing things the same way over and over again. I like to see if I can draw differently. See? All for my own amusement.

I am also my own worse critic. I am very critical of my drawings. I have done thousands of drawings during my lifetime and I have probably thrown away a comparable amount to those I have shown to other people. I have posted over 1500 drawings on my illustration website since 2006. There have been many, many more that never saw the light of day because I didn't think they were good. I know I have posted some that aren't great, but the ones you've never seen? Trust me..... they were awful.

Along the way, I have done some drawings that have really pissed some people off. I know this, because they took the time to email me and tell me what a terrible, horrible no-talent hack of an artist I am. Some have told me that I have no business calling myself an artist. In some cases, I would tend to agree, but I have made a living in the field of graphic design for over 35 years, so I'm either doing something right or I have only worked for people who wouldn't know good art if it whacked them in the head. (There's another idea for a blog post right there.) One reader once emailed to tell me (and I quote): You suck as an artist too. Find something new to sketch like going back to trees, a-hole.

Priceless!

I actually love those sorts of comments. Sure, I like the praise and the ones that tell me how talented I am, but I relish the emails from folks who were so offended by something I drew that they were driven to put it into a lengthy message. Little do they know that its fairly difficult to insult me and my silly artwork. I don't take any of it seriously and, like I said, I have already critiqued it with more scrutiny that you can imagine.

In 2016, I began a feature on my illustration blog called "Dead Celebrity Spotlight." This sub-category combines three of my favorite things — drawing, dead celebrities and storytelling. Kicking things off on January 1 with a portrait of actor Edward G. Robinson, I have told the tales of over 200 folks who fit just two criteria — they're dead and they're a celebrity. And, believe me, "celebrity" is used in a pretty broad sense. I have done my very best to spin interesting stories of the famous, the not-so-famous, the unsung and the notorious. I have also tried to rush out a drawing as quickly as I can when a celebrity of note passes. Doing this usually entails a frantic drive home from work, my head filled with various layouts of how I will present the deceased subject. Then I bound up two flights of stairs to my third-floor drawing table, where I sketch out a quick pencil drawing. Then I ink it in with an appropriate weight of Micron or brush pen (that's art talk). Finally, I scan it to my computer, where I import it into Photoshop and color it (if I decide that color is appropriate for the subject). When the drawing and coloring are completed to my liking, I quickly research and write about the celebrity, trying to find an obscure anecdote or maybe I'll relate a personal experience. Then, I hit the ol' "Publish" button and it's posted. I will then cross-post it on my Facebook page and Instagram. (I've also gotten into the habit of making a little Instagram story with enhancements and music.... again, for my own amusement.) Soon, a small flurry of folks give me a "thumbs up" or a "heart" or even that little "shocked face" emoji in response to my drawing. Of course, there have been some who are so totally offended by what I have drawn or written, they feel compelled to let me know how badly I am shitting up the internet and my efforts would be better used elsewhere, besides a so-called "creative" capacity.

Case in point.....

The one you didn't see.

On Monday, May 13th, Doris Day passed away. I loved Doris Day. I loved everything about Doris Day. I loved her movies. I loved her singing. I loved her lame TV series in the 70s. I loved her interviews with a leering Johnny Carson on The Tonight Show. I loved the fact that she just decided to up and abandon the spotlight in 1986 after the abrupt cancellation of her own talk show Doris Day's Best Friends. Doris Day was a top box office star throughout the 60s, an Academy Award-nominated actress and a Grammy-honored singer until she ditched her public life to spend her remaining days walking her dog through the gardens of the bed & breakfast she co-owned with her son (the late record producer Terry Melcher) in Carmel, California. I felt an obligation to pay tribute to her in the best way I knew.... by drawing her portrait.

When I got home from work on May 13th, I scoured the internet for the perfect picture of Doris Day on which to base my drawing. I went through dozens (not an exaggeration) until I selected one. I hurriedly did a line drawing from the photo and I frowned.  I didn't like it. It didn't look like Doris Day. I studied my drawing and I studied the reference photo and I came to the conclusion that pretty Doris Day is pretty difficult to draw. 

Nailing likenesses is not an easy thing. As an artist, you've got to focus on particular features to emphasize. Sure, Doris Day is remembered for her blond hair and her radiant smile, but a lot of actresses have blond hair and radiant smiles. Doris Day had unmistakable looks, but nothing specific. Nothing uniquely Doris Day stands out about Doris Day.

The one you did see.

I selected another photo and went through the same process. This one was a little bit better likeness, but I was still unable to capture her like I wanted. "Screw it!," I thought, "I'm coloring this one and I'll be done with it." I began the procedure of coloring in Photoshop. Layering. Lightening. Sharpening. Blurring. All the standard techniques I put into a Photoshop illustration. Usually, during this process, the likeness becomes more and more apparent. Usually..... but not this time. I just wasn't getting it. Mrs. P, whose desk and computer is a foot or so away from me, usually turns to take a peek at what I am working on and identifies my subject (if she knows who it is. Some of my subjects are pretty obscure) within seconds. Sometimes, however, it takes her a bit longer and she has to ask "Who is that?" This was one of those times. She remarked that I didn't quite capture Doris Day. And she was right.

But I wanted to finish and, despite knowing full well that this was not my best work, I posted it. When it showed up on my Facebook page, I received the expected reaction. Some "hearts." Some "crying" emojis. Even some "thumbs up," which I assume was for my drawing not an approval of the death of 97-year-old Doris Day. Then I got a comment from Wayne Buna.

I do not know Wayne Buna. He is just one of (at current count) 276 people who "like" the official Josh Pincus is Crying Facebook page. I can only assume that this group likes my drawings, my daily posts of celebrity death anniversaries and my overall skewed sense of humor. Wayne, as it appears, is not a fan of all of my drawings. Actually, Wayne fancies himself a qualified art critic. Wayne took one look at my illustration of Doris Day and was so outraged, so offended, he was prompted to let me know his true feelings, along with a professional assessment of my talent. Wayne — dear, dear Wayne — told me: "That sketch looks nothing like Doris Day. It's in poor taste."

You think I don't already know this, Wayne? I wrestled with this illustration for hours, as well as the one I did before it — the one you never saw. I realize that I didn't quite capture the sweetness, the allure, the appeal of the beloved Doris Day. I tried. God damn, did I try! I just couldn't get the lines on the page to duplicate what I saw in my mind. Sometimes that happens. It's the kind of thing that drove Jackson Pollack to drink and Vincent Van Gogh to cut off his ear. Is it a great drawing? No. I'll be the first one to admit that it's not one of my best. (Did you see the one I did of Amy Winehouse? I thought that was pretty good. And my illustration of obscure French actress Renée Adorée was one I personally liked.) But... in poor taste? I don't agree with that at all. I should know. I've done plenty of drawings that could be deemed "in poor taste," but the drawing I did of Doris Day? I don't think so. Back in 2008, I used to contribute to an illustration blog whose admin reprimanded me about this drawing I submitted. While I still maintain it is not in poor taste, the guy who ran the blog thought otherwise. But, come on.... my feeble attempt at trying to capture the essence of Doris Day was failed, sure.... but "in poor taste?" Please! (On Instagram, a friend commented on the unnatural look of Doris Day's cheeks in my depiction. "Squirrel cheeks" I believe were the words that were used. Okay! Okay! I get it!)

Happily, Mrs. Pincus — my biggest fan — came to my defense. She called out Mr. Buna, citing his comment as uncalled for and demanding to see if he could do any better. As the time of writing this blog post, Mr. Buna has not answered the challenge.

Well, another celebrity had died since Doris Day's passing, plus I have a bunch of ideas for more drawings in the queue. This little episode will all be forgotten soon enough. Unless, of course, someone doesn't like my take on Tim Conway....

That illustration is dedicated to you, Wayne.

www.joshpincusiscrying.com

all the little birdies go tweet tweet tweet

I love to be a smart-ass and I love the internet, so that must be the reason that I love Twitter. Twitter allows me to combine my two favorite activities. (If Twitter opened an all-you-can-eat buffet, I'd be in heaven!)

Remember this day-long exchange I had with @speakyteeth, the cryptic handle used by Arlene Van Dyke, wife of beloved actor/singer/dancer Dick van Dyke? Then, there was this comment I made that could have led to the end of a friendship. And who could forget my tête-à-tête with @RoryBBellows1* who took it upon himself to come to the defense of local pseudo-lord Philly Jesus, when I aimed an electronic salvo at the self-appointed deity one summer afternoon in 2015.

A few days ago, a local TV news reporter got into some hot water when she was escorted from the audience of a popular Philadelphia comedy club for "loud whispering, heckling and drunkenness." In her intoxicated state, the young lady got belligerent and verbally abusive, prompting club management to summon the police. Thanks to in-your-hand, on-the-spot technology, the entire incident was captured on cellphone video and posted to various social media outlets online. Within minutes, the whole scenario swept the internet. We were treated to a front-row seat, as poor Colleen Campbell's career unraveled before our eyes. She slurred her words, She reeled around on the sidewalk. And, best of all, she spewed a stream of vulgarities at an extremely patient and utterly professional Philadelphia police officer. He remained calm and unfazed, even when she called him a "fucking piece of shit," referred to the entire police force as "fucking cocksuckers," and then ordered the officer to "lick my asshole." She was eventually arrested, charged with resisting arrest, criminal mischief, and disorderly conduct. It was revealed later that Miss Campbell was informed by her employer, WB affiliate Channel 17, that her reporting services were no longer required by the station.

The morning after the incident, in typical Josh Pincus fashion, I tweeted this little observation:

It was a joke, of course. Most of my tweets are jokes, placed online in good-natured, if sardonic, fun. It even got a couple of "likes" and "retweets," and that is the goal of every, red-blooded "tweeter," isn't it? Well, a few hours later, I received this reply from one @liljohnmac77061, a Twitter handle that leads me to believe that there are 77,060 other Lil John Macs also logged on to the social media micro-blogging service. John — I think — appreciated my original tweet, although he ended his reply with a backhanded provocation:

What? A non-sequitur election comment? My tweet had no political content whatsoever. As a matter of fact, I recently (after a tiny bit of scolding from my son) made a conscious decision to avoid any blatant commentary about the presidential election, its subsequent results and the sorry state of turmoil our country is experiencing — thanks to the unhinged dipshit that currently occupies 1600 Pennsylvania Avenue (except on weekends, when he's cheating at golf and wolfing down beautiful slices of chocolate cake at his resort in Florida). I'm not sure what prompted this guy to take a sucker punch at me on a tweet that had nothing to do with any political agenda. But, Mr. @liljohnmac77061 chose the wrong person to accost. Especially on Twitter. I returned fire — not with words — but with a single photo. One culled from a quick Google search:

Yes sir, that's a troll and it expressed my sentiment exactly. For those of you who are social media novices, a "troll," according to the good folks at Wikipedia, is "a person who sows discord on the Internet by starting arguments or upsetting people, by posting inflammatory, extraneous, or off-topic messages in an online community with the intent of provoking readers into an emotional response or of otherwise disrupting normal, on-topic discussion, often for the troll's amusement." The website The Urban Dictionary puts it more astutely, defining the term as: "being a prick on the internet because you can." Well, @liljohnmac77061 was being just that. And to prove it, he responded to my photo with a photo of his own. This one, in fact:

Lovely. If this isn't an actual photograph of the rear window of his car, I wonder what he searched to find this image. No matter, without even thinking, I sarcastically offered this bit of encouragement:

Then, nothing. No further reply. No profanity-filled tirade. No meaningless threats delivered in tough-guy bravado emanating anonymously from the cloistered security of his tiny corner of the internet. Just dead air. Was it a retreat? Was he pondering the perfect comeback? Was he just dumbfounded by my rapier wit?

I scrolled through a column in my Twitter feed, listing all of the tweets in which I was mentioned. I thought, perhaps, I may have missed a response that got buried among the hundreds of tweets I blasts out in a day. (I am currently at 51,000 tweets and counting.) There was nothing from this guy. I resorted to searching his name on Twitter. My questions as to why this volley came to a hastened end were answered.

@liljohnmac77061 blocked me.

Mission accomplished. Another banner day for Josh Pincus on the internet.

www.joshpincusiscrying.com

* I would include a link, but it seems this guy's Twitter account has been suspended.