the times they are a-changing

Before I begin this story, there are a couple of terms that I reference. One is "rip rap." See that picture above? That's rip rap. According the Environmental Protection Agency and several commercial construction companies, rip rap is described as: "a range of rocky material placed along shorelines, bridge foundations, steep slopes, and other shoreline structures to protect from scour and erosion. Rocks used range from 4 inches to over 2 feet. The size of the rock needed on a project depends on the steepness of the slope and how fast water is moving." The other term is "heartless." Rip rap plays an integral part in this story. So does the term "heartless." But, I'm sure you already know what that means.

In 1837, prominent Philadelphia doctor John A. Elkinton made plans to build a rural-style cemetery on property that he owned — approximately 20 acres — at Broad and Berks Streets. He envisioned a bucolic space filled with winding paths, landscaped foliage and beautifully designed monuments to serve as a gathering place for families — as was the practice for cemeteries in the 19th century. This would be Philadelphia's second such style of cemetery after the celebrated Laurel Hill which occupies 74 acres along the Schuylkill River. After the Civil War, Dr. Elkinton contracted local artist John Sartain to design and supervise construction of a gothic gatehouse, as well as a 67-foot tall obelisk that would serve as a centerpiece of the cemetery. The base of the obelisk was adorned with two bronze plaques honoring George Washington and the Marquis de Lafayette and their achievements in the American Revolution. 

Patterned after France's Père Lachaise Cemetery, Monument Cemetery grew to be just what Dr. Elkinton had hoped for — a pastoral jewel in the thick of Philadelphia's bustling commerce. However, by 1929, Monument Cemetery was considered full. That is, it had run out of room to accept any more burials. When a cemetery can no longer accept burials, it no longer has a source of income. In the days before "perpetual care" was a "thing," loss of income was bad for cemeteries. The grounds became overgrown and unkempt. It slowly fell into a state of progressive disrepair. The once beloved rural gathering spot became a reviled blemish in the eyes of the surrounding neighborhood. It was a neighborhood that was now more interested in urban expansion and no longer felt the need for a glorified "park." The gatehouse was demolished to extend Berks Street. Temple University, founded just after the opening of Monument Cemetery, was slowly but surely growing, adding a medical and dental school as well as a school for teacher training and nursing.

Just after the end of World War II, Temple, a public university under the auspices of the state of Pennsylvania, was looking to establish itself as a commuter school. The addition of parking lots would figure prominently into that plan. A deal was made by Temple to purchase Monument Cemetery, its precious land being the perfect spot for a parking lot and proposed athletic fields. In 1954, Temple University purchased 11 1/2 acres of Monument Cemetery. The remaining land would be acquired by the School District of Philadelphia where it would become the future home of George Washington Carver Elementary School. As part of the agreement, Temple contacted 728 families of relatives interred at Monument Cemetery. Only 728 families could be identified and tracked down — 728 of the over 28,000 bodies buried there. Of the 728, only 300 families responded and those 300 had their relatives' remains and grave markers moved to new burial places, most going to Lakeview Cemetery in Rockledge, Pennsylvania, just outside the city limits in the Northern suburbs. The remaining bodies were moved to a mass grave at Lakeview.... allegedly. Over the years, records have been lost and it is unclear where exactly the mass grave is located. Residents recall watching excavation equipment dig up graves and earthly remains and dump them into the backs of trucks that would drive away... somewhere. The process of moving the bodies and graves took over four years. However, the headstones from Monument Cemetery would experience a different fate.

© pwbaker - flickr

The original headstones and grave markers — some engraved with ornate gothic designs and embellishments — were sold to a local construction company. In 1969, when construction began on the Betsy Ross Bridge, a steel truss bridge that spans the Delaware River between the Bridesburg section of Philadelphia and Pennsauken, New Jersey, the surplus grave markers from Monument Cemetery were strewn haphazardly along the muddy shoreline to serve as rip rap. Although its actual whereabouts have been lost in a clerical shuffle, it is believed that the 67-foot, Sartain-designed obelisk was crushed, its pieces mingled among the other rocks and stones on the banks of the Delaware. The grave stones, however, were not ground up. They were placed in their full, unbroken form on the shore. At low tide, many headstones — with etched names and dates fully legible — can still be seen poking out of the mud and rocks. Some are not the least bit buried.

In 2025, this scenario is perceived as "thoughtless," greedy," "arrogant," and "soulless" on the part of Temple University and the city of Philadelphia. But, in 1954, the neighborhood was only too happy to see the overgrown and abandoned Monument Cemetery cleaned up by the benevolent University in its quest to expand education. They didn't care how the space was "cleaned up" and they certainly didn't care about Monument Cemetery anymore.

Be careful how you judge. Hindsight is 20-20, but sometimes our hindsight could benefit from a stronger prescription.

The story of Monument Cemetery and its fate can be found in greater detail at Hidden City and The Cemetery Traveler.

www,joshpincusiscrying.com

better man

I used to make regular trips to the neighborhood dry cleaner when I worked in a downtown law firm and was required to dress in what has become known as "business casual.". Now, in my current job, tucked away in the behind-the-scenes world of the pre-press department of a large commercial printer, no one cares how I dress. My standard work clothes are jeans and t-shirts, not that far off from how I dressed in high school. So, my stock of button-down shirts now hang silently in my closet, hoping to be pulled out for that rare visit to a classy restaurant or the off chance I get invited to a wedding. Well it just so happens, Mrs. P and I are going to a wedding tomorrow. The shirt I wore to the last wedding I attended hung on a hook in our bedroom closet, patiently waiting to be taken to the dry cleaner. That happened this week and, today, I went to pick it up.

My little suburban Philadelphia neighborhood is home to a large number of affluent families. Throughout its 1.74 square mile area, there are large sprawling properties boasting homes that could arguably be labeled "mansions." I do not live in one of those. I live on a block where the homes were originally built to accommodate the servants of the likes of Peter Widener (a prominent nineteenth century businessman) and William Elkins (another businessman and co-founder of the Philadelphia Rapid Transit Company with Widener). But, just down the street from my house are residences designed and built by noted Gilded Age architect Horace Trumbauer. 

It has been my experience that "affluence" walks hand-in-hand with "arrogance." And that certainly is the case in my little corner of the world. Without going into a lot of messy detail, let's just say that a certain contingency of my neighbors believe that if you are not rich or white, then you are beneath them socially and intellectually. And you are treated as thus. I have seen it first hand in the supermarket and in the post office. I used to see it on the train when I took the train to work daily. I would watch as men — in stylish suits holding fancy leather briefcases — pushed themselves in front of a gathering of people as the train pulled into the station. They believed that their income and perceived social status entitled them to board first. Once aboard, they'd spread their belongings across a seat made for two. On crowded mornings, when seating was at a premium, they would only relinquish their seats when asked a few times. And even then it would be done begrudgingly.

I have seen these same folks belittle cashiers or municipal workmen or even workers who they themselves hired. Conversely, they have also spoken to these same laborers as though they were children with limited understanding, using slow, condescending tones.

This morning, when I entered the dry cleaner, there was one of my neighbors already at the counter in mid-transaction. The dry cleaner is owned by an Asian family that has operated the business for a million years. They are friendly, accommodating and just a little bit over-priced, but — in their defense — they charge what the neighborhood will bear. 

I waited patiently with my little pick-up receipt in hand as my neighbor finished his business. He pulled a pair of pants from the pile of clothing on the counter and showed it to the woman who was helping him. The guy was wearing long basketball shorts and expensive sneakers with no socks. He had a pair of expensive-looking sunglasses propped up on his head like a headband. There was a chunky gold chain around his neck. His Maserati SUV was idling in the small parking lot.

He pulled a pair of pants from the pile of clothes on the counter and held them up to the woman who was helping him. "These pants," he began, "are tailored pants. I want them let out in the legs and the seat." The woman examined the pants, running her hand over the material. "Let out.," she muttered absentmindedly. Since she was obviously not white and probably not rich, the man automatically placed her in a social standing far below his own... so, he repeated, "These pants are tailored pants." The volume of his voice increased. "I want them let out in the legs and the seat. They were tailored when I was twenty and they don't fit well now. I need them let out. All the way!" He emphasized "All the way!," as though the pants were made with an endless supply of fabric, folded up like an accordion, and able to be "let out" or "taken in" at will. The woman frowned and shook her head. "Hmmm....," she whispered as she gathered her thoughts to answer. The man interpreted her lack of an immediate answer as a case of a language barrier. Specifically, his expert command of universally-understood English versus her feeble and inferior Asian tongue. Again, he raised his voice to a level too loud for such a small indoor space and especially too loud for a conversation with someone standing less than a foot way. And, again, he repeated, "These are tailored pants. I want them let out in the legs and the seat. All the way! As much as they can go." The condescending tone increased with the volume. The woman finally replied. "Get new pants.," she said. "New pants?," he questioned. "Yes," she confirmed, "It will cost more money to do this than a new pair of pants would cost." "So, you can't just let them out" he pressed. (It had become obvious to me and to the woman that this guy had no clue how "let them out" worked from a physics standpoint.) "No.," she replied. He pushed the rest of his clothes across the counter and left.

I stepped up to the counter and handed over my receipt. "Picking up,?" the woman asked. I nodded.

The man returned a just second later. He loudly announced that he had left his finished dry cleaning hanging on the "pick-up" rack. He chuckled nervously as he grabbed the clothing, neatly covered in plastic and uniform on bundled hangers.

The woman at the counter didn't even look up.

www.joshpincusiscrying.com

if I can't have you

On Sunday, my wife and I took our son to one of his favorite stores - H Mart. We actually live equidistant from two H Marts, but he chose to go to the larger one. (Just as a side note, the smaller H Mart is the actual one that is referenced in Michelle Zauner's best-selling memoir Crying in H Mart.) Okay, maybe the larger H Mart is a bit further from our house than the one that traumatized the lead singer of Japanese Breakfast, but, nevertheless, we obliged my son and his shopping list and drove the extra mile.

This particular H Mart is at the end of a large, L-shaped shopping center. Closer to where we parked in the very busy, very congested parking lot is a Family Dollar store. When we got out of our car, my son made a beeline towards H Mart, while my wife announced that she was going to check out the Family Dollar store and we would meet up with him shortly. I had never been in a Family Dollar store, despite their having over 8000 locations nationwide. As a matter of fact, before their 2015 acquisition by rival Dollar Tree, Family Dollar was the second largest retailer — of its kind — in the country.... and neither Mrs. P nor I had ever been inside one. Well, that was about to change. As they say, you're never too old to do new things... although I suppose the proverbial "they" were referring to skydiving or learning a foreign language.

Excitedly, we breached the door of Family Dollar and — let me tell you — this place was a shithole of the highest level. I mean it put other shitholes to shame! If they gave awards for shitholes.... well, you get it. I'm not sure what I was expecting, but I should have been expecting the same strange amalgamation of mismatched, out-of-fashion, discontinued, brand name knock-off crap that I have seen in other dollar stores. Family Dollar was no different. Its aisles were alternately jammed and empty. Some were stocked with big bottles of laundry detergent whose alternative brand labels were faintly reminiscent of Tide or Cheer. Adjacent aisles sported empty shelves with just one or two items — a pair of generic sneakers and a few cookbooks by a TV chef whose show has not presented new episodes in years — and all sorts of other merchandise littering the floor. The toy department displayed boxes of things that looked like Lego alongside packaged superhero figures from a movie that made its big premiere in theaters for the lucrative Christmas season... the Christmas season of 2019.

Mrs. P, with her keen eye, spotted a small counter display box with PVC figures of characters from the film The Nightmare Before Christmas. These, she thought preemptively, could serve as small gifts for children (neighbors that Mrs. P undeservingly fawns over) or could eventually make it out to one of our world-famous (or neighborhood famous, at least) yard sales — if they were cheap enough. There was a small sticker on each figures' backing card that showed the price as $1.25. Mrs. P grabbed all of them (about eight or nine) and handed me the box to carry as we scouted the store for more "treasures." In the very next aisle, there were hooks of various hair accessories. "Ooh!," my wife said, "I should grab a couple of hair ties for my mom." Mrs. P — as we have already established — is the nicest person in world. She regularly checks in and tends to her parents who are of an advanced age and are not nearly as mobile as they once were. Especially, my mother-in-law. On a regular basis, Mrs. P washes and combs her mother's hair, often tying it back to keep it neat and out of the way. Being the nice person she is, my wife thought some new hair ties would be a sweet surprise for her mom. She selected two different styles and tossed them in the box with the Nightmare figures.

We made our way through the narrow aisles until we decided we had seen enough. (Actually, I had seen enough as soon as I walked through the doorway.) Anyway, we took our small purchases up to the checkout counter and laid them out. We were greeted by a friendly young man who picked up the first figure and waved it across the electric eye of the price scanner. It beeped and the LED readout on the cash register showed ".01." The cashier scrunched up his face at the price and turned to another young man who was by the doors straightening the small shopping carts. The other man craned his neck to see the lighted display. He explained to the cashier, "If something comes up 'just a penny,' that means you can't sell it. It's old merchandise and you just gotta throw it away."

I have been shopping in stores for many, many, many years. I have even worked in my share of retail stores, some on the large chain level and others of the "Mom & Pop" variety. Never — and I do mean never — have I ever been instructed to throw away a perfectly saleable item — in full view of a customer — because a "secret code" price popped up. But this guy stood firm. He was adamant about not letting the cashier sell these figures to us at any price. He stood by as the cashier gathered up the nine or so figures, walked them over to a nearby trash receptacle behind the counter and deposited them with an audible clunk. He returned sheepishly from carrying out his duty as a loyal and abiding employee of  Family Dollar and asked if we still wanted the hair ties. The man who was straightening the shopping carts stood defiantly with his arms crossed, a smirk on his face, silently exuding pride in his flagrant toeing of the corporate line.

"Yes, please," replied Mrs. Pincus and the cashier continued to ring up our remaining item, in this case, just the hair ties. A woman, in some managerial capacity, stood behind the cashier and slowly shook her head in soundless disagreement. Once the now-abbreviated transaction was completed, we left the store. Mrs. P politely held the door for someone who followed us out. It was the manager woman, whose shift for the day had just ended. We all walked out to the parking lot together. The manager woman was still shaking her head, adding a few "tsk tsks" under her breath. Mrs. P chuckled. The woman smiled and said, "I would have sold them to you or just given them to you... if he wasn't there." The "he" was obviously the shopping cart straightener whose job — it appeared — also included loss prevention, inventory control, corporate policy and telling the teacher it was five minutes before three o'clock and homework had not yet been assigned.

We took our purchases — our two purchases — to our car and tossed them in the back among a collection of shopping bags, a few empty boxes and  assorted other items that have accumulated in Mrs. P's vehicle. We went to meet our son in H Mart.

A few days later, Mrs. P asked if the hair ties she bought for her mother ever made it into our house. I said I didn't bring them in and I wasn't sure where they were. She called our son to see if he inadvertently picked them up along with the stuff he bought at H Mart. He had not. Mrs. P looked in the back seat of her car. She looked in the surplus bags. She looked in the boxes. She even checked with her mother's belongings to see if she brought them in to her parents' house and simply forgot. Nope. Nothing.

I am never going to Family Dollar again.

www.joshpincusiscrying.com

get out of here with that (boom * boom * boom)

As a twenty-plus year seller on eBay (Oh for crissakes! NO! She will not sell your stuff!), Mrs. Pincus joined a Facebook group called "eBay For Beginners." She joined to offer her years of experience on the commerce website to those who are just starting out as sellers and are overwhelmed by the whole thing. The membership is mostly comprised of novice sellers, hoping to cash in on the untold riches they've been told are available on eBay. On a daily — sometimes hourly — basis, folks posts questions and scenarios that are filled with a combination of wonder and wrong information. After reading responses to these questions, Mrs. P chimes in with a clear-headed solution, based on a previous experience with the issue at hand. After twenty-seven years, she has seen it all and has become somewhat of an expert on the ins and outs of the mighty online auction and "buy-it-now" website. She has fielded questions about shipping and the head-scratching policies of the United States Postal Service. She has deciphered eBay policies that can sometimes be very confusing to new sellers. She has offered tips and tricks to make for more visible and enticing listings. She has even identified mysterious items that someone discovered while digging through Grandma's attic in hopes of finding some priceless antique that will result in a huge monetary return.

Like this one...

An anonymous member in the group (as anonymously identified by the user name "Anonymous Member) posted multiple images of a particular item. The user asked for assistance in identifying this piece. The item in question — a double ceramic cup decorated with dainty flowers and a large handle joining the two vessels — was like nothing this particular user had ever seen. They came to the good, sometimes helpful, folks in the "eBay For Beginners" group for some help.

In addition to her years of eBay experience, Mrs. Pincus has many more years of experience attending assorted Jewish religious services and practices. Immediately, upon seeing the photos, Mrs. P knew exactly what she was looking at. She explained that this was a ritual handwashing cup that is used before a meal. A blessing is recited and a bit of water is poured from the cup onto each hand to cleanse before eating. The wording on the overarching handle reads "Al Nitilat Yadayim" in Hebrew. It translates to "taking up of the hands." She went on to explain that these cups are made from a variety of materials, including copper, silver, glass even carved wood and some come with a bowl to catch the excess water. Most often they are a single cup with two handles. Mrs. Pincus commented on the uniqueness of this one, adding that, although she had never seen on quite like it, it was most definitely a ritual hand-washing cup. (Curiously, it does not have a specific name, like "sure, that's a piece of clothing, but it's called a scarf" or  "yes, that's a part of a cow's muscular system, but it's called a hamburger.")

The anonymous user thanked Mrs. Pincus for the information. But, because it's the "never satisfied" internet, a few comments under Mrs. P's clear and concise explanation, was a comment from another member of the group who offered a contradictory take on the object, as though this was a game of  The Liar's Club. This person — one Janet Roberta Mahoney — asserted that, and I quote...

"I disagree that it's for handwashing as pouring from one side spills the other. Can't tell from the photo how big it is. Is the open part connected between the 2? If so, I'd say it was a vase."

I'm going out on a limb here, but I'd say that Mrs. Pincus has been to many more Passover seders than Ms. Mahoney. I would venture to guess that Mrs. Pincus has held as many ritual hand-washing cups as Ms. Mahoney has held shillelaghs. While I wouldn't question Ms. Mahoney's knowledge of leprechauns, the Blarney Stone or St. Patrick's secrets of ridding a country of snakes, I would like to know how many times she has sat through the full reading of the Magillah, how many times she kisses the mezzuzah affixed to her door jamb before she leaves the house or  how much cholent she has eaten in her lifetime. If the original post featured a photo of a thurible, I would trust Ms. Mahoney in her assessment and explanation of that piece and its function in the rituals of the Catholic Church. But, alas, it was a photo of a hand-washing cup adorned with Hebrew writing — something with which Mrs. Pincus is intimately familiar. This is a case of staying in your lane, Ms. Mahoney, even if that lane is on the left side of the road.

I have often said that Mrs. Pincus is the nicest person I know. I don't say that just because she is my wife. I genuinely believe she is the nicest person. However, after hanging around with ol' Josh Pincus for over forty years, some of that "Josh Pincus"-ness has unfortunately rubbed off on her. Every once in a while, a "Josh Pincus"-style remark slips through when a more "Mrs. Pincus" reply would be expected. Mrs. P read Ms. Mahoney's comment and replied: "You're wrong."

Kinehora.

www.joshpincusiscrying.com

my wife

I remember my first job in the corporate world. After years of working for small, "mom & pop" businesses, I started working in the production department of a large legal publisher. Initially, it was great. It was very structured and very regimented. There were procedures to follow and meetings to attend and a corporate hierarchy to adhere to. Within my department, it was more relaxed. But outside the doors of our small office, there was a specific, though unwritten, protocol that dictated behavior. I enjoyed it... until I didn't.

A few jobs after that, I worked in the main office of a large retailer. I sat in a cubicle in a room filled with a dozen other graphic artists. On a daily basis, we cranked out newspaper advertisements like machines. Here, too, there were meetings and procedures and protocol. Again, I enjoyed it... until I didn't.

After that job, I dove headfirst into the real corporate world. In 2007, I was hired to join the marketing department of a large law firm with offices up and down the East coast. I was the sole graphic designer in a department that consisted of fifteen colleagues. There were tech people and copywriters and event planners and a bunch of people who had the title of "manager" but had no actual staff. I was never quite sure who or what exactly they managed. Over the course of my dozen years at that job, there was a revolving door of perky young ladies who shared one brain among them. They smiled and carried little leatherette portfolios and had meetings with attorneys. I was not sure what they discussed at their meetings. I suppose it was some sort of marketing plan. When any one of them breached my office doorway to explain the sort of informational marketing piece I would need to produce as a result of a meeting, their explanation and instruction was offered to me with all of the articulation of Mushmouth. I could only imagine when these young ladies went out with their friends or attended a family gathering, when asked what they did for a living, they say "I work at a law firm." When further pressed for the nature of their actual job, they'd reply: "Y'know.... work with the lawyers."

There was a guy in my department who also was bestowed with the title of "manager." He may have even been a "senior manager." I wasn't exactly sure what he did either. He butted into everyone else's business. That is, when he wasn't in a meeting. And he was always in a meeting. He had meetings scheduled to cover his entire day. When one would end, he'd hurry down the hall to attend another meeting. Sometimes, he'd have to leave a meeting early so he could be on time for the next meeting on another floor. He had breakfast meetings and lunch meetings. He was always rushing down a hallway with his laptop in one hand and a half-eaten danish or sandwich (depending on the time of day) in the other.

On a monthly basis, our Marketing Department would have its own meeting. These hour-plus affairs were tedious. The standard procedure was to go around the big meeting table and, one-by-one, explain what we are currently working on. There was so much indecipherable corporate jargon tossed about, one would have thought it was an English as a Second Language class. Most of the time, I had absolutely no clue what was being discussed. The metaphors and symbolism where confusing. Phrases like "low-hanging fruit" and "vertical advertising" were bandied about like they were included in everyday conversation. One guy — the meeting guy — would even mix metaphors to make things even more obscure. He'd say things like "herding ducks" and "getting our cats in a row." And then he'd rush off to another meeting before what he said could sink in.

But even with all the corporate policies and structure and protocol, there was one thing I absolutely hated — hated! — about the corporate world.

The one and only.

I got married in 1984. This summer, my wife and I will celebrate our forty-first wedding anniversary. I love my wife. She is my companion. She is my best friend. She is the one person I can always count on for anything. We have been together for so long, one of us sometimes speaks what the other one is thinking. Like Anna and Hans (before he was revealed to be a jerk), we finish each others sandwiches. We're like Lois Lane and Clark Kent. Like Rufus T. Firefly and Mrs. Teasdale. Like Catherine and Heathcliff (if they end up together at the end of that book. I actually never read it.) We're like Calvin Coolidge. Put together! We have so much in common. I'll say it again, she is my wife. My only wife.

There is a term within the corporate world that angers me. It infuriates me. It makes be cringe. I don't find it funny or cute or endearing. As a matter of fact, I find it stupid and demeaning and insulting. The term I am referring to is "work wife." Eeechhh! Just typing it makes my blood both boil and run cold. I don't know who coined that disgusting phrase, but I curse them! 

Over the course of several jobs in the corporate world, I have had a few female colleagues to whom the term "work wife" was applied. These were women with whom I had a close working relationship. There were a couple with whom I could commiserate over a lame decision made by a superior or some dumb new corporate policy. Others were fellow artists who could help with a new perspective on a difficult task or offer a different way to tackle a problem. I would sometimes go out for lunch with these female co-workers and think nothing of it. It would be no different than going out for a bite with a male co-worker. But, there are folks within the corporate world who can't keep their fucking mouths shut and who feel the need to stir the fucking pot, creating "controversy" where none exists. 

The term "work wife" is supposed to be cute and and little dangerous in a playful sort of way. I find it dangerous in a dangerous sort of way. I am not one of those people who hides things from my wife. I don't sneak anything behind my wife's back. I don't say things like: "Oh don't tell my wife!" or "I hope my wife doesn't find out." My marriage is not a sit-com. I am not Ralph Kramden trying to keep another hare-brained scheme from Alice. But there are certain people in the corporate world who think that scenario is funny. But, it is only funny on TV. They like to hint at more than just a friendship... which, of course, was ludicrous (as well as nobody's goddamn business anyway). But, that's how the rumor mill grinds in the corporate world.

I have actually had co-workers refer to a female co-worker as my "work wife" right to my face... even after I have expressed my feelings towards the term. To all of my female former co-workers who have been labeled my "work wife," please understand that it was not me doing the labeling. While I enjoyed our friendship and our relationship as working colleagues, I have just one wife. Just one. And she's probably checking this blog post for typos right now.

www.joshpincusiscrying.com

a plate o' cole slaw

When I was a kid, there was a restaurant near our house called The Heritage Diner. My parents — especially my father — loved The Heritage Diner. My mother liked going there for two reasons. One - it meant she didn't have to cook. The second reason was she could order liver. My mother loved liver, but no one else in the house did (despite the fact that my father was a butcher by trade). My parents were old-school carnivores, with some sort of meat dish featured in practically every Pincus family dinner. Steak, roast beef, London broil, beef stew... but liver... that's where three-fourths of the Pincuses drew the line. So a trip to The Heritage Diner fulfilled my mom's craving for liver. After my mom died, I believe my father ate every meal — breakfast, lunch and dinner every single day! —  at The Heritage Diner. However, I don't believe he ever got the liver.

I liked going the The Heritage Diner, too. I marveled at the big display of desserts that greeted diners as they entered the establishment. I was fascinated my the enormity of the menu. I was given free reign to order whatever I like from the Heritage Diner's vast selection. There were burgers, hot turkey sandwiches covered with bright yellow gravy, even omelets were available in the evening hours and "breakfast for dinner" was always a welcome treat. On Sundays, the already -huge menu was bolstered with a typewritten sheet listing several dozen additional entrees to make choosing "what's for dinner" even more difficult. Each entry on the supplemental menu included soup or salad and dessert along with two — count 'em two — vegetables from a list of about fifteen or so choices. My go-to dinner (if I didn't feel like having a hamburger) was a massive slab of breaded fried flounder. Served on a large oval plate with smoky red trim, the hunk of fried fish was so large that it covered the entire platter, the edges flopping over the sides. Sometimes a second, slightly smaller piece of fish would come out on the plate, as though the first piece wasn't big enough. As part of my order, I was required to state which two vegetables from the list of the evening's offerings I'd like. I was not the most ravenous eater when it came to vegetables. I read the list of vegetables over and over, turning my nose up at things like "Harvard beets" and "French cut string beans." Those were things my mom ate at home and I turned my nose up at them there, too, so I was certainly not going to order them in a restaurant. I was cautioned about ordering two kinds of potatoes, as I narrowed my choices down to French fries and a baked potato. I was also not permitted to get corn and French fires. Something about "two starches" that — to this day — I still don't quite get. Well, I knew I wasn't going to get spinach or peas, so I settled on the final item on the list to share my plate with my fries... and that was cole slaw. I already knew that I wasn't going to actually eat the cole slaw. Sure, it came in a tiny plastic ramekin containing less than two forkfuls worth of shredded cabbage, mayonnaise, celery seed, carrots and vinegar. I knew that as soon as the waitress brought my dinner plate, that little cup of cole slaw would be pushed onto my mom's plate before it hit the table.

As I got older and became a more adventurous eater, I began to like cole slaw. I discovered that if it was added to a corned beef sandwich and slathered with Russian dressing, it made a sandwich that was unmatched and positively delicious. If the corned beef was substituted with turkey, it created an equally-delicious assemblage. I would sometimes order fried fish and eat all the accompanying cole slaw first.

Somewhere around 2006, I became a vegetarian. I stopped eating red meat and poultry. However, I did not eliminate fish from my diet (after all, fish are just asking for it) so, I continue to order and enjoy cole slaw with fried flounder — which is still a favorite of mine. I will sometimes finish my dinnermate's cole slaw, just because I know that most people don't really like it. 

There is a writer whose blog I have been reading for years. His regular job is writer and producer of the Garfield cartoon, but he has been a comic book writer for years. He also hates cole slaw and doesn't hide his hatred. In 1978, he wrote a story that appeared in the Hanna Barbera TV Stars issue Number 2. The story, illustrated with drawings by Jack Manning and featuring characters from a short-lived NBC cartoon called "C.B. Bears," was entitled "The Great Cole Slaw Conspiracy." He wrote the story to — and I quote — "educate children on the evils of cole slaw." He explained, in a blog post, that his editor shared his dislike for cole slaw and the story was given an enthusiastic "green light." He also regularly reminds readers of his blog how much he hates cole slaw and wishes for its removal from existence — in case you had forgotten. I continue to read his blog, but I bristle when he derides cole slaw. (Sort of how you cringe when I insult Ringo,)

On October 28, 2009, while the rest of Philadelphia was glued to their televisions to watch the Phillies in a return trip to the World Series, my son and I went to see off-the-wall comedian Emo Philips at a little comedy club. With Game One of the World Series as competition, the entire audience was comprised of just four people. Emo, in top form, sat on the edge of the tiny stage and delivered his hilarious routine while leaning forward with his elbows resting on the surface of our stage-side table. After the show, Emo came out and mingled with the audience... if you can call talking with four people "mingling." I asked him if he would sign our admission ticket. He obliged, taking the ticket from my hand and — without prompting or any sort of suggestion on my part — wrote "To Josh, King of Cole Slaw! Emo"

Even Emo knew.

Maybe one day, I'll tell you about my love of Cream of Wheat. But, not today.

www.jopshpincusiscrying.com

listen to the countdown, they're playing our song again

At the end of last year, my favorite radio station, Philadelphia's WXPN, interrupted their regular programming to present the "885 Greatest Songs of the 21st Century." Culled from an online poll of loyal listeners, the countdown (played back in reverse order) offered a wide variety of songs from a wide variety of artists. The content was comprised mostly of WXPN's so-called "core artists," the ones who receive regular play on the station and are beloved by listeners for their musical output, their longevity, and because WXPN says they are beloved or some combination of  the above. So, of course the countdown featured 18 songs by Radiohead (a band I do not care for), 11 songs by Hozier (a singer I am indifferent towards), 9 songs by Bruce Springsteen (a singer I am sick of hearing, especially his 21st century releases) and slew of non-descript singer/songwriters who — honestly — all seem to blend together. The countdown included 8 songs by Kendrick Lamar, rapper and recent Super Bowl halftime showman. WXPN rarely plays Kendrick Lamar in their day-to-day playlist. As a matter of fact, the station receives a number of complaints from its predominantly white, predominantly older audience when ever a rap artist interrupts their Dawes and The War on Drugs listening time. (Yes, WXPN is my favorite radio station. Imagine what I would say if it wasn't my favorite!)

People love to rank things. They love to make lists of pretty much everything in their lives in the order of how much they are loved. They love to tell other people how they have ranked things and try to convince those people to rank these things in the same order, often leading to heated arguments, insults and animosity. That's just human nature, I suppose. In 2020, I reiterated how much I dislike... no, make that hate countdowns. Countdowns and lists and rankings are based on opinions. And — boy! — do people have opinions. Opinions are meaningless in the big scheme of things. If you insist on things being ranked and rated, it should be based on measurable facts, not on how much you like or don't like something. Everyone has different likes and dislikes, yet people want everyone to share their opinion. And they get very, very defensive when their opinions are not shared. Very defensive.

Every year, the Oscars, the Emmys, The Grammys, the Tonys and countless other awards are given out based on the opinions of a specific group of people. Record sales, box office receipts and other factual, measurable criteria are tossed aside in favor of arbitrary opinions based on likability, personalities and politically motivated feeling. That's why Glenn Close or Alfred Hitchcock never received an Oscar. That's why Paul Newman was finally given an Oscar for a 1987 performance in a less-than-stellar sequel to the movie for which he should have won an Oscar. Paul Newman skipped that Oscar ceremony in 1987, later stating: "It's like chasing a beautiful woman for 80 years." Paul knew bullshit when he saw it. 

The same goes for various Halls of Fame. The Baseball Hall of Fame is chock full of statistics, but, when it comes to selection for induction into the coveted Hall, players are chosen based on the opinions of a committee. They know what statistics are and what they represent, yet they choose to ignore statistics when it really counts. Induction into the Rock and Roll Hall of Fame has been a "bone in the throat" for a lot of die-hard rock and roll fans. Each year, when nominees are announced (by the same opiniated group that will eventually vote on who gets in), tempers flare and voices raise in protest. "Why hasn't (insert your favorite snubbed rock & roller here) gotten in?" is the frequent gripe. The word "deserves" is brought up a lot, mostly by people who don't fully understand what "deserves" means. Non-rock and rollers like Dolly Parton have been given the honor of induction, while Bad Company, Boston, Warren Zevon and Iron Maiden look on from the sidelines. Again, record sales, concert receipts and radio (and now streaming) airplay are not considered for induction. Only opinion. According to the Rock & Roll Hall of Fame's website, "the Nominating Committee's selections are based on a number of criteria, including the impact and influence of the artist on music history, as well as their popularity, longevity, and musical innovations." That just another, more complicated way of saying "opinion."

So, because I do not like countdowns and I do not subscribe to the importance that is placed on countdowns and ratings and rankings, I avoided the "885 Greatest Songs of the 21st Century." I listened to the radio before the countdown began, but I was already at my desk at work by the time it started and each subsequent day when it picked up where it left off the previous day. I avoided it for its entire ten day (or so) run. When it was all over, I casually glanced at the results that were posted on the WXPN website — just out of curiosity.

And there was a glaring omission.

Sparks 21st Century albums

The parameters for inclusion in this countdown was songs released between January 1, 2000 and right up until the day the countdown voting closed. That encompasses 25 years. The list of 885 songs was totally devoid of a single entry by Ron and Russel Mael, the brothers who have been performing for the past 54 years (in one capacity or another) under the name Sparks. Since their debut in 1971, Sparks has flown just under the mainstream radar of the music industry. As a band, they are hard to define. They have dabbled in many musical genres including pop, rock, new wave, dance and electronica. Along the way, they have poked playful fun at they genres they so expertly mimicked. Although their humor is quite prevalent in their songs, they are not a novelty act, like Weird Al Yankovic (who, by the way, has five Grammys). Sparks are a legitimate band. Yes, they have popped their heads up here and there, scoring with a few minor hits in the 80s, but mostly they are one of the cultiest of cult bands. They get very little airplay despite their musical output of 41 albums (including 2 soundtrack albums, a live album and 12 compilation albums) and 79 singles. They have appeared and performed on network television (including briefly on an episode of Gilmore Girls). They were featured in the 1977 thriller Rollercoaster and more recently, they were the subject of and acclaimed documentary by edgy filmmaker Edgar Wright.

Sparks met the criteria for inclusion in the "885 Greatest Songs of the 21st Century." Beginning in 2000, Sparks released 11 albums. Eleven! including the two soundtracks and a collaboration with Scottish band Franz Ferdinand (whose "Take Me Out" ranked at Number 93 according to someone's opinion). Within the past 25 years, several Sparks songs were played on WXPN for a brief period of time, mostly just after a new album release or when the documentary came out. After that, the new Sparks songs disappeared from the airwaves and 1983's "Cool Places" would pop up on the station's 80's themed specialty show.

However, not a single Sparks song made it to the "885 Greatest Songs of the 21st Century." Not a one. The alt-metal band Incubus had a song come in at Number 859. Pop punkers Jimmy Eat World were included at Number 689. Even Taylor Swift took the 133 spot with "Shake It Off" — a song that is rarely if ever played on WXPN. But no Sparks.

Is the  "885 Greatest Songs of the 21st Century" really an accurate assessment of the "885 Greatest Songs of the 21st Century?" Before you answer, understand that it's just your opinion.

www.joshpincusiscrying.com

Footnote: I went an entire post about music without a single shot at Ringo or The Dave Matthews Band.

a cover is not the book

I love to read. Unfortunately, I don't have nearly enough time to do so anymore. Years ago, when I used to take the train to work, I read a lot. An awful lot. I used to go through several books a month. I read so much, that I tried to have several books lined up, so when I finished the current book I was reading, I could start right in on the next one uninterrupted.

I was always looking for books to read. I began by reading classics — books I was supposed to read in high school but just never got around to it. I remember when I read The Catcher in the Rye — a favorite of serial killers —  nobody would ever sit next to me on the train, a rarity in the busy, early-morning rush hour. I read I, The Jury — my first exposure to the 1950s hard-boiled detective genre. I enjoyed the book, but couldn't help but feeling that I was reading a MAD magazine parody. I honestly couldn't get through The Adventures of Huckleberry Finn, but I loved The Strange Case of Dr. Jekyll. I was surprised by how much descriptive story and suspense was built up, despite its abbreviated length. I felt the same about the many novels I read by Edgar Allan Poe.

There was one book that was regularly recommend to me by my wife's cousin Jerzy. He often gushed about one book in particular, extolling its satirical wit, its off-the-wall humor and its biting social commentary. Jerzy would bring this book up almost every time I saw him. So, after years of prodding, I purchased a second-hand copy of Jerzy's favorite book — John Kennedy Toole's A Confederacy of Dunces — to read on the train.

John Kennedy Toole

New Orleans native John Kennedy Toole taught English Literature at Columbia University after his graduation from Tulane, which he attended on a scholarship. He was drafted into the army in 1963 where he taught English to Spanish-speaking recruits in Puerto Rico. That's where be began writing A Confederacy of Dunces. He would finish the novel in his parents' home after his discharge. Upon its completion, Toole shopped the novel to various publishers. It was rejected by each one, including two different editors at Simon & Shuster, when it was deemed "pointless." Depressed and paranoid, Toole took his own life in 1969 at the age of 31. While going through his personal belongings, Toole's mother Thelma, with whom he had a close but tumultuous relationship and who served as the inspiration of the main character's overbearing mother in the novel, found her son's manuscript (in carbon copy form, no less!). Thelma was determined to have her son's book published. She literally pestered author Walker Percy to read the manuscript. He relented and loved it. In 1980, seventeen years after Toole typed the final words and over a decade after he committed suicide, A Confederacy of Dunces was published by LSU Press. Amid high praise, it won the Pulitzer Prize the following year.

Ignatius J. Reilly

Early one morning, I boarded the train to work, found a seat and cracked open my brand-new used copy of A Confederacy of Dunces. Almost immediately I was introduced to the likes of Ignatius J. Reilly, the slovenly, lazy, delusional, idealistic anti-protagonist of the story. Ignatius is educated but without ambitions. He has contempt for the world around him and the people who inhabit it. He perceives himself as a superior member of society. He is at odds with his mother, his reluctant girlfriend, the local police officer and his employers at several positions he is forced to take. He's a glutton, a pervert who points out the perverse actions of others, and a ne'er-do-well who blames his long run of bad luck solely on the work of an ancient deity — not his own decisions (or lack of). Ignatius's improbable interactions with the book's supporting characters were only somewhat amusing. To me, however, they were downright infuriating and eerily familiar.

As I continued to read A Confederacy of Dunces, I was nagged by an underlying feeling. I felt I had heard — even witnessed — the adventures of  Ignatius J. Reilly before. But, this was a silly thought. Ignatius J. Reilly was a fictional character. After a few more days and a few more chapters... it hit me. It hit me as to why I was not enjoying this book. It occurred to me who exactly Ignatius J. Reilly was. His antics. His "blame the world for my troubles" attitude. His "I am above everyone" ego. His skewed, "know-it-all" view on reality. Ignatius J. Reilly was... was... a member of my family. A particular member of my family. A member of my family whose personality and demeanor mirrors that of Ignatius J. Reilly's to a T. A member of my family with whom I have had a contentious relationship for years. A relationship that has exponentially deteriorated with each new audacious action he exercises. He is lazy, like Ignatius J. Reilly. He's unambitious, like Ignatius J. Reilly. He's unrealistic, like Ignatius J. Reilly. He's a buffoonish elitist, like Ignatius J. Reilly. He's an asshole, like Ignatius J. Reilly

I cannot — and will not — elaborate. If you know me, you know to whom I am alluding. If you don't know me personally, just know that I was not able to fully enjoy A Confederacy of Dunces to the level that Jerzy did. It's just one more thing that this particular family member has ruined for me.

I should really start reading again. It's a distraction.

Usually.

www.joshpincusiscrying.com

special delivery

Mrs. P has been selling stuff on eBay for years. (For the last time, NO! - she will not sell your stuff for you!) Over the years, she has dealt with unusual customers and unusual requests. One item — a vintage children's rocking horse on a metal frame — was clearly marked on the list page as "LOCAL PICKUP ONLY." After the auction ended, the high bidder inquired about shipping, identifying himself as residing in Ohio. I realize that Ohio is closer to Pennsylvania that say Zimbabwe, but that does not qualify for "local pickup," even in the most relative of senses. After some fevered emailing, the high bidder consented to driving to our home in suburban Philadelphia to pick up their purchase.

Another buyer bought an item — this time it was a wicker baby carriage from the early 20th century — and inquired about shipping. Once again, they interpreted "local pickup" to their own needs. This buyer lived in the area of the Chesapeake Bay. After some email back-and-forth, my wife (the nicest person in the world, as we have previously established) made the offer to deliver the item herself, if the buyer could wait a week when my wife would be visiting family in Northern Virginia. 

I guess, by now, you understand that Mrs. P sells items that fall into the "nonessential" category. Although, based on some of the desperately needy buyers, you'd think she operates a blood bank or a vital organ repository. Poor Mrs. P has been harangued by over-eager buyers negotiating quick delivery for a 30-year-old coloring book as though it were a pint of AB negative blood.

This past week, a potential buyer ("potential" at this point in the story) contacted Mrs. P regarding a particular item in her eBay stock.

TUESDAY 1:20 PM

Mrs. Pincus was contacted by a fellow who is interested in purchasing a pair of wooden crutches. He explained in his email that he needs — needs — these crutches for the weekend. (Let me point out that nobody needs a pair of wooden crutches. The Red Cross does not accept donations of wooden crutches, as they are difficult to disinfect. Lightweight aluminum crutches are the standard now and have been for some time.) Mrs. P acknowledged that several options for delivery could be made, however, because of the unusual size of the item and the immediate need (there's that word again), the cost could run towards the high side. She did not receive any further correspondence from the potential buyer.

WEDNESDAY 11:18 AM

Mrs. Pincus takes it upon herself to contact the potential buyer, offering another option for delivery. The potential buyer lives in New Jersey. North Central New Jersey to be more specific. She offered to meet in a convenient location, as she would be going to an appointment in Cherry Hill, New Jersey, which is actually no where near this guy's location... but, Mrs. P is nice and likes to be as accommodating as possible to make a sale. She received no response.

THURSDAY 9:02 AM

Mr. "I Need Wooden Crutches" sent an email, reiterating his intent to purchase. Although he had not made the actual purchase yet, he listed a number of delivery options including overnight express via the US Postal Service and hiring an Uber driver to pick the crutches up. (This is a service I was not aware Uber offered. To be honest, I have never availed myself of any of Uber's services.) Once again, Mrs. P suggested the "meeting halfway" option, to which he — once again — did not acknowledge,

THURSDAY 12:22 PM

Still no purchase.

THURSDAY 2:10 PM

Still no purchase.

THURSDAY 5:30 PM

The first word in over seven hours arrived. The potential buyer had decided to use the services of Uber to deliver his not-yet-purchased crutches to his location. He requested our address, which Mrs. P wisely will not reveal until a purchase had been made and confirmed.

THURSDAY 8:03 PM

Success! The crutches were purchased! Mrs. P sent our home address to the buyer and he confirmed that an Uber drive will be at our house at approximately 10:30 PM. Some of us (namely me) have to go to work the next day. Usually by 9 o'clock at night, Mrs. Pincus is waking me up on the sofa to go to bed. At this time, Mrs. P began readying the crutches for pick-up. She removed the rubber tips and put them in a small plastic bag. Then, she put the crutches themselves into a large trash bag as far as they would go, tying the bag securely. Then we waited.

THURSDAY 10:24 PM

As I sat dozing on the living room sofa, Mrs. Pincus checked a message on her phone. An automated text message informed her that the Uber driver was just minutes away.

THURSDAY 10:31 PM

A car pulled up in front of our house. Mrs. P woke me up and I ran out to the vehicle, gripping the knotted trash bag with the crutches in one hand. The driver of the car lowered her window and I asked if I should just put the bag in the back seat. The driver smiled and nodded, answering, "Sure" before the driver's window went back up. I opened the back door of the car and was immediately hit with the heavy overpowering aroma of cigarette smoke. I held back a cough, placed the bundled crutches on the seat and slammed the door shut. The car drove off into the darkness of our street.

"I wonder where the crutches are headed now," Mrs. Pincus asked aloud. "I wonder if they are going right to the buyer or if he is picking them up at another location."

"You got paid, right?," I asked.

"Yes.," my wife replied.

"My wondering has ended."

www.joshpincusiscrying.com

welcome back my friends to the show that never ends

Greg Lake's
Bar Mitzvah 'do

I loved Emerson, Lake and Palmer... when I was 13. A friend from school introduced me to the 1973 progressive rock classic Brain Salad Surgery almost a year after its release. I remember sitting in my pal Bobby's bedroom, in front of his stereo, positively mesmerized by the otherworldly sounds emanating from the speakers. I was accustomed to the pop of The Jackson's Dancing Machine, Terry Jacks' clawingly sad elegy Seasons in the Sun, George McCrae's pre-disco Rock Your Baby and the inane "ooga-chucka"s of Blue Swede's take on Hooked on a Feeling. In comparison to the three-minute ditties I heard on the radio, Emerson Lake and Palmer were positively empyrean. Bobby also commented that he wanted to get his hair cut for his Bar Mitzvah in the style that Greg Lake sported in a photo included in the album package. But it was the music that got me hooked. I went right out and bought a copy of the album for my very own. 

I played my copy of Brain Salad Surgery over and over and over. I loved it! The songs spanned a variety of styles, although they all seemed to complement each other. There were ballads and traditional madrigals and even a bawdy skiffle tune. It was all capped off with an epic, three-part pseudo symphony, chockful of Keith Emerson's signature synthesizers, Greg Lake's soaring vocals and Carl Palmer's inventive percussion. 

But, alas, my interest in Emerson, Lake and Palmer was short-lived. In the Summer of 1974, I discovered Queen and there was no looking back. Freddie Mercury and company — in my limited teenage opinion — were the epitome of innovation and experimentation. By the time the 70s ended, Emerson Lake and Palmer had gone their separate ways and I was entering my new wave and punk phase of musical interest.

As a white male in his 60s, I grew up in what is now looked back upon as the "classic rock" era. Okay, maybe I'm on the young side of that era, but, still, I was in the thick of it. To be honest, I loathe the classic rock era, with only a few exceptions. I still like the stupid bubble-gum pop of one-hit wonders like Reunion and  Paper Lace (ahhhhh.... Paper Lace....!). But, I cringe at the reverence that "classic rock" unjustly thinks it deserves. Well, maybe not the music itself. I suppose it's the fans of classic rock. The unwavering, narrow-minded, opinionated cranks that just know that "classic rock" is the greatest music ever produced. The ones that angrily try to convince the members of subsequent generations that they should be listening to classic rock and the music from their actual youth is frivolous and unimportant. Of course, their campaign is bolstered by the regular parade of classic rock-era bands that trot themselves out for a national tour with one original member and a subsidy of recruited musicians who weren't yet born when the band in question was enjoying the adoration of their youthful fans. (I experienced this at a recent show I attended purely as a social experiment and to get a blog post out of it.)

"Is this bloody thing on?
C'mere and help granddad
with this, luv?"

A few days ago, I was mindlessly scrolling through the "Reels" on Facebook. Between the brief clips of stand-up comics, mouse-eared folks traipsing through Disneyland and cats climbing up curtains, the algorithm powers-that-be saw fit to stick in a promo video for an upcoming performance by.... um.... Emerson, Lake and Palmer. The video, shot from the unnatural angle of a nasal cavity examination featured an older man that I swear I just saw picking though low-fat yogurt in the refrigerated section at Aldi. In a weak and scratchy British accent, this bloke implored the viewer (in this case, me) to come see him at the historic Levoy Theatre in glorious Millville, New Jersey. He revealed that for an extra fifty bucks, you could participate in a  Q & A session, as well as pose for an exclusive photo with him and his band. It turns out this older gentleman with the thick-lensed glasses and gray crewcut was none other than Carl Palmer. The video looped again and he repeated the details of the performance by Emerson, Lake and Palmer. I was puzzled for a moment. After all, keyboard maestro Keith Emerson had taken his own life nearly ten years ago. Later the same year, vocalist/bassist Greg Lake (he of Bar Mitzvah-style hairdos) succumbed to pancreatic cancer at the age of 69. I got bad news for you, Carl. Your former bandmates ain't joining you in South Jersey... or anywhere else, for that matter.

Additional research showed that the performance — "An Evening with Emerson, Lake and Palmer" — would consist of  the 74-year old drummer flanked by two giant screens (in the promo video, Carl emphasized the enormity of the screens) showing decades old footage of Keith and Greg. Carl will be accompanying the film live on drums. For an extra fifty bucks — over and above your ticket price —  you can meet Carl face-to-face and possibly ask him: "Jesus, Carl.... what the fuck?" before they kick you out the door. That sounds like it's worth fifty bucks. Maybe you can also tell him to center himself better in the camera frame when he makes iPad videos. Y'know, before the venue door smacks you in the ass.

Look, I don't begrudge Carl Palmer (or Brian May or the guy from The Yardbirds who's not Eric Clapton or Jimmy Page or Jeff Beck) for wanting to earn a living. But do you really have to grab a buck at the expense of a dead and more popular bandmate? Is that the career path you had hoped for? If you ask Brian May, he'd confidently reply that "Freddie Mercury would have approved."

I guess Keith Emerson and Greg Lake are on board, too. Right, Carl?

www.joshpincusiscrying,com